This is my obligatory public service announcement that I’ve now had my second dose of the Covid-19 vaccination. Whoop! Go me/science/go-away pandemic.
And, because I’m also that kind of person, I used it as an excuse to post a number of letters on the way home. That’s right, I’m so productive!
I spent the vaccination part of my appointment talking to the nurse about my fabulous taste in dresses (best two minutes of any girl’s life) and the fifteen minutes wait time afterwards reading a book. I could have taken a photo of either one of these two activities but it really wasn’t that exciting. Posting letters in a pillar box, that was more exciting.
In short, the process to get both my vaccines was so laid back, it was virtually horizontal. All super friendly people, with big smiles and even bigger bottles of hand sanitiser.
I’m not going to get overly-preachy, but I’d highly encourage anyone to get jabbed (*if it’s something that’s offered to you and something you can medically take).
Still unsure? Browse information published on medically recognised websites, log onto your national health webpages (in the UK, anything endorsed by the NHS), talk to medicine women/men. Don’t listen to idiotic turnips, the ones who own little more in the technical department than a cheap keyboard and have way too much time on their hands to write whacky blogs (oh, wait…)
Anyway, this is my little bit to inform people that yes, I’ve had my second dose of the Covid vaccine and yes, that does mean 14 days from now there’s a heightened risk that I’ll start running around and hugging people for no apparent reason. Also, I may start crying. No reason, I just might.
You have been warned.
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A personal statement, in regards to my general health
Labelling My Condition– Endometriosis
Pre operation and post operation.
Shortly afterwards I was placed on a drip.
The start of this week has been the roughest I’ve faced in this recent chapter of my life. Aiming to remove a benign lump in my uterus, in theatre consultants discovered extensive Endometriosis tissue, the removal of which left me in a world of pain, unable to stomach food and doped up on a cocktail of morphine and other drugs.
I have so much respect for the tremendous staff at BMI Droitwich Hospital for their expertise and care. Those who wiped away my tears, sat with me through the night when I was at my worst and made me laugh when I needed it most. Aside from now walking around like an old woman (blame the stiches) I’m equally lucky to have an incredibly supportive family who’ve been nursing me back to health since my hospital discharge.
A final point for all my women in arms; DON’T suffer in silence, DON’T take no for an answer and DON’T ever ignore your body. Endometriosis is notorious for being side-lined by health professionals; don’t be a muppet like me, too scared to rock the boat.
After years of suffering, I finally have a diagnosis. Here’s to a future where I can label my condition, access support groups and, now, better understand myself.
With love xx
Edit: I’ve been overwhelmed with positive well-wishers and messages. Thank you. I’m heavily contemplating writing a separate blog post on how I got to this point. Not necessarily a mini-saga (“it all started when I was 12 years old…”) but a piece covering the last few months. Despite all the pain, there have been a couple of lighter moments that it would be equally nice to share. Stay tuned. x
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As part of the UK’s approach to tackling Coronavirus, a number of establishments have implemented methods as part of ‘track and trace’.
I get it, makes perfect sense. What I’m less supportive of is how a lot of venues are using as a way to get hold of personal details for marketing cr*p.
Do I really need to informed of your new banana loaf range? Oh, great, you’re offering 2.5% discount because it’s the CEO’s daughter’s 25th birthday BUT ONLY THIS WEEKEND! God, can we get GDPR in to fix this again?
So, in a mark of defiance, I am now now using an alternative details on any wifi login that demands it. Just for clarity, if it’s strictly track and trace I am providing accurate information. However, you asking me to set up an account to order a cup of coffee from the counter literally three meters away? Nah, girl ain’t having that.
In those occasions this is what I’m registering myself as:
Yes, that’s right, my name is now Ms Boom Town (although where possible I choose to not identify as a specific gender). I was born on 1st January 1950 (because we all know that was the birth of Boom Town) and my email is a randomised mix of letters @GenericEmailProvider.com.
So there you have it, from henceforth I insist all my food and drink orders sent over public access wifi are made in the name of Boom Town.
You got a problem with that? STOP EMAILING ME YOUR SPAM THEN!! (Thanks.)
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In response to the frequently asked question “hey, Alice, when do we get to read your book?” here is a list of genuine reasons why I haven’t and why I’m not sorry for it.
My manuscript (at time of writing) is c. 70,000 words and nearing 200 pages. That’s a lot, but I want to make it up to the 80,000 mark. My History dissertation back (in 2014) was 10,000 words and took a year of solid research and writing (with no distractions). Go figure.
I realised three weeks ago at least half of it needed rewriting.
I’ve spent about six weeks working on the opening extract (first 5000 words).
I have a full-time job which I have continued to do throughout pandemic.
Up until mid August, I had only take one day off of my allocated annual leave. One day, in all of 2020.
I have to do human things; shop for food, eat, sleep, poop etc.
Shoot me, I get writers’ block/creative fatigue.
Covid-19. Just Covid-19.
I commute frequently from family home to the actual home I pay a mortgage on. A 1.5 hour car journey will just about sap up any energy you got.
Some days I really can’t be bothered to write.
Some days I really write a load of rubbish.
Believe it or not, I do other creative exploits. All writers need the satisfaction of quick-win completion, which is why I’ve also been writing more short stories. I can’t post these on the blog, because then I’d be unable to make money from them at a later date and/or submit for competitions. A ‘short story’ for me is 2000 words. Nine pages (double-spaced).
Every morning I roll out of bed and stumble the 1.5 strides to the bathroom. I look in the mirror and study the damage; one new spot since yesterday, five new eyebrow hairs, a shade darker under the eyes. I toy with the idea of doing something to remedy this, but then sigh and do little more than splash water from the sink lined in dirt and limescale. If it’s a ‘treat day’ I might apply a thin layer of face cream but today, like most others, is nondescript so tepid water will suffice. Pasty skin ready, I grab one of my face coverings from the coat hanger, rubber gloves from the box and go out into the big, dangerous world to stand in a queue. “Just another day in paradise” plays solemnly through my headphones, a Phil Collins track which I long to change, but my unisex latex gloves are two sizes too big and even if I could, touching the screen would only defeat the point of preventing the spread of germs. I leave him be.
