Deleted MHAM Posts From the Cutting Room Floor

Some of the photos and posts that I wanted to write for My Housemate’s a Mermaid, but didn’t quite have enough material (pictorial and verbal) to fill.

Deleted MHAM Posts From the Cutting Room Floor

  1. The time how, at the start of the pandemic, Mumma B spent hours cutting squares of old fabric to make laundry bags for NHS key workers

2. When I stayed up so late that I ended up watching a much younger Nicky Campbell presenting a Top of the Pops episode from 1990

Some people had more fun than others.

I continued to watch it, even when this was played from the UK top twenty for the week.

3. How very surreal my office was when I went back to empty my locker

4. My sister’s attempts with one of those packet face masks from South Korea

It ripped off a load of skin, but not a lot else.

5. Squeak, the cat, being rebellious

6. The time I saw my old/favourite History lecturer from University on the BBC and I absolutely lost my cool

I mean, WITH LUCY WORSLEY!!

7. The time I found this in a shop and it perked up my mood

(But not enough that I bought it.)

8. The generous gin measures down the local pub

9. The generous measures of lunch portions while living with family

10. The thinking behind this at the Travel Lodge Hotel in York

It was in the foyer for several days…

11. A post detailing the contents of my bookshelf

12. Everything about this account that started following me on Twitter

How did it take you to spot that’s a semi naked woman?

13. A post on me rekindling my creative mojo during the pandemic

14. The importance of good friends who call-out when you have really bad body odour

15. The ‘what the fudge-ness’ of this targeted advert

Yes, I did tap the link and yes, I am still getting adverts for werewolf fan-fiction as a result.

16. Lockdown birthdays

17. The large number of self-published books with Covid themes

18. The other strange things being self-published

Although I am still a bit in love with the title of this book.

19. My attempts to have a massive clear-out

…which were ultimately foiled by a mixture of procrastination / charity shops being closed / Bubble the cat.

So there you go, a snippet of how much gets filtered before making it onto this website. What can I say? You get what you pay for.

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Remember Eurovision’s Daz Sampson?

Saturday was rough. Real rough.

By now pretty much everyone in Europe will be aware that Britain’s entrant for this year’s (2021) Eurovision scored 0 points.

Ye-ep.

For those who haven’t already seen/heard it…

Compare this to Germany’s entry…

Germany scored 3 points. At the risk of eroding the UK’s diplomatic relations with Europe further, 3 points was plenty.

And before you go all “Alice, you’re from Britain so naturally you’re going to be a sore loser about this” – well, do you remember Daz Sampson? Back from the 2006 Eurovision in Athens?

Let me refresh you.

Daz Sampson was originally part of Uniting Nations, the duo that, in fairness, brought out this one-hit wonder in 2005:

(Side note, was I the only person deeply uncomfortable with the trend to sexualise women in music videos, even back then? Why was this an acceptable thing?!)

Needless to say, the guy knew how to make a club banger.

But when it came to our Eurovision entry, we got this:

Basically the same setup from Out of Touch, but in a school setting, with DJ turnstiles, none of the tune status and, to quote one YouTube comment, “your drunken Dad trying to rap at a wedding.”

Dear goodness.

This is the edited version, in the XXX director’s cut I’d wager the women get on the desks while Daz fans their awkward dancing with cue cards and revision notes.

I mean, just look at the album artwork.

The wannabe hard guy who peddles drugs at the school gates and then tries it on with the 16 year-olds, even though he’s 45 and still lives with his mum. Tell me I’m wrong.

The best bit? We got 25 points that year, 25! By British scoring standards that’s alright, a fair crack of the whip. So please, please don’t tell me that the 2021 entry is of inferior quality compared to that. Don’t tell me it levels with Britain’s only other nil point entrant from back in 2003.

Exactly.

And that’s all I’m going to say on the matter.

What has Daz Sampson been up to since Eurovision?

Still trying to get back into Eurovision…by representing Belarus.

