London Recalling…Solo Sell-Outs

Well things are really not going my way, are they? Just when I think I’m starting to shake this illness off, boom! Tonsillitis.

Given breathing state is a bit wheezy I’ll have to try and not get too ahead of myself when typing in hurried excitement. That’ll be the hardest part, just like when my teachers used to tell me off for smudging ink all over the page and up my hand. They never really did see the other side, that I couldn’t help it. That I was so keen to write everything down in my head, too impatient to let the ink to dry.

Bruise on the leg has near vanished too, so at least my body is still capable of some level of self healing.

London Recalling

This post follows Part 2, The Creative’s Curse

Part 3, Solo Sell-Outs

It was that very same night as the Sofar Sounds gig that I experienced my minor calf injury. After the meal in Wapping I found myself casually wandering around St. Katharine Docks, a delightful patch of water and wealth next to Tower Bridge. Where rich people flaunt their yachts and people like me walk along raised walkways; enjoying the chance to look down at privilege. It’s also the location for one of my favourite views of London, where Tower Bridge appears from nowhere as a mighty giant of architecture.

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At this time the light was lacking, so I decided I’d return another day to take the above photograph.

There had been a steady drizzle of rain throughout the afternoon, causing the paths and walkways to be more slippy than usual. While the Underground stations blared the same warning to passengers over and over again, on a near silent Sunday night in January the message was perhaps less ingrained in my head as I strolled around the Marina.

Eventually the expected happened, walking down a flight of concrete steps in my flat, sodden, pump shoes, my foot skidded on the slippery surface and I tumbled forward. Thankfully I was near to the bottom, my hands jutted out of my pockets just in time to break my fall down the two or three steps remaining of the flight. My calf however suffered their bite, the impact of these remaining ledges grazing their teeth along the bone, from foot to knee.

It was too dark for anyone to see, too quiet for anyone to notice, too quick for anyone to spot; within half a second of me falling flat in a heap I’d hopped back onto my feet and carried on my way. It was only later when I got back to the hotel I discovered the full impact of the fall was more substantial than I’d originally thought. Lesson learnt; I kept my hands of out my pockets and tread more carefully for the rest of the trip.

**

Monday morning, and now it felt like the time was all mine to play with. Done were the previously agreed engagements, the catch-ups and the pre-booked tickets, now I had the freedom to do whatever I wanted while the rest of the city got back to work.

From my bedroom window I watched the suited men and women in their designer shoes and trainers as they all scuttled in the same direction, towards the heart of the financial district. It drew me back to all those times before when I’d walked the very same path, head down, headphones plugged in.

In amongst the crowd I saw one individual less sure of themselves, less familiar with the route they were taking. They reminded me of myself all that time ago, those first few days where impatient workers would dodge and tut as I stopped frequently to check the direction of travel I was headed in.

Back in the present I knew my place, I would only head out after the walking rush-hour had ceased; after 09:00 when the world was a little calmer on foot.

**

I’d never been to the Museum of London which had always struck me as odd given it was one of the few tourist attractions I’d seen so frequently day-to-day working in The City. It’s imposing lettering on the side of a large brutalist wall that trailed around a roundabout and off towards the Barbican.

Deciding there is always a first time for everything, I skirted around a large school party waiting outside and dived into the building to get a head start on the exhibits.

The first thing that struck me was the music playing loudly across the speakers. The sound of punk music overflowing into exhibitions on prehistoric London seemed initially a strange pairing, until I realised that it formed part of a temporary exhibit on The Clash’s 1979 album London Calling. The album was playing on a loop to help draw people in. As I walked past staff members I wondered how many repeats of the title track would it take before they grew sick of such an iconic band.

The music stayed in my head long after I left the museum. I may have seen some wonderful artefacts and learnt a lot about London’s rich history, but it would be the feeling of seeing Paul Simonon’s broken guitar in real life that would come to brand the entire city-break. I’d never been an avid follower of the Punk movement, but the first time I understood it a little better. I was able to appreciate it for what it represented; the first act of civil disobedience, the first time youth made a strong impact. “No, we will not be silenced!”