Here I am, starting another 24 hours in a string of days that end in the letter Y. Dull, predictable and dragging, welcome to the human face of lockdown.
If you haven’t already got the gist from recent posts, in March (2020) I made the choice to move fully back in with my family, days before the UK went into COVID-19 lockdown.
I own a house, a car and a job in the same location, but with the job reduced to working from home and my ability to travel limited to as far as the curb-side wheelie bin, it seemed more logical to return northwards.
At 27, the novelty of spending an extended period of time with my family felt like a throwback to the days when home was a refuge from exhausting summer jobs or algebra homework. But now the family home represents my safety and my imprisonment. I am denied my freedom and, some days, forgetting what it feels like to be a fully accountable adult at all. I’m turning into a woman-child.
Three weeks I thought this would last, three. But now we’re speedily heading towards twelve and to be quite honest, I fully expect it to last longer than that. I normally work out of an office populated by a large number of employees. I can only imagine what social distancing will look like if I am, ever, mandated to five days a week in that environment.
Can you imagine the first day of everyone being back? A three hour queue to get your pass reactivated, followed by at least two trying to fix some technical fault with laptops (always tends to be that way). Everyone will take an extended lunchbreak (by which point the only option will be a cheese sandwich) and then there’s just enough time to go around hugging as many people as possible before it’s home time. Michelle is given an out of date bottle of wine from the store cupboard for something she won twelve months ago and then it’s off to the car park for gridlock congestion.
That reminds me, I think I left behind a large stash of snack bars in my locker before I left town. Damn.
I’ve gotten slightly off topic, but then again, I always do. Can you really blame me, when one of the few excuses I get to spend time away from my family is to find one of the few quiet spots in the house and type on this blog? Mumma B is forever demanding new blog post, Papa B is forever blissfully unaware of them (but then sending a text to dad has a likelihood of receival on a same level of attaching a letter to a dove in a hurricane).
I haven’t dyed my hair since January. I guess originally I saw it as a form of resistance, the idea that I wouldn’t colour it until we were out of lockdown, but that idea faded as quickly as the shade of my roots. Resistance turned to indifference, colour fading with every wash, and now I’m reunited with a shade of brunette I haven’t seen in years. It could almost pass for stylish, a layered multi-tonal style.
Makeup? What are these expensive alien products of which you speak? I’ve almost forgotten how to apply what little I used to wear. Mascara is a challenge, the smudgy black fluid streaking up my eyelid and smearing across my fingers when I try and rub it off. I’m a toddler experimenting with these curious substances, playing about with pencils and powders that used to mean something to me. The woman I recognise in those summer holiday pictures, how can I look like her? How can I wear lipstick like she once did without turning into a clown? But then, what’s the point?
Now you can’t exit the house without having to cover up. Facial coverings and gloves have swept across the globe, marking the creation of a new religion with its own dress code. The irony, the racists and xenophobics who used to speak against religious coverings are now the same people yelling that face and hand covering should be made a legal requirement. Next they’ll be demanding the use of headscarves to prevent spread, whilst splashing and gargling in the sea. Society has been united (be it on a surface level) by new codes of conducts and coverings. We have no way to object to the world around us, voices blocked by sheets of fabric, we can only go along with the rule of government. By law or by fear, the faith of the fatigued marches on in varying gaps of social distance.
The highlight of my week is now the Saturday morning food shop and the lowlight is getting back from it. That feeling of exhaustion from exerting myself more than at any other point in the days leading up to it. The rub of the fabric mask, the feel of rubber residue that sticks to my fingers long after I’ve taken the gloves off. In the world I live in this is one of the few excuses I have to leave the house, my world is now so tightly tethered to that of my family. I have no friends to see, no places to visit, no errands to run that can’t be handled over the phone.
Fun is now reduced to comparing the length of supermarket queues week-on-week and counting the number of times we’re reminded to keep two meters apart over the tannoy. The buzz when tinned foods are taken off restrictions, the disappointment when when they’re reapplied the following week. Three tins of soup per customer, a luxury. And yet, the Saturday food shop is the one thing that reminds me time is passing at all. Time is reduced to the little-wins, twice daily teeth brushing, hair washes every other day, changing bedding every few weeks. The mundane activities that make milestones of hope; another week towards a vaccine, another week towards normality. And not just a new one, a true one.
The phrase ‘new normal’ has grated on me since first time it was used by politicians who know about as much on what ‘normal’ looks as Chairman Mao knew of peasant struggles during the 1960s famine. New normal implies that this is the first time normal has changed, but what about the invention of the internet? Or the Industrial Revolution? Or when we started hunting with metal spears instead of stone? In which case, what are we headed into? New Normal Version 9999998767.8?
Instead of new normal, I’ve adopted a different phrase, ‘My Normal’. The way I see it, you have to embrace and adapt to what works best and safe for you. In lieu of coffee shops I’ve taken pleasure in making my own coffee and enjoying the views I’m lucky to have. I miss the noise and hubbub of activity, but sometimes I think it’s easy to romanticise an experience. Countless times in life I’d find myself trawling from coffee shop to coffee shop to find space, only to find it too noisy to focus or hold a conversation.
I write a hell of a lot more now than I used to. Whether the quantity results in quality is yet to be seen but regardless it feels, well, good. But I’ve also dropped the stupid targets, I’ve moved away from expecting myself to have produced the next best-seller. I’ve realised that I get bored, I procrastinate, I live with three other adults who seek me out if I go three hours without doing a tea run. I’m human. One day I’ll spend an evening working solidly on a manuscript, another I’ll decide to do something unrelated to writing; I might watch rubbish TV or read my History Magazine. My lunchbreaks I might donate towards researching the publishing industry or even find myself so done with taking myself seriously that I turn to this blog to remember that deep down I am still the kooky person I’ve always have been. No lockdown is going to stop me being me.