To quote the article, “will the dynamic duo make it to Eurovision?” Well no, they didn’t.

Ironically, Belarus went for another song called “I’ll teach you” which was itself disqualified on account of it’s heavy political agenda, mocking of the ongoing peaceful protests against recent election results. Lyrics (translated into English) here.

Make of that what you will.

I wonder why the country weren’t prepared to enter Daz’s number?

Honestly, I have no words left to say and a cupboard that’s now chronically low on alcohol.

Christ.

I’m off to urgently restock.

(If you enjoyed this, you may also like my other Eurovision-themed post РBritish Politics, as Told Through the Medium of Eurovision Songs)

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London Recalling: The Throwback-set

“The past is a foreign country; they do things differently there” – L.P. Hartley

Tower Bridge

A year ago today, I returned from a London city break and published my first post. I’d spent a year living in the UK capital, so for me it marked a refresh of the best bits of city-living, including art galleries, theatre performances and catching up with old friends.

Days after my return I was left encumbered, battling a mystery illness. Those following weeks I pressed on the best I could, putting it down as another one of those viruses which circulate in densely populated environments. A year later I’m no closer knowing what struck me down; we all have our theories.

Back then, my friends and I had whimsically noted the high-adoption of face coverings being worn by the predominantly Asian tourist base. We mused on the foreign illness that was gripping other continents, but to comprehend the possibility that our own country could already be rife with disease was a step too far. We were better than that, we were British. Instead, we continued to pack ourselves into dense sweats to watch live music, feasted in noisy restaurants and embraced fondly.

If only we’d known.

So, with perhaps a naively romanticised view of what were truly the last days of normality (late January 2020), here are all four parts of London Recalling.

London Recalling – the Mini-Series

Part One – Straight Lesbians, Like Us

Part Two – The Creative’s Curse

Part Three – Solo Sell-Outs

Part Four – Wapping Old Stairs

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Cheers To The Happy Couple

For the lockdown marriage of one of my mates (remember Woman on The Verge of a Birthday¬†Breakdown?) the groom’s sister asked everyone to record a video message to send to the happy couple.

“Sure!” I thought, “this’ll be easy. I can be classy and endearing at the same time, that’s totally me!”

Then again, this is also me:

Several glasses of prosecco down (you’ve got to get into the party vibes with this sort of thing), I set up my phone and filmed this.

“I mean, it’s something,” I mused whilst watching it back. “Not sure what that something is, but it’s that. Hmm, maybe I’ll do a second take, just in case.”

And then the cat came along…

It was a tough call between the two but ultimately I knew which one I was going to send over.

Yes, I sent the cat video.

(Jess, I hope you and Dave had a lovely wedding day. See you on the other side when we can properly celebrate. x)

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Have a Merry (Nicolas Cage and/or Lobster Themed) Christmas!

Merry Christmas and a happy New Year to everyone who reads MHAM. regardless of faith, 2020 has been a rough year for absolutely everyone, I wish you all a peaceful time with family and chocolate and Nicolas Cage.

(Things may be terrible, but now they’re terribly wonderful.)

Oh, here’s also a highly relatable photo I took of a shop window from three years back (I’m going to guess it was Ted Baker).

So go on, stuff your face with lobster too. You’re welcome again, have it on me (the enjoyment of the photo that is, I’m not a free-for-all lobster bar or anything).

I’ll be back with new content in the new year. In the meantime, there’s always my Contents of wonderful blog posts with plenty of material dating right back to 2014! (Alright, no need to roll your eyes.)

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Woman on The Verge of a Birthday Breakdown

Another novelty of lockdown – birthdays aren’t going ahead in the traditional way, so as part of a collective project I recorded a short video to celebrate my mate turning another year older.

Well, at least that was the plan. In reality, it was on a to-do list which I may have have let slip until the last minute, when it became a 1am scramble to get filmed. Which is inevitable when you get this:

Now, even though it was stupid o’clock in the morning, I felt strongly possessed to rerecord my message, again, and again…and again. Eight attempts later, I STILL was after another the perfect VT.