**

From the Museum of London I skirted on down past St Paul’s cathedral, through the buzzing crowds of tourists and across the Millennium Footbridge to reach the banks of Southwark. In my sights I had my favourite branch of Caffe Nero; one located in Oxo Tower, but before I could reach it I caught myself on an installation placed outside the Tate Modern. A walk in cuboid-like structure, hung with column upon column of white paper cups (save a couple of black columns at the front).

‘We use 5,555 paper cups a minute in the UK,’ the sign read. ‘Oh which only 555 are recycled.’

I took a step back and, like a few of the passers by, were moved by how explicit the instillation was in showcasing the amount of waste in this country. However, what was equally striking was how the majority of people had responded to the stand-alone piece. All around people were scribbling messages onto the paper cups; some were deeply emotive on the destruction of the planet, others as two-dimensional as a statement that someone had been there, like lover’s hearts engraved on trees. Whether or not the artists has intended their work to be graffitied in this way, it seemed there was no stopping it, the piece had only been erected for a matter of days and yet was already covered in human sentiment.

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A ballpoint pen burning in my handbag, I walked forwards and scouted out a suitable cup to make my mark. Not entirely sure what to write, I eventually scribbled down some words. I stepped back to admire my work, only to find myself cringing at the terrible handwriting and the surrealness of the wording. It was missing something.

I pulled out one of my business cards from my bad and, with the help of a few drawing pins and some blu tac, I attached the small square of card to the small paper cup. ‘Yes,’ I thought. ‘That looks better.’

The final inscription read:

Alice E. Bennett, 27/01/20. Mermaids do exist and they can’t survive in our polluted oceans. Instead they are forced into moving to Swindon!

(After attaching the card I also added the words, ‘get curious’.)

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I took a couple of photos before moving on. As I walked away I realised a few people had been stood watching me the whole time as I awkwardly attached my card to the cup. An international tourist was quick to swoop in to give it a read, though I felt quite certain they wouldn’t have the faintest idea what I was on about, I barely knew myself.

Whether I had intended it to look that way or not, I’d effectively sold out on an environmental protest.

**

I strategically placed one of my ‘duff’ business cards (ones which were printed with a spelling mistake) under the empty coffee cup as I walked out of Caffe Nero, the space somewhat busier than I expected for a Monday lunchtime. I retraced my steps and entered the Tate Modern just as the heaven’s opened and it started to pour with rain.

‘Better take my time, then!’ I thought to myself, making my way into the turbine hall to admire the dramatic water fountain, Fons Americanus, created by American artist Kara Walker.

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I strolled around several of the art galleries, in truth I saw this as a mere fill-in experience for old time’s sake. It’s funny how spoilt you can become when you experience something everyday, in that very moment I only sought out a quick hit whereas for many this would be the highlight of their day or even their trip, to London.

A number of the galleries hadn’t changed since the times I’d been there and for me that felt bothersome, like the Tate was being lazy and people were being cheated out of an experience. But then a quick survey of the people visiting at that moment in time reminded me that for most they knew no different, they were just like me that very first time I’d entered the old factory. Just as fascinated, just as keen to photograph. I knew the issue lay more with me than anyone else; so I put my internal-tantrum to one side and took myself to a different part of the establishment.

I will spare you the War and Peace version of how I view art, but on this visitation I seemed to feel a stronger feeling of hate, divide but also a call from artists to remember we are all human. I suppose it’s not a surprise, artists always have had a reputation for expressing more liberal sentiments than other segments of society. But watching Igor Grubic’s video East Side Story where far-right extremists attack a Pride match with bloody consequences, it felt like the message was stronger now than it ever had been before.

(Warning: video below contains strong language, violence, and homophobic language.)

And then there was hope; that if we recognised the contributions of others we could be a part of something much greater than if we work in isolation. Nowhere else did I see this more strongly than in Yinka Shonibare’s The British Library, a room installation which makes the point of showing how fundamental other cultures, notably African, have played a role in shaping English literature.