Do I scrap with my family? Of course! Even when I was living here as a teenager and my parents were working jobs we didn’t see each other as much as we do now. There have been plenty of times I wanted to get away from it all and return to life where I had my independence and my freedom. But the benefits of being in a space where I feel safe and wanted outweigh having to ‘go it alone’. I am incredibly lucky to have the family I do, even if they do all drive me insane.
And here’s something potentially controversial; I’m actually more content now than I have been in years.
Gone is the pressure to look a certain way or to live in a certain location (e.g. London). I don’t feel the pressure to be in a relationship, in fact, as time has gone on and the faked perfection has slowly disappeared from the internet, I’m left wondering what it must be like those couples, the unstable relationships built on sand and Snapchat filters.
In just under three months my life has, once again, changed enormously. And there was I thinking living in London was the biggest shake-up to happen to me. Moving back into the family abode is shifting my perceptions and five-year goals more than any office manager or two-day Excel training course ever did.
Those lamenting that office work is as extinct as the dinosaurs need to get real and understand that people will always crave social interactions. There will always be a queue for my office car park and when the doors open I will be at the front of it.
Like everyone else I worry for the future economy, my job security and the health of those I care most about. But of all that I worry most about what we will become. More than once I have woken from a nightmare, to discover it was only a more warped version of the life I used to lead before. I fear that when this is all over and the generation moves on behind us, we will horrify or romanticise this event like it’s our version of Vietnam. The youth will never understand, will never appreciate what we went through, when in fact we were the ones who returned to 45-hour weeks, we were the ones who were so desperate to recoup physical loses that we forgot the gains we made on our front door.
But more than this, so much more, is the reassurance that this will not last forever. One day I will return to the town where I live and work. My mum will go back to cooking for two, not four, my sister will teach in schools and my dad will be able to work in customer’s homes without wearing a mask. None of us will be the same, but we will have future hope. One day we will all be reunited and will laugh; back when we thought this would all be over in less than three weeks.
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It’s a strange old world when the phrase “you must have been living under a rock” is more of a compliment than criticism. Because why would you choose to be kept informed on a minute-by-minute basis? Why would anyone take to pointing the blobby face in the BBC’s Coronavirus background just to get through the 10pm news? Why would anyone do that? They’ve to be pret-ty sad to do that.
Like many people around the world who has or is currently going through a version of a lockdown, there are a number of things I feel that I was no prepared for. Most are very typically British and being me, I’m going to take a very Alice-y approach to this. The community spirit, the crazy hoarding, those are commonplace knowledge in the UK. But what about the little things? The small changes to the day-to-day that I really was not prepared for and some I’m really not sure I’m okay with.
Lockdown: 10 Things No One Warned Me About
1. I look good in a mask
Never did I expect to scrub up nicely in a DIY mask. I don’t wear it very often, only the couple of times when I’ve gone out food shopping. But you know what? I kinda like it.
Solves the problem of make up and my fledging career in ventriloquism, as this accidentally taken video shows.
2. I’d be fighting pets for work space
I mean, sure, space can be tight when you’ve got multiple people working from home, and I get having any age of children about can add an additional layer of ‘fun’ to the mix. My cats however, no one seemed to teach them the importance of sharing.
Squeak in particular, she seems to view my presence are a mere inconvenience to her sleeping arrangements and trust me, this lady is not for turning!
3. I’d listen to more questionable radio
I’m not adverse to radio, in fact I listen to a good deal of the stuff when focusing on work or creative projects. But, listening to so much of the same hosts you naturally want to venture out and explore new things, did I however expect to be listening to Heart 90s? Did I ever expect to be researching The New Radicals on my lunch break? And did I still expect for Westlife to not be over their exes? Short answer, no.
Reminds me, I really need to buy more CDs. Also, did you know Cyndi Lauper did a remake of her hit Girls Just Wanna Have Fun in 1994? Well, you do now.
4. I’d drink more
Coffee, gin, prosecco – they’re all the same, right?
Still, for the first time in my life I’m actually drinking two litres of water a day.
5. People are more demanding
Sometimes it’s household chores, other times it’s life admin, but living with family I cannot get away with dodging tasks in the same way I could when I lived over an hour’s drive away. I feel like I’m six again.
On a similar level, I’m getting constantly asked when my book is getting completed, the expectation is apparently I’ll come out of lockdown with the next international bestseller ready to hit the selves.
I’ll spoil it for you now, it ain’t happening by September 2020.
And then there are some people who use their connections and position to request frequent updates on new blog posts (yes mum, I’m looking at you).
I have more time, but I do also have a job and endless cups of tea to make.
6. Downing Street briefings would become the highlight of my day
The daily updates, usually televised from 17:00 have been a key milestone I structure my day around. Stranger still, I now have favourite ministers who I get more excited by presenting than others. Business Secretary, Alok Sharma, not a big fan.
(Also, I can’t un-see Tom from Tots TV whenever I look at him. Don’t ask me why.)
However, Rishi Sunak, Chancellor of the Exchequer, he’s a bit of a political dreamboat. I always look forward to his briefings, which is something because I barely knew the chap before this all kicked off.
At the age of 39 he’s basically 20 years old by political standards and doesn’t he know it? I mean, the man even poses for photos in his socks. Puts the full shirt and tie combo on, but no, leave off the shoes. What a tease!
All I’m saying is that the next series of Love Island needs to watch out.
This leads nicely onto my next point…
7. Having a legitimate excuse for my non-existent dating life
After years of trying to defend my singledom status to an irritating number of people (singletons, you’ll get it), it’s taken a pandemic to stop people asking.
I mean, the apps can give it large by encouraging people to facetime but if there’s one thing I really can’t be handling is the awkwardness of a) making an effort when really, what’s the point? Or b) having to talk through my choice of bedding with someone I’ve known all of five minutes or even c) terminating the ‘date’ because the 17:00 briefing is about to start and Rishi is chairing.
Instead, the phrase I’m not using is “I’m practising this new fashion called social distancing. Very a la mode, it’s all the rage on the continent!”