“I know! My background is too plain!” I exclaimed.

Initial hurdle, I don’t have any of those fancy bookcases the boffins on TV tend to have.

Must…promote company, but must also…show off intellectual status! Argh!
Ooh, a man with TWO Oxford dictionaries!

However, I thought I’d try something similar. Presently I don’t own many of the classics, over than those Dick King Smith story books from when I was a kid and The Victorian Celebration of Death. What can I say? I’m a girl of extremes.

Knowing that both wouldn’t really set a great tone (“Happy Birthday!! Did you know the Victorian aspiration wasn’t necessarily to save up for a nice house or clothes? Nah, it was to have a super expensive tombstone carved out and a burial plot decided on whilst still alive. Coincidentally, the male life expectancy was 40 so, you know…chop-chop.”)

Exactly…couldn’t fit that on any greetings card.

In the end I went for this:

Did you see it? You may need to re-watch the video a few times to spot the subtle message, it’s quite well hidden on my headboard. I went and sent that one over.

So yeah, I think that’s done the job in reassuring my mate in her ability to select friends.

(Oh, before I forget, I actually did write-up a five minute review on that book. Check it out…or not. It’s a free country, I’m not your mother.)

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UK Christmas TV Adverts 2020

This post has been sparked off my Mumma B, who only the other day asked me about this year’s John Lewis Christmas advert.

The thing is, she comments about the lack of visibility, but at the same time records everything on her YouView box purposely to skip all the adverts. You see the dilemma here?

Basically I’m posting all the Christmas adverts for the main UK players so that my mum can see them in one place (and once only).

I’ll add to the list as and when any additional companies release theirs (please do also poke me with a metaphorical stick in the comments). Otherwise lets get to it! In no particular order…

UK Christmas TV Adverts (2020)

John Lewis / Waitrose Supermarket

Aldi Supermarket

Lidl Supermarket

Walkers Crisps

McDonald’s

TK Maxx

Argos

Barbour

Very.co.uk

Amazon

Tesco Supermarket

Asda Supermarket

Morrisons Supermarket

Sainsburys Supermarket

Boots

Lego

Dreamies Cat Treats

M&S Food

Disney

Coca-Cola

JD

Ralph Lauren

(Disclaimer: All videos above have been lifted from YouTube via the URL. I don’t own any part of these videos.)

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New Ways to Support

Just a quick reminder that I’m still here, earning tumbleweed from my writing (well, actually, tumbleweed would at least be something…)

A big, big thank you to those who have donated so far (you lovely people know who you are). For those less aware, I have an active donation page called Buy Me A Coffee, a platform which helps creatives get money doing what they love and keep producing content for their fans.

If not for me and my coffee spilling antics, it’s worth checking out to discover some hidden gems from people across the world.

I’m always reviewing the page and just recently added two funky new extras you can buy as a one-off. Check out the website to find out more.

Thank you in advance!

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New Season, New Identity

As part of the UK’s approach to tackling Coronavirus, a number of establishments have implemented methods as part of ‘track and trace’.

I get it, makes perfect sense. What I’m less supportive of is how a lot of venues are using as a way to get hold of personal details for marketing cr*p.

Do I really need to informed of your new banana loaf range? Oh, great, you’re offering 2.5% discount because it’s the CEO’s daughter’s 25th birthday BUT ONLY THIS WEEKEND! God, can we get GDPR in to fix this again?

So, in a mark of defiance, I am now now using an alternative details on any wifi login that demands it. Just for clarity, if it’s strictly track and trace I am providing accurate information. However, you asking me to set up an account to order a cup of coffee from the counter literally three meters away? Nah, girl ain’t having that.

In those occasions this is what I’m registering myself as:

Yes, that’s right, my name is now Ms Boom Town (although where possible I choose to not identify as a specific gender). I was born on 1st January 1950 (because we all know that was the birth of Boom Town) and my email is a randomised mix of letters @GenericEmailProvider.com.