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A room of books, each covered in bold and heavily patterned fabric, all the colours of Heaven and Earth itself. Not in such a long time had I found myself at pains to stand behind the thin bit of wire that prevented me from reaching out to touch, to feel, the books before my eyes.

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**

The rain still coming down in medium sized droplets, I hurried across Blackfiars bridge back onto the Northern bank and then, from there, Northwards to reach Trafalgar Square. When I’m set on an idea I can become really stubborn to it, even if it makes absolutely no logical sense to anyone else. In this instance I’d got my heart set on a visit to the National Gallery before it closed at 18:00. I left the Tate Modern at 15:00 which, factoring in travel time, would give me a safe two hours in the gallery before hitting the Tube to avoid the peak rush hour at 18:00.

Maybe in a bid to avoid the rain outside, the National Gallery was considerably busier than I had expected it to be; an old building full of hot, wet bodies.

I took a quick turn through the galleries, although I found myself stopping and starting multiple times as soon as I came by a suitable seat to perch on. I hadn’t quite factored in how much walking I’d done today, and in fact every other day, until this very moment. Of all the views within and looking out of the building, the best that day came simply from that of a window seat, where I could idly watch people ascend and descend a large staircase built in a recent extension.

Because I’m me, I did find a couple of humourous bites in some of the artworks; including this piece which reminded me of all the times my friends had placed bets on the length of my hangovers:

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And this piece which looked like a screen grab from some type of low-budget documentary. Something along the lines of…”don’t tell me how to raise my kids”.

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However, when all was said an done I found myself surprisingly keener to leave the gallery earlier than I had originally planned in my head. After about an hour of breezing through the classics, I left the National Gallery, breaking my route back only momentarily to stop off in a nearby Waterstones. I couldn’t resist plunging myself down to the basement level to enjoy one of my favourite sensory experiences; the smell of new books.

**

That night I returned once more to St. Katherine Docks to enjoy a meal at the restaurant chain Zizzi. The looks people gave me when I walked in by myself! You’d have thought I had a third arm growing out of my waist! Used to these looks of surprise, curiosity and mild judgement, I pulled out a reading book as the staff placed me on the last free table in the house. I settled down for a chilled Monday night with a glass of wine and good company (i.e. food).

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As I sat there later, sipping on coffee and making it clear to everyone I was in no rush to leave, I pondered on the art works I’d seen throughout the day. From The Clash, to Shonibare, right through to the classical masterpieces in the National Gallery, they had all been individuals not afraid to make their mark and show off their talent to the world. They would never have considered themselves arrogant or forcing their talent on the world. They may have had rocky patches, but they’d always had a firm belief that the route they were taking was the right one, when The Clash coated brick walls with their posters they wouldn’t have worried about what people said or thought. So why did I still on occasion find myself blushing when friends rolled their eyes at me, ‘putting up another business card Alice? You’re such a sell-out!’

Just then a waiter came by, sensing his chance. I reached into my bag and pulled out a card, tapping it swiftly on the hand-held device to make the transaction and ensure the staff hassled me no more.

I opened up my phone case and pulled out one of my business cards from the inside. As I flicked the small piece of card around my finger, reading and rereading the contact details printed on it, I mused on the idea of all artists being sell-outs. That to be and be regarded and accepted as ‘something’ you have to be prepared to stand out; you have to be a peacock in a field of pheasants.

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I lifted myself from my seat, applying my coat onto my back in a sweeping movement. I cried out to the remaining staff who responded with a polite smile.

‘Thank you! Have a good evening!’

And then, just as I picked up by bag from the floor, I placed a business card brazenly on the table before walking out into the darkness with a secret smile on my face.

We’ve all got to start somewhere.

**

Places visited (in order):

NB – I was not paid to visit any of the above, adding links for reference.

**

London Recalling Series:

Part One – Straight Lesbians, Like Us

Part Two – The Creative’s Curse

Part Three – Solo Sell-Outs

Part Four – Wapping Old Stairs

Did you enjoy this content? Please buy me a coffee to say thanks by clicking here: Buy Me A Coffee

 

London Recalling…The Creative’s Curse

Okay, so my cold seems to have moved onwards and upwards…from my throat to my head. God I hate it when I’m constantly full of headache, I feel so useless! The bruising on my leg seems to not be quite so obvious now, although I knocked it against a table leg this evening and am very much reminded it’s still there.