After all, it worked for the Netflix series Love Is Blind
For those less familiar with the car crash TV series on Netflix…
8. My family are insane
I love them dearly, but with all us temporarily living under one roof for an extended period, a length of time none of us have known for many years, well, the weirdness starts to surface eventually.
Case in point: Mumma Bennett has taken to drawing on a potato.
And I know what you’re thinking…
For better, or worse, Mr Potato is now part of our lives. Mum is very precious about it and gets upset if we says nasty things about it.
Again, we’re all living in the same house.
I’ve now come to embrace Mr Potato; he’s no couch, he’s my mate. He’s pretty sharp on boosting morale.
(But I have had to have words about his unexplained trips.)
9. I’d be using Christmas decorations in Summer
We’re now using seasonal charms on every glass/mug to identify who has been drinking out of what. The only slight difference now is that instead of it being “ho-ho! Wouldn’t want to accidentally drink your wine!” it’s more “DON’T YOU DARE CONTAINATE MY COFFEE, YOU MASSIVE GERM!!”
10. Dad’s legs
Apparently it’s now Summer. Missed that memo; the one which said the weather would be pants for weeks and weeks, but the second we go on lockdown it would improve. But, dad has his legs out so it must be the case. Can’t argue with that, (really, I can’t.)
To finish off, here’s one of the more respectable 90s songs I’ve heard on the radio (it’s a cover of an absolute classic but then, the 90s):
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With everything else going on at the moment, there are a lot of people also talking about mental health (and for good reason, like so many it’s a topic close to my heart).
The way I see mental health, it’s a lot like Mr Blobby’s house. Now, bear with me on this…
(By the way, if you don’t know who Mr Blobby is, he/it was my life in the 1990s and the single weirdest thing to happen to British TV, as demonstrated by Jack Whitehall.)
(My understanding is that to anyone who didn’t grow up with this character it’s the scariest thing you’ll ever come across.)
What’s Mr Blobby got to do with mental health?
The outer bubble
When it comes to how you look and act (especially on the internet), to most of the world you’re like an episode of Noel’s House Party, living this amazing life that people absolutely envy you for. Grand houses, upbeat music, laughing along the way; you’re living the dream!
The secondary bubble
Your friends and family meanwhile, they know you better than that. The flashy estate on TV, that doesn’t exist, that isn’t the real Crinkly Bottom. No, the real CB is somewhere in Somerset, remind me again Noel…?
Gotcha, near Chard.
Those close to you, they see you as being more like Mr Blobby’s house ‘Dunblobbin’. This unique and random construction that is completely random and, to be honest, a bit bizarre. But, they know you’re owning your take on weird and that’s why they love you so.
The inner bubble
But sometimes, it’s really not okay.
Really, things are like Dunblobbin after it was rediscovered in 2014, almost two decades after the park closed…
I.e. in your own head, things are a mess
And deep inside, you don’t even recognise the things you see and feel. And it’s not quirky or unique, it’s scary.
Guess what? Sometimes life is tough.
And I’m not saying that in a ‘they’ve run out of avocados at the supermarket’ kinda way, I mean it’s tough, as in a real challenge.
A short while ago I went through a rocky patch when event after event hit my life like a kick to the shins. While writing was great for getting out the anger (maybe one day I’ll publish the drafts), it wasn’t helping me get out of the rut.
The game changer came when one of my good friends sent me several texts:
Admittedly she’d had a little to drink at the time, but it actually made a massive difference in my mood.
I always harp on about lollipop moments, the idea of recognising someone for the things they don’t see, that I’d never thought about receiving it in return.
(Video for context.)
I realised that while I loved writing, sitting alone in my house and getting pent up over the things I couldn’t change would get me nowhere. So I started going out more, re-engaging with people I hadn’t seen in years. And God did I feel better for it.
There are still things I’d like to change and nothing is ever stable; like all humans I have my good and my bad days. But I just wanted to say that to anyone not feeling entirely themselves that it’s okay. Things can get better.
Never underestimate the power of friendship…and Mr Blobby.
Nb – for anyone interested, here is a great mini-documentary video charting the rise and fall of the Crinkley Bottom theme park.
Update: This post was originally drafted in January 2020, prior to the mass spread of Covid-19 across Europe. Author fully endorses staying safe and being considerate of others in the prevent of further spread. Be kind.
STOP BUYING ALL THE TOILET ROLL!
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Well things are really not going my way, are they? Just when I think I’m starting to shake this illness off, boom! Tonsillitis.
Given breathing state is a bit wheezy I’ll have to try and not get too ahead of myself when typing in hurried excitement. That’ll be the hardest part, just like when my teachers used to tell me off for smudging ink all over the page and up my hand. They never really did see the other side, that I couldn’t help it. That I was so keen to write everything down in my head, too impatient to let the ink to dry.
Bruise on the leg has near vanished too, so at least my body is still capable of some level of self healing.
It was that very same night as the Sofar Sounds gig that I experienced my minor calf injury. After the meal in Wapping I found myself casually wandering around St. Katharine Docks, a delightful patch of water and wealth next to Tower Bridge. Where rich people flaunt their yachts and people like me walk along raised walkways; enjoying the chance to look down at privilege. It’s also the location for one of my favourite views of London, where Tower Bridge appears from nowhere as a mighty giant of architecture.
At this time the light was lacking, so I decided I’d return another day to take the above photograph.
There had been a steady drizzle of rain throughout the afternoon, causing the paths and walkways to be more slippy than usual. While the Underground stations blared the same warning to passengers over and over again, on a near silent Sunday night in January the message was perhaps less ingrained in my head as I strolled around the Marina.
Eventually the expected happened, walking down a flight of concrete steps in my flat, sodden, pump shoes, my foot skidded on the slippery surface and I tumbled forward. Thankfully I was near to the bottom, my hands jutted out of my pockets just in time to break my fall down the two or three steps remaining of the flight. My calf however suffered their bite, the impact of these remaining ledges grazing their teeth along the bone, from foot to knee.