So there you have it, from henceforth I insist all my food and drink orders sent over public access wifi are made in the name of Boom Town.

You got a problem with that? STOP EMAILING ME YOUR SPAM THEN!! (Thanks.)

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London Recalling…The Creative’s Curse

Okay, so my cold seems to have moved onwards and upwards…from my throat to my head. God I hate it when I’m constantly full of headache, I feel so useless! The bruising on my leg seems to not be quite so obvious now, although I knocked it against a table leg this evening and am very much reminded it’s still there.

While the painkillers are doing their job I best crack on with giving purpose to my life, before the throbbing returns and I’m back to lying in a dark room with music by Norah Jones being the only thing I can tolerate as comforting.

London Recalling

This post follows Part 1, Straight Lesbians Like Us

Part 2, The Creative’s Curse

On parting Cherice at Angel station in Islington, I dashed across London with enough time to check into my hotel near Tower Bridge.

‘I’m going to put you on the quiet side of the hotel,’ the receptionist informed me with a smile.

‘Thank you, that’s very kind,’ I replied, although I felt quite sure it came just as much down to which standard rooms were still free at 18:00 as much as anything else.

I’d already booked tickets to see Matilda that evening, giving me a generous 45 minutes to get back, make a speedy tea and then head out again in time to get to the theatre and collect tickets before the 19:30 start.

I’d stopped by a branch of Doughnut Time earlier in the day and the oversized, over sweetened, Biscoff treat ended up being the perfect solution to my limited time to source an alternative meal. I polished off the item while in the background I stuck the TV onto the only semi-passable, non-committal program basic Freeview had to offer.

‘Why did I ever like this film?’ I pondered as I tried to negotiate the challenges of eating a messy foodstuff out of the cardboard box. ‘What year was this film? 1999? Wow, that would be why.’

No time to change, I emptied my handbag of unnecessary items, grabbed a bag of sweets for the road and headed out into the night.

Once I got to the theatre and found my seat I was pleasantly surprised by the view.

img_20200128_213033_7128535743078347253462.jpg

As I later remarked to a work colleague, one of the few benefits of attending on a Saturday night alongside a number of families – no issues with tall people in front!

I won’t bore or ruin the details of the production, but safe to say I could very much see why the show was exported from my beloved home town of Stratford Upon Avon several years before. It felt good to finally say I’d seen it for myself.

Fast approaching midnight; on returning to the hotel, my last scraps of energy were applied to putting on lounge wear and flopping into bed. Sleep came easier to me than swimming to a fish.

**

The next morning I pulled myself awake with relative ease. I grabbed my watch off the nightstand, 9:00. The downside of thick curtains; the room was just as dark now as it had been in the early hours of the morning.

I already knew where I wanted to go; the Columbia Road flower market in Hoxton only happens on a Sunday morning and I had fond memories of being in the middle of the hubbub of those who flock to the street to buy exotic plants from strange lands far beyond the Thames.

More familiar with the route I used to take from my old stomping ground, Wapping, from Tower Bridge the route was decidedly quicker when taken on foot compared to on Tube…well, in theory it was. Because by the time I’d gone down every side street, studying each passing map like a common tourist, I was the first to accept I was a little lost. But, at only 10:00 most of London had yet to fully wake up and I found myself quite happily riding the wave of confusion as I took in the sights of a slightly less chaotic Brick Lane in the heart of the old East.

**

When I finally arrived at the flower market (spurred on by the sight of people carrying large indoor palm trees), I joined the shuffling crowds. the smells and sounds taking me back to all the times before, the gruff masculine sellers showcasing colourful tulips just as amusing as always.

At the far end of the long street there was a pianist and tap dancer busking to a large collated group of watchers. They, competing against the tradespeople for attention, the tradespeople doing similar as the two parties fought for hard-earned money. It strangely added to the effect, the lady’s tapping feet on the damp tarmac a mesmerising beat to the cries of “two for five pound succulents!”