While the painkillers are doing their job I best crack on with giving purpose to my life, before the throbbing returns and I’m back to lying in a dark room with music by Norah Jones being the only thing I can tolerate as comforting.

London Recalling

This post follows Part 1, Straight Lesbians Like Us

Part 2, The Creative’s Curse

On parting Cherice at Angel station in Islington, I dashed across London with enough time to check into my hotel near Tower Bridge.

‘I’m going to put you on the quiet side of the hotel,’ the receptionist informed me with a smile.

‘Thank you, that’s very kind,’ I replied, although I felt quite sure it came just as much down to which standard rooms were still free at 18:00 as much as anything else.

I’d already booked tickets to see Matilda that evening, giving me a generous 45 minutes to get back, make a speedy tea and then head out again in time to get to the theatre and collect tickets before the 19:30 start.

I’d stopped by a branch of Doughnut Time earlier in the day and the oversized, over sweetened, Biscoff treat ended up being the perfect solution to my limited time to source an alternative meal. I polished off the item while in the background I stuck the TV onto the only semi-passable, non-committal program basic Freeview had to offer.

‘Why did I ever like this film?’ I pondered as I tried to negotiate the challenges of eating a messy foodstuff out of the cardboard box. ‘What year was this film? 1999? Wow, that would be why.’

No time to change, I emptied my handbag of unnecessary items, grabbed a bag of sweets for the road and headed out into the night.

Once I got to the theatre and found my seat I was pleasantly surprised by the view.

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As I later remarked to a work colleague, one of the few benefits of attending on a Saturday night alongside a number of families – no issues with tall people in front!

I won’t bore or ruin the details of the production, but safe to say I could very much see why the show was exported from my beloved home town of Stratford Upon Avon several years before. It felt good to finally say I’d seen it for myself.

Fast approaching midnight; on returning to the hotel, my last scraps of energy were applied to putting on lounge wear and flopping into bed. Sleep came easier to me than swimming to a fish.

**

The next morning I pulled myself awake with relative ease. I grabbed my watch off the nightstand, 9:00. The downside of thick curtains; the room was just as dark now as it had been in the early hours of the morning.

I already knew where I wanted to go; the Columbia Road flower market in Hoxton only happens on a Sunday morning and I had fond memories of being in the middle of the hubbub of those who flock to the street to buy exotic plants from strange lands far beyond the Thames.

More familiar with the route I used to take from my old stomping ground, Wapping, from Tower Bridge the route was decidedly quicker when taken on foot compared to on Tube…well, in theory it was. Because by the time I’d gone down every side street, studying each passing map like a common tourist, I was the first to accept I was a little lost. But, at only 10:00 most of London had yet to fully wake up and I found myself quite happily riding the wave of confusion as I took in the sights of a slightly less chaotic Brick Lane in the heart of the old East.

**

When I finally arrived at the flower market (spurred on by the sight of people carrying large indoor palm trees), I joined the shuffling crowds. the smells and sounds taking me back to all the times before, the gruff masculine sellers showcasing colourful tulips just as amusing as always.

At the far end of the long street there was a pianist and tap dancer busking to a large collated group of watchers. They, competing against the tradespeople for attention, the tradespeople doing similar as the two parties fought for hard-earned money. It strangely added to the effect, the lady’s tapping feet on the damp tarmac a mesmerising beat to the cries of “two for five pound succulents!”

I purchased a couple of small cacti from a stand, not because I necessarily needed or wanted them in my life, but because they would look nice next to the one I already had in my home in Swindon. A subtle reminder of a moment whenever I made a cup of tea, a way to relieve a memory without anyone else knowing.

As I reached to pick up one of the items off a rack, another cactus pricked me in envy. With the bag tapping against my thigh, I made tracks to find the nearest shop to stock tubes of Savalon balm. Once this had been acquired and applied, I carried on to one of my favourite coffee haunts.