It was too dark for anyone to see, too quiet for anyone to notice, too quick for anyone to spot; within half a second of me falling flat in a heap I’d hopped back onto my feet and carried on my way. It was only later when I got back to the hotel I discovered the full impact of the fall was more substantial than I’d originally thought. Lesson learnt; I kept my hands of out my pockets and tread more carefully for the rest of the trip.
Monday morning, and now it felt like the time was all mine to play with. Done were the previously agreed engagements, the catch-ups and the pre-booked tickets, now I had the freedom to do whatever I wanted while the rest of the city got back to work.
From my bedroom window I watched the suited men and women in their designer shoes and trainers as they all scuttled in the same direction, towards the heart of the financial district. It drew me back to all those times before when I’d walked the very same path, head down, headphones plugged in.
In amongst the crowd I saw one individual less sure of themselves, less familiar with the route they were taking. They reminded me of myself all that time ago, those first few days where impatient workers would dodge and tut as I stopped frequently to check the direction of travel I was headed in.
Back in the present I knew my place, I would only head out after the walking rush-hour had ceased; after 09:00 when the world was a little calmer on foot.
I’d never been to the Museum of London which had always struck me as odd given it was one of the few tourist attractions I’d seen so frequently day-to-day working in The City. It’s imposing lettering on the side of a large brutalist wall that trailed around a roundabout and off towards the Barbican.
Deciding there is always a first time for everything, I skirted around a large school party waiting outside and dived into the building to get a head start on the exhibits.
The first thing that struck me was the music playing loudly across the speakers. The sound of punk music overflowing into exhibitions on prehistoric London seemed initially a strange pairing, until I realised that it formed part of a temporary exhibit on The Clash’s 1979 album London Calling. The album was playing on a loop to help draw people in. As I walked past staff members I wondered how many repeats of the title track would it take before they grew sick of such an iconic band.
The music stayed in my head long after I left the museum. I may have seen some wonderful artefacts and learnt a lot about London’s rich history, but it would be the feeling of seeing Paul Simonon’s broken guitar in real life that would come to brand the entire city-break. I’d never been an avid follower of the Punk movement, but the first time I understood it a little better. I was able to appreciate it for what it represented; the first act of civil disobedience, the first time youth made a strong impact. “No, we will not be silenced!”
From the Museum of London I skirted on down past St Paul’s cathedral, through the buzzing crowds of tourists and across the Millennium Footbridge to reach the banks of Southwark. In my sights I had my favourite branch of Caffe Nero; one located in Oxo Tower, but before I could reach it I caught myself on an installation placed outside the Tate Modern. A walk in cuboid-like structure, hung with column upon column of white paper cups (save a couple of black columns at the front).
‘We use 5,555 paper cups a minute in the UK,’ the sign read. ‘Oh which only 555 are recycled.’
I took a step back and, like a few of the passers by, were moved by how explicit the instillation was in showcasing the amount of waste in this country. However, what was equally striking was how the majority of people had responded to the stand-alone piece. All around people were scribbling messages onto the paper cups; some were deeply emotive on the destruction of the planet, others as two-dimensional as a statement that someone had been there, like lover’s hearts engraved on trees. Whether or not the artists has intended their work to be graffitied in this way, it seemed there was no stopping it, the piece had only been erected for a matter of days and yet was already covered in human sentiment.
A ballpoint pen burning in my handbag, I walked forwards and scouted out a suitable cup to make my mark. Not entirely sure what to write, I eventually scribbled down some words. I stepped back to admire my work, only to find myself cringing at the terrible handwriting and the surrealness of the wording. It was missing something.
I pulled out one of my business cards from my bad and, with the help of a few drawing pins and some blu tac, I attached the small square of card to the small paper cup. ‘Yes,’ I thought. ‘That looks better.’
The final inscription read:
Alice E. Bennett, 27/01/20. Mermaids do exist and they can’t survive in our polluted oceans. Instead they are forced into moving to Swindon!
(After attaching the card I also added the words, ‘get curious’.)
I took a couple of photos before moving on. As I walked away I realised a few people had been stood watching me the whole time as I awkwardly attached my card to the cup. An international tourist was quick to swoop in to give it a read, though I felt quite certain they wouldn’t have the faintest idea what I was on about, I barely knew myself.
Whether I had intended it to look that way or not, I’d effectively sold out on an environmental protest.
I strategically placed one of my ‘duff’ business cards (ones which were printed with a spelling mistake) under the empty coffee cup as I walked out of Caffe Nero, the space somewhat busier than I expected for a Monday lunchtime. I retraced my steps and entered the Tate Modern just as the heaven’s opened and it started to pour with rain.
‘Better take my time, then!’ I thought to myself, making my way into the turbine hall to admire the dramatic water fountain, Fons Americanus, created by American artist Kara Walker.
I strolled around several of the art galleries, in truth I saw this as a mere fill-in experience for old time’s sake. It’s funny how spoilt you can become when you experience something everyday, in that very moment I only sought out a quick hit whereas for many this would be the highlight of their day or even their trip, to London.
A number of the galleries hadn’t changed since the times I’d been there and for me that felt bothersome, like the Tate was being lazy and people were being cheated out of an experience. But then a quick survey of the people visiting at that moment in time reminded me that for most they knew no different, they were just like me that very first time I’d entered the old factory. Just as fascinated, just as keen to photograph. I knew the issue lay more with me than anyone else; so I put my internal-tantrum to one side and took myself to a different part of the establishment.
I will spare you the War and Peace version of how I view art, but on this visitation I seemed to feel a stronger feeling of hate, divide but also a call from artists to remember we are all human. I suppose it’s not a surprise, artists always have had a reputation for expressing more liberal sentiments than other segments of society. But watching Igor Grubic’s video East Side Story where far-right extremists attack a Pride match with bloody consequences, it felt like the message was stronger now than it ever had been before.
(Warning: video below contains strong language, violence, and homophobic language.)
And then there was hope; that if we recognised the contributions of others we could be a part of something much greater than if we work in isolation. Nowhere else did I see this more strongly than in Yinka Shonibare’s The British Library, a room installation which makes the point of showing how fundamental other cultures, notably African, have played a role in shaping English literature.