I purchased a couple of small cacti from a stand, not because I necessarily needed or wanted them in my life, but because they would look nice next to the one I already had in my home in Swindon. A subtle reminder of a moment whenever I made a cup of tea, a way to relieve a memory without anyone else knowing.

As I reached to pick up one of the items off a rack, another cactus pricked me in envy. With the bag tapping against my thigh, I made tracks to find the nearest shop to stock tubes of Savalon balm. Once this had been acquired and applied, I carried on to one of my favourite coffee haunts.

**

‘We don’t do blueberry muffins anymore,’ the barista says bluntly.

‘Oh, well, I guess it has been a year since I last visited. Things change.’ I point to a piece of banana bread to indicate my alternative selection. I hand over my loyalty card, the edges battered and stained from a year in the depths of my purse.

‘We don’t take those anymore, manager had a crack down on them a while ago.’

‘That’s shame,’ I say. While the barista makes my Americano I look down at the small piece of card. Four previous coffees, four stamps that had now amounted to nothing. Still, not like this fifth one would help much towards the free tenth coffee. I put it back in my purse, it still seemed too much to throw it away.

Work in Progress

I set myself up in the window, one of the few people to chose this particular coffee shop as their location of choice on a mild Sunday morning. I carefully placed one of my purchased plants down on the table, rearranging it slightly just as the barista walked over from the counter with my coffee and cake. Not like either of us were in any rush.

About an hour into a session of typing, a swarm of people poured up from the downstairs cellar. Surrounded by a flurry of voices it was impossible not to learn the subject of interest; an artsy film that had been premiered below. Eventually they all vacated and it was service as usual; just me, a couple of bored employees and the words on my screen.

It took a change of a track on the venue’s carefully constructed playlist to realise how long I’d be stationary in the trend-setting shop. I took it as a sign and made my leave.

**

Back at the hotel I dodged past the remaining cleaner trolleys to return to my room, thankful of a slightly longer rest bite to unpack my case properly. I flipped open the lid on a four pack of multi-buy blueberry muffins (small supermarket I’d passed) and happily picked away at its spongy texture as I flicked through an outdated Friday issue the Evening Standard I’d grabbed outside Aldgate East.

In what felt like no time as all I was grabbing my red coat and heading out once more, this time powering towards a Sofar Sounds music gig, hosted in block of flats somewhere deep in Shoreditch. Part of the gig’s charm was the secrecy in location right up until the last minute

**

‘Hey, you!’ I cry out down the street, over the roar of local cars and music blaring from neighbouring flats.

‘Hey!’ My little friend says with a smile, lifting her hood up to expose her dark hair to the rain for the first time. She stares at the metal gate.

‘It’s definitely here, right?’

‘Says so,’ I push the gate open and we enter the complex. ‘Thing is, I have a strong sense of deja vu being here…’

‘You been to many of these things?’ Emily asks, having never attended one of these events before.

‘Sofar Sounds? Yeah, this must be my…’ My eyes shoot upwards as I calculate the number in my head. ‘This is my fourth. Two previously here, one in Swindon.’

I give my name to the lady on the door and she directs us into the block. I recognise the hallway immediately; we’re heading to the same flat I attended before with Cherice.

‘So, what’s the vibe like?’ My friend asks as the lift rattles up four floors.

‘Oh, very friendly. Everyone gets all cosy and watch three acts perform. Some of them are in commercial venues, like bars and galleries, other are like this; people offering up their own homes.’

We knock on the flat door and immediately it shoots open by, I assume, the host. I’d hoped that arriving twenty minutes early would secure us with a greater choice of floor space, however this theory was quickly dashed when the same lady directed us to a large mound of jumbled shoes before permitting us a step further.

We carefully picked our way over several groups before finding a spot to seat ourselves. I laid my coat on the floor and pulled out a bottle of water and snacks, seasoned to the ways of Sofar Sounds.