**

‘We don’t do blueberry muffins anymore,’ the barista says bluntly.

‘Oh, well, I guess it has been a year since I last visited. Things change.’ I point to a piece of banana bread to indicate my alternative selection. I hand over my loyalty card, the edges battered and stained from a year in the depths of my purse.

‘We don’t take those anymore, manager had a crack down on them a while ago.’

‘That’s shame,’ I say. While the barista makes my Americano I look down at the small piece of card. Four previous coffees, four stamps that had now amounted to nothing. Still, not like this fifth one would help much towards the free tenth coffee. I put it back in my purse, it still seemed too much to throw it away.

Work in Progress

I set myself up in the window, one of the few people to chose this particular coffee shop as their location of choice on a mild Sunday morning. I carefully placed one of my purchased plants down on the table, rearranging it slightly just as the barista walked over from the counter with my coffee and cake. Not like either of us were in any rush.

About an hour into a session of typing, a swarm of people poured up from the downstairs cellar. Surrounded by a flurry of voices it was impossible not to learn the subject of interest; an artsy film that had been premiered below. Eventually they all vacated and it was service as usual; just me, a couple of bored employees and the words on my screen.

It took a change of a track on the venue’s carefully constructed playlist to realise how long I’d be stationary in the trend-setting shop. I took it as a sign and made my leave.

**

Back at the hotel I dodged past the remaining cleaner trolleys to return to my room, thankful of a slightly longer rest bite to unpack my case properly. I flipped open the lid on a four pack of multi-buy blueberry muffins (small supermarket I’d passed) and happily picked away at its spongy texture as I flicked through an outdated Friday issue the Evening Standard I’d grabbed outside Aldgate East.

In what felt like no time as all I was grabbing my red coat and heading out once more, this time powering towards a Sofar Sounds music gig, hosted in block of flats somewhere deep in Shoreditch. Part of the gig’s charm was the secrecy in location right up until the last minute

**

‘Hey, you!’ I cry out down the street, over the roar of local cars and music blaring from neighbouring flats.

‘Hey!’ My little friend says with a smile, lifting her hood up to expose her dark hair to the rain for the first time. She stares at the metal gate.

‘It’s definitely here, right?’

‘Says so,’ I push the gate open and we enter the complex. ‘Thing is, I have a strong sense of deja vu being here…’

‘You been to many of these things?’ Emily asks, having never attended one of these events before.

‘Sofar Sounds? Yeah, this must be my…’ My eyes shoot upwards as I calculate the number in my head. ‘This is my fourth. Two previously here, one in Swindon.’

I give my name to the lady on the door and she directs us into the block. I recognise the hallway immediately; we’re heading to the same flat I attended before with Cherice.

‘So, what’s the vibe like?’ My friend asks as the lift rattles up four floors.

‘Oh, very friendly. Everyone gets all cosy and watch three acts perform. Some of them are in commercial venues, like bars and galleries, other are like this; people offering up their own homes.’

We knock on the flat door and immediately it shoots open by, I assume, the host. I’d hoped that arriving twenty minutes early would secure us with a greater choice of floor space, however this theory was quickly dashed when the same lady directed us to a large mound of jumbled shoes before permitting us a step further.

We carefully picked our way over several groups before finding a spot to seat ourselves. I laid my coat on the floor and pulled out a bottle of water and snacks, seasoned to the ways of Sofar Sounds.

‘Would you ever offer up your place for this?’ Emily asks.

‘God no!’ I reply. ‘See what people are drinking?’

Emily quickly glossed over the room’s inhabitants, most clutching bottles of beer or small containers of wine. One lady was casually sharing out chicken nuggets between people she’d just met.

‘Now look at the floor,’ I add.

‘It’s laminate.’

‘I think you’ve answered your original question.’

**

After a general introduction, three acts were each introduced to the ‘stage’; a tiny space at front cordoned off with a flimsy string of cheap LED lights.

The room was packed, busier and more overcrowded than the time before. In order to fit in an ever increasing number of ticket holders I found myself having to adopt ever more creative positions to fit my body into the Tetris-like gaps that sprung up and closed as others around me did similar.