A room of books, each covered in bold and heavily patterned fabric, all the colours of Heaven and Earth itself. Not in such a long time had I found myself at pains to stand behind the thin bit of wire that prevented me from reaching out to touch, to feel, the books before my eyes.
The rain still coming down in medium sized droplets, I hurried across Blackfiars bridge back onto the Northern bank and then, from there, Northwards to reach Trafalgar Square. When I’m set on an idea I can become really stubborn to it, even if it makes absolutely no logical sense to anyone else. In this instance I’d got my heart set on a visit to the National Gallery before it closed at 18:00. I left the Tate Modern at 15:00 which, factoring in travel time, would give me a safe two hours in the gallery before hitting the Tube to avoid the peak rush hour at 18:00.
Maybe in a bid to avoid the rain outside, the National Gallery was considerably busier than I had expected it to be; an old building full of hot, wet bodies.
I took a quick turn through the galleries, although I found myself stopping and starting multiple times as soon as I came by a suitable seat to perch on. I hadn’t quite factored in how much walking I’d done today, and in fact every other day, until this very moment. Of all the views within and looking out of the building, the best that day came simply from that of a window seat, where I could idly watch people ascend and descend a large staircase built in a recent extension.
Because I’m me, I did find a couple of humourous bites in some of the artworks; including this piece which reminded me of all the times my friends had placed bets on the length of my hangovers:
And this piece which looked like a screen grab from some type of low-budget documentary. Something along the lines of…”don’t tell me how to raise my kids”.
However, when all was said an done I found myself surprisingly keener to leave the gallery earlier than I had originally planned in my head. After about an hour of breezing through the classics, I left the National Gallery, breaking my route back only momentarily to stop off in a nearby Waterstones. I couldn’t resist plunging myself down to the basement level to enjoy one of my favourite sensory experiences; the smell of new books.
That night I returned once more to St. Katherine Docks to enjoy a meal at the restaurant chain Zizzi. The looks people gave me when I walked in by myself! You’d have thought I had a third arm growing out of my waist! Used to these looks of surprise, curiosity and mild judgement, I pulled out a reading book as the staff placed me on the last free table in the house. I settled down for a chilled Monday night with a glass of wine and good company (i.e. food).
As I sat there later, sipping on coffee and making it clear to everyone I was in no rush to leave, I pondered on the art works I’d seen throughout the day. From The Clash, to Shonibare, right through to the classical masterpieces in the National Gallery, they had all been individuals not afraid to make their mark and show off their talent to the world. They would never have considered themselves arrogant or forcing their talent on the world. They may have had rocky patches, but they’d always had a firm belief that the route they were taking was the right one, when The Clash coated brick walls with their posters they wouldn’t have worried about what people said or thought. So why did I still on occasion find myself blushing when friends rolled their eyes at me, ‘putting up another business card Alice? You’re such a sell-out!’
Just then a waiter came by, sensing his chance. I reached into my bag and pulled out a card, tapping it swiftly on the hand-held device to make the transaction and ensure the staff hassled me no more.
I opened up my phone case and pulled out one of my business cards from the inside. As I flicked the small piece of card around my finger, reading and rereading the contact details printed on it, I mused on the idea of all artists being sell-outs. That to be and be regarded and accepted as ‘something’ you have to be prepared to stand out; you have to be a peacock in a field of pheasants.
I lifted myself from my seat, applying my coat onto my back in a sweeping movement. I cried out to the remaining staff who responded with a polite smile.
‘Thank you! Have a good evening!’
And then, just as I picked up by bag from the floor, I placed a business card brazenly on the table before walking out into the darkness with a secret smile on my face.
Okay, so my cold seems to have moved onwards and upwards…from my throat to my head. God I hate it when I’m constantly full of headache, I feel so useless! The bruising on my leg seems to not be quite so obvious now, although I knocked it against a table leg this evening and am very much reminded it’s still there.
While the painkillers are doing their job I best crack on with giving purpose to my life, before the throbbing returns and I’m back to lying in a dark room with music by Norah Jones being the only thing I can tolerate as comforting.
On parting Cherice at Angel station in Islington, I dashed across London with enough time to check into my hotel near Tower Bridge.
‘I’m going to put you on the quiet side of the hotel,’ the receptionist informed me with a smile.
‘Thank you, that’s very kind,’ I replied, although I felt quite sure it came just as much down to which standard rooms were still free at 18:00 as much as anything else.
I’d already booked tickets to see Matilda that evening, giving me a generous 45 minutes to get back, make a speedy tea and then head out again in time to get to the theatre and collect tickets before the 19:30 start.
I’d stopped by a branch of Doughnut Time earlier in the day and the oversized, over sweetened, Biscoff treat ended up being the perfect solution to my limited time to source an alternative meal. I polished off the item while in the background I stuck the TV onto the only semi-passable, non-committal program basic Freeview had to offer.
‘Why did I ever like this film?’ I pondered as I tried to negotiate the challenges of eating a messy foodstuff out of the cardboard box. ‘What year was this film? 1999? Wow, that would be why.’
No time to change, I emptied my handbag of unnecessary items, grabbed a bag of sweets for the road and headed out into the night.
Once I got to the theatre and found my seat I was pleasantly surprised by the view.
As I later remarked to a work colleague, one of the few benefits of attending on a Saturday night alongside a number of families – no issues with tall people in front!
I won’t bore or ruin the details of the production, but safe to say I could very much see why the show was exported from my beloved home town of Stratford Upon Avon several years before. It felt good to finally say I’d seen it for myself.
Fast approaching midnight; on returning to the hotel, my last scraps of energy were applied to putting on lounge wear and flopping into bed. Sleep came easier to me than swimming to a fish.
The next morning I pulled myself awake with relative ease. I grabbed my watch off the nightstand, 9:00. The downside of thick curtains; the room was just as dark now as it had been in the early hours of the morning.
I already knew where I wanted to go; the Columbia Road flower market in Hoxton only happens on a Sunday morning and I had fond memories of being in the middle of the hubbub of those who flock to the street to buy exotic plants from strange lands far beyond the Thames.