‘Would you ever offer up your place for this?’ Emily asks.

‘God no!’ I reply. ‘See what people are drinking?’

Emily quickly glossed over the room’s inhabitants, most clutching bottles of beer or small containers of wine. One lady was casually sharing out chicken nuggets between people she’d just met.

‘Now look at the floor,’ I add.

‘It’s laminate.’

‘I think you’ve answered your original question.’

**

After a general introduction, three acts were each introduced to the ‘stage’; a tiny space at front cordoned off with a flimsy string of cheap LED lights.

The room was packed, busier and more overcrowded than the time before. In order to fit in an ever increasing number of ticket holders I found myself having to adopt ever more creative positions to fit my body into the Tetris-like gaps that sprung up and closed as others around me did similar.

Within the performance breaks Emily and I had chance to catch up. I’d spent two years living with her during our University days, going through both the good and rough times life as a student can bring.

I’d seen a kindred spirit in Emily when it came to work. For her dissertation I’d often get woken up in the early hours of the week as she headed to the labs to pull her research; whereas for mine it had resulted in weekends spent living and breathing historical archives to try and locate secretive family information. No one could have ever said we weren’t committed to a goal.

I suppose now, as we both sat in this top floor flat, what changed us was the way in which our studies shaped us. I applied elements of my History degree into jobs with no strong bearing on the subject matter, Emily meanwhile was on a conquest to utilise her education in its purest form. She was in the middle of working through a Masters Degree, whilst holding down a full-time job.

When she’d first told me about it almost two years ago I thought she was mad. Now, hearing her speak so highly on her passion for the subject matter, I could only admire her strength of will all the more.

After act one we stood up to stretch our legs, the guitarist tuning his instruments right before our noses.

‘That’s one to take home,’ I observe light-heartedly. ‘”Ma, he has two guitars!”‘

‘Are you on any dating apps?’ Emily enquires subtly, taking a swig of water from her bottle.

‘Back on Hinge. You remember, the one everyone raved about at improv. event?’

‘Erm…’

I hiss through my teeth. ‘The one with the photo?’

44758935_2199344500392113_8226036079027814400_n

‘Oh, yeah, that one!’

I pop a couple of gummy sweets in my mouth, quickly chomping on them as I offer some more into the palm of my plus one.

‘Basically, and you’re going to love this, I went to a music gig in Swindon recently with a guy…’

‘A date?’ Emily quickly interjects, the story suddenly taking her interest. I lift my hand to stop her.

‘Don’t, I thought that too. Especially when he offered to pick me up and pay for my ticket.’

‘So what went wrong?’

I sighed, it never got any easier to tell the story. ‘He had a girlfriend.’

‘What?’

‘He said I should have known, that it was obvious he was texting her all night. Well, forgive me for being too distracted by the music and, you know, not being a creep?’ I munch down on another sweet whilst looking into the middle-distance.

‘Weird.’

‘Isn’t it just? But it’s kinda been the closest I’ve had to anything since God knows when and I’ve just reached a stage where I’ve been single for two years, only ever had one relationship…’

‘Was it though?’

I chuckle. ‘Lets not go there. It’ just…just…well, everyone seems to be settling down and it feels like I’m doing anything but. Guys don’t ever seem to be on my level. They all want to worship me or aren’t interested no matter what I do.’

‘Men! But still, what’s wrong with wanting to be worshipped?’

‘Not if it’s suffocating.’

I glanced over the large number of couples in the room and took in a deep breath. ‘I want to be considered an equal, to be with someone who has the same values as me but not afraid to challenge me on them just as much. Sometimes I think I ask too much.’

It was at this point we were encouraged to return to our seated positions for the next act.

**

About two songs into the guitarist’s set I found my mind drifting on the waves of the music. The man was amazing, make no mistake, but with all music that lacks the presence of vocal chords, my creative mind suddenly found the opening to run free.