More familiar with the route I used to take from my old stomping ground, Wapping, from Tower Bridge the route was decidedly quicker when taken on foot compared to on Tube…well, in theory it was. Because by the time I’d gone down every side street, studying each passing map like a common tourist, I was the first to accept I was a little lost. But, at only 10:00 most of London had yet to fully wake up and I found myself quite happily riding the wave of confusion as I took in the sights of a slightly less chaotic Brick Lane in the heart of the old East.
When I finally arrived at the flower market (spurred on by the sight of people carrying large indoor palm trees), I joined the shuffling crowds. the smells and sounds taking me back to all the times before, the gruff masculine sellers showcasing colourful tulips just as amusing as always.
At the far end of the long street there was a pianist and tap dancer busking to a large collated group of watchers. They, competing against the tradespeople for attention, the tradespeople doing similar as the two parties fought for hard-earned money. It strangely added to the effect, the lady’s tapping feet on the damp tarmac a mesmerising beat to the cries of “two for five pound succulents!”
I purchased a couple of small cacti from a stand, not because I necessarily needed or wanted them in my life, but because they would look nice next to the one I already had in my home in Swindon. A subtle reminder of a moment whenever I made a cup of tea, a way to relieve a memory without anyone else knowing.
As I reached to pick up one of the items off a rack, another cactus pricked me in envy. With the bag tapping against my thigh, I made tracks to find the nearest shop to stock tubes of Savalon balm. Once this had been acquired and applied, I carried on to one of my favourite coffee haunts.
‘We don’t do blueberry muffins anymore,’ the barista says bluntly.
‘Oh, well, I guess it has been a year since I last visited. Things change.’ I point to a piece of banana bread to indicate my alternative selection. I hand over my loyalty card, the edges battered and stained from a year in the depths of my purse.
‘We don’t take those anymore, manager had a crack down on them a while ago.’
‘That’s shame,’ I say. While the barista makes my Americano I look down at the small piece of card. Four previous coffees, four stamps that had now amounted to nothing. Still, not like this fifth one would help much towards the free tenth coffee. I put it back in my purse, it still seemed too much to throw it away.
I set myself up in the window, one of the few people to chose this particular coffee shop as their location of choice on a mild Sunday morning. I carefully placed one of my purchased plants down on the table, rearranging it slightly just as the barista walked over from the counter with my coffee and cake. Not like either of us were in any rush.
About an hour into a session of typing, a swarm of people poured up from the downstairs cellar. Surrounded by a flurry of voices it was impossible not to learn the subject of interest; an artsy film that had been premiered below. Eventually they all vacated and it was service as usual; just me, a couple of bored employees and the words on my screen.
It took a change of a track on the venue’s carefully constructed playlist to realise how long I’d be stationary in the trend-setting shop. I took it as a sign and made my leave.
Back at the hotel I dodged past the remaining cleaner trolleys to return to my room, thankful of a slightly longer rest bite to unpack my case properly. I flipped open the lid on a four pack of multi-buy blueberry muffins (small supermarket I’d passed) and happily picked away at its spongy texture as I flicked through an outdated Friday issue the Evening Standard I’d grabbed outside Aldgate East.
In what felt like no time as all I was grabbing my red coat and heading out once more, this time powering towards a Sofar Sounds music gig, hosted in block of flats somewhere deep in Shoreditch. Part of the gig’s charm was the secrecy in location right up until the last minute
‘Hey, you!’ I cry out down the street, over the roar of local cars and music blaring from neighbouring flats.
‘Hey!’ My little friend says with a smile, lifting her hood up to expose her dark hair to the rain for the first time. She stares at the metal gate.
‘It’s definitely here, right?’
‘Says so,’ I push the gate open and we enter the complex. ‘Thing is, I have a strong sense of deja vu being here…’
‘You been to many of these things?’ Emily asks, having never attended one of these events before.
‘Sofar Sounds? Yeah, this must be my…’ My eyes shoot upwards as I calculate the number in my head. ‘This is my fourth. Two previously here, one in Swindon.’
I give my name to the lady on the door and she directs us into the block. I recognise the hallway immediately; we’re heading to the same flat I attended before with Cherice.
‘So, what’s the vibe like?’ My friend asks as the lift rattles up four floors.
‘Oh, very friendly. Everyone gets all cosy and watch three acts perform. Some of them are in commercial venues, like bars and galleries, other are like this; people offering up their own homes.’
We knock on the flat door and immediately it shoots open by, I assume, the host. I’d hoped that arriving twenty minutes early would secure us with a greater choice of floor space, however this theory was quickly dashed when the same lady directed us to a large mound of jumbled shoes before permitting us a step further.
We carefully picked our way over several groups before finding a spot to seat ourselves. I laid my coat on the floor and pulled out a bottle of water and snacks, seasoned to the ways of Sofar Sounds.
‘Would you ever offer up your place for this?’ Emily asks.
‘God no!’ I reply. ‘See what people are drinking?’
Emily quickly glossed over the room’s inhabitants, most clutching bottles of beer or small containers of wine. One lady was casually sharing out chicken nuggets between people she’d just met.
‘Now look at the floor,’ I add.
‘I think you’ve answered your original question.’
After a general introduction, three acts were each introduced to the ‘stage’; a tiny space at front cordoned off with a flimsy string of cheap LED lights.
The room was packed, busier and more overcrowded than the time before. In order to fit in an ever increasing number of ticket holders I found myself having to adopt ever more creative positions to fit my body into the Tetris-like gaps that sprung up and closed as others around me did similar.
Within the performance breaks Emily and I had chance to catch up. I’d spent two years living with her during our University days, going through both the good and rough times life as a student can bring.
I’d seen a kindred spirit in Emily when it came to work. For her dissertation I’d often get woken up in the early hours of the week as she headed to the labs to pull her research; whereas for mine it had resulted in weekends spent living and breathing historical archives to try and locate secretive family information. No one could have ever said we weren’t committed to a goal.
I suppose now, as we both sat in this top floor flat, what changed us was the way in which our studies shaped us. I applied elements of my History degree into jobs with no strong bearing on the subject matter, Emily meanwhile was on a conquest to utilise her education in its purest form. She was in the middle of working through a Masters Degree, whilst holding down a full-time job.
When she’d first told me about it almost two years ago I thought she was mad. Now, hearing her speak so highly on her passion for the subject matter, I could only admire her strength of will all the more.
After act one we stood up to stretch our legs, the guitarist tuning his instruments right before our noses.
‘That’s one to take home,’ I observe light-heartedly. ‘”Ma, he has two guitars!”‘
‘Are you on any dating apps?’ Emily enquires subtly, taking a swig of water from her bottle.
‘Back on Hinge. You remember, the one everyone raved about at improv. event?’
I hiss through my teeth. ‘The one with the photo?’
‘Oh, yeah, that one!’
I pop a couple of gummy sweets in my mouth, quickly chomping on them as I offer some more into the palm of my plus one.
‘Basically, and you’re going to love this, I went to a music gig in Swindon recently with a guy…’
‘A date?’ Emily quickly interjects, the story suddenly taking her interest. I lift my hand to stop her.
‘Don’t, I thought that too. Especially when he offered to pick me up and pay for my ticket.’
‘So what went wrong?’
I sighed, it never got any easier to tell the story. ‘He had a girlfriend.’
‘He said I should have known, that it was obvious he was texting her all night. Well, forgive me for being too distracted by the music and, you know, not being a creep?’ I munch down on another sweet whilst looking into the middle-distance.
‘Isn’t it just? But it’s kinda been the closest I’ve had to anything since God knows when and I’ve just reached a stage where I’ve been single for two years, only ever had one relationship…’
‘Was it though?’
I chuckle. ‘Lets not go there. It’ just…just…well, everyone seems to be settling down and it feels like I’m doing anything but. Guys don’t ever seem to be on my level. They all want to worship me or aren’t interested no matter what I do.’
‘Men! But still, what’s wrong with wanting to be worshipped?’
‘Not if it’s suffocating.’
I glanced over the large number of couples in the room and took in a deep breath. ‘I want to be considered an equal, to be with someone who has the same values as me but not afraid to challenge me on them just as much. Sometimes I think I ask too much.’
It was at this point we were encouraged to return to our seated positions for the next act.
About two songs into the guitarist’s set I found my mind drifting on the waves of the music. The man was amazing, make no mistake, but with all music that lacks the presence of vocal chords, my creative mind suddenly found the opening to run free.
I caught myself gazing at a couple sat up against the back wall. Hidden in partial darkness and at the furthest reaches of attention and music; the two were deep in whispered conversation, he with an arm around her shoulder and she clutching his spare hand in one of her own. The world around them were merely the backing dancers, extras in their sell-out performance. They couldn’t care less about the quality and type of music their entry ticket had funded.
Then my mind raced forwards to later; I pictured them leaving the flat laughing and running down the street, jovial in manner but a hidden urgency to get to the Tube.
She yanks him into the train carriage just as the doors close, his jacket narrowly missing entrapment. She holds him there, by the t-shirt collar, held in suspense while the carriage rattles and lurches in sudden, jerky, movements, the tracks screeching its siren call. Staring deep into her eyes, the urge in his body tightens; building and building until suddenly it’s too great a feeling to contain. It floods into her as he leans forward and sharply kisses her against the sliding door, just as the train pulls into the station. The woman pushes him back with a giggle, a slight nod to indicate that this is the stop to alight from.
And when they get to the flat, that little compact and scruffy space that could have been theirs for years or hers for weeks; when they finally tumble in, they interlock like time itself is as fleeting as sand in a glass. Her delicate fingers grapple and skilfully undo her partner’s perfectly styled hair with speed as she slowly steps backward to hit the light’s off switch with her oil-slicked palm.
The things that are enacted next, in that dark space warmed by both body and street light, they are the thoughts that cannot be written. How constraining and insufferable the English language can be at the times we need it most.
It’s impossible to say from this angle if the transaction is love, or little more than a sudden flare of lustful hope, but the conclusion reached is just the same. They lie there, on the collapsed mattress with passion-stained sheets, no words needing to be said to dare risk spoiling this brief moment of euphoria.
Her head rests on his body, a long tangle of jet black hair intertwining with that on his chest. Slowly, but surely, the pair drift off into a deep sleep; they have barely said a word to each other since leaving the event.
Someone suddenly moves in front of me and in a daze I quickly move one my limbs in the opposite direction. Bad decision, I feel something snap at the back of my left leg followed by sharp pain the full length of the limb. Biting my lip hard to prevent a yelp of pain, I look down and see that my leg must have been in an awkward position for sometime, it almost looks dislocated the angle is so unnatural.
Emily gives me a nudge, the performer has finished his set. I clap along, using the chance to curse under my breath and position myself to stretch my leg out. The pain subsides, even if for a short spell.
I glance up and see the couple on the back wall clapping along as well, although theirs seems more out politeness than in genuine recognition for the man’s talent. I slowly blink and return focus elsewhere.
‘When are you going to finish the book?’ Emily asks me.
For those with an interest in producing any form of art having a broad and open mindset is an essential part of our very make up. The ability to see something and pull out a deeper meaning or be inspired to create a new one. When I speak of the Creative’s Curse, I don’t mean to refer to some kind of incurable disease or superstition, more the occasional drawbacks of having a unique skill.
Seeing things you don’t always want to see, creating implausible story lines to fill a void you didn’t even know existed. The sole belief a perfect world lies just beyond one’s fingertips. Sometimes it’s impossible to predict the triggers, sometimes you don’t want to. The irony; my sweet heroin is the thing that keeps me sane. I cannot bear to imagine a world where my creativity, including the occasional bought of Creative’s Curse, was sucked from the very marrow in my bones.
I was sat in the local pub later that night, one I used to frequent regularly when I lived only a couple of streets away. With a hand resting across my lap; watching boats speed up and down the dark abyss of the Thames, I heard a woman muttering in the seat behind.