I caught myself gazing at a couple sat up against the back wall. Hidden in partial darkness and at the furthest reaches of attention and music; the two were deep in whispered conversation, he with an arm around her shoulder and she clutching his spare hand in one of her own. The world around them were merely the backing dancers, extras in their sell-out performance. They couldn’t care less about the quality and type of music their entry ticket had funded.

Then my mind raced forwards to later; I pictured them leaving the flat laughing and running down the street, jovial in manner but a hidden urgency to get to the Tube.

She yanks him into the train carriage just as the doors close, his jacket narrowly missing entrapment. She holds him there, by the t-shirt collar, held in suspense while the carriage rattles and lurches in sudden, jerky, movements, the tracks screeching its siren call. Staring deep into her eyes, the urge in his body tightens; building and building until suddenly it’s too great a feeling to contain. It floods into her as he leans forward and sharply kisses her against the sliding door, just as the train pulls into the station. The woman pushes him back with a giggle, a slight nod to indicate that this is the stop to alight from.

And when they get to the flat, that little compact and scruffy space that could have been theirs for years or hers for weeks; when they finally tumble in, they interlock like time itself is as fleeting as sand in a glass. Her delicate fingers grapple and skilfully undo her partner’s perfectly styled hair with speed as she slowly steps backward to hit the light’s off switch with her oil-slicked palm.

The things that are enacted next, in that dark space warmed by both body and street light, they are the thoughts that cannot be written. How constraining and insufferable the English language can be at the times we need it most.

It’s impossible to say from this angle if the transaction is love, or little more than a sudden flare of lustful hope, but the conclusion reached is just the same. They lie there, on the collapsed mattress with passion-stained sheets, no words needing to be said to dare risk spoiling this brief moment of euphoria.

Her head rests on his body, a long tangle of jet black hair intertwining with that on his chest. Slowly, but surely, the pair drift off into a deep sleep; they have barely said a word to each other since leaving the event.

**

Someone suddenly moves in front of me and in a daze I quickly move one my limbs in the opposite direction. Bad decision, I feel something snap at the back of my left leg followed by sharp pain the full length of the limb. Biting my lip hard to prevent a yelp of pain, I look down and see that my leg must have been in an awkward position for sometime, it almost looks dislocated the angle is so unnatural.

Emily gives me a nudge, the performer has finished his set. I clap along, using the chance to curse under my breath and position myself to stretch my leg out. The pain subsides, even if for a short spell.

I glance up and see the couple on the back wall clapping along as well, although theirs seems more out politeness than in genuine recognition for the man’s talent. I slowly blink and return focus elsewhere.

‘When are you going to finish the book?’ Emily asks me.

**

For those with an interest in producing any form of art having a broad and open mindset is an essential part of our very make up. The ability to see something and pull out a deeper meaning or be inspired to create a new one. When I speak of the Creative’s Curse, I don’t mean to refer to some kind of incurable disease or superstition, more the occasional drawbacks of having a unique skill.

Seeing things you don’t always want to see, creating implausible story lines to fill a void you didn’t even know existed. The sole belief a perfect world lies just beyond one’s fingertips. Sometimes it’s impossible to predict the triggers, sometimes you don’t want to. The irony; my sweet heroin is the thing that keeps me sane. I cannot bear to imagine a world where my creativity, including the occasional bought of Creative’s Curse, was sucked from the very marrow in my bones.

**

I was sat in the local pub later that night, one I used to frequent regularly when I lived only a couple of streets away. With a hand resting across my lap; watching boats speed up and down the dark abyss of the Thames, I heard a woman muttering in the seat behind.

‘I wonder what she’s thinking…’

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Places visited (in order):

NB – I was not paid to visit or promote any of the above, adding links for reference.

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London Recalling Series:

Part One – Straight Lesbians, Like Us

Part Two – The Creative’s Curse

Part Three – Solo Sell-Outs

Part Four – Wapping Old Stairs

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