Within the performance breaks Emily and I had chance to catch up. I’d spent two years living with her during our University days, going through both the good and rough times life as a student can bring.

I’d seen a kindred spirit in Emily when it came to work. For her dissertation I’d often get woken up in the early hours of the week as she headed to the labs to pull her research; whereas for mine it had resulted in weekends spent living and breathing historical archives to try and locate secretive family information. No one could have ever said we weren’t committed to a goal.

I suppose now, as we both sat in this top floor flat, what changed us was the way in which our studies shaped us. I applied elements of my History degree into jobs with no strong bearing on the subject matter, Emily meanwhile was on a conquest to utilise her education in its purest form. She was in the middle of working through a Masters Degree, whilst holding down a full-time job.

When she’d first told me about it almost two years ago I thought she was mad. Now, hearing her speak so highly on her passion for the subject matter, I could only admire her strength of will all the more.

After act one we stood up to stretch our legs, the guitarist tuning his instruments right before our noses.

‘That’s one to take home,’ I observe light-heartedly. ‘”Ma, he has two guitars!”‘

‘Are you on any dating apps?’ Emily enquires subtly, taking a swig of water from her bottle.

‘Back on Hinge. You remember, the one everyone raved about at improv. event?’

‘Erm…’

I hiss through my teeth. ‘The one with the photo?’

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‘Oh, yeah, that one!’

I pop a couple of gummy sweets in my mouth, quickly chomping on them as I offer some more into the palm of my plus one.

‘Basically, and you’re going to love this, I went to a music gig in Swindon recently with a guy…’

‘A date?’ Emily quickly interjects, the story suddenly taking her interest. I lift my hand to stop her.

‘Don’t, I thought that too. Especially when he offered to pick me up and pay for my ticket.’

‘So what went wrong?’

I sighed, it never got any easier to tell the story. ‘He had a girlfriend.’

‘What?’

‘He said I should have known, that it was obvious he was texting her all night. Well, forgive me for being too distracted by the music and, you know, not being a creep?’ I munch down on another sweet whilst looking into the middle-distance.

‘Weird.’

‘Isn’t it just? But it’s kinda been the closest I’ve had to anything since God knows when and I’ve just reached a stage where I’ve been single for two years, only ever had one relationship…’

‘Was it though?’

I chuckle. ‘Lets not go there. It’ just…just…well, everyone seems to be settling down and it feels like I’m doing anything but. Guys don’t ever seem to be on my level. They all want to worship me or aren’t interested no matter what I do.’

‘Men! But still, what’s wrong with wanting to be worshipped?’

‘Not if it’s suffocating.’

I glanced over the large number of couples in the room and took in a deep breath. ‘I want to be considered an equal, to be with someone who has the same values as me but not afraid to challenge me on them just as much. Sometimes I think I ask too much.’

It was at this point we were encouraged to return to our seated positions for the next act.

**

About two songs into the guitarist’s set I found my mind drifting on the waves of the music. The man was amazing, make no mistake, but with all music that lacks the presence of vocal chords, my creative mind suddenly found the opening to run free.

I caught myself gazing at a couple sat up against the back wall. Hidden in partial darkness and at the furthest reaches of attention and music; the two were deep in whispered conversation, he with an arm around her shoulder and she clutching his spare hand in one of her own. The world around them were merely the backing dancers, extras in their sell-out performance. They couldn’t care less about the quality and type of music their entry ticket had funded.

Then my mind raced forwards to later; I pictured them leaving the flat laughing and running down the street, jovial in manner but a hidden urgency to get to the Tube.

She yanks him into the train carriage just as the doors close, his jacket narrowly missing entrapment. She holds him there, by the t-shirt collar, held in suspense while the carriage rattles and lurches in sudden, jerky, movements, the tracks screeching its siren call. Staring deep into her eyes, the urge in his body tightens; building and building until suddenly it’s too great a feeling to contain. It floods into her as he leans forward and sharply kisses her against the sliding door, just as the train pulls into the station. The woman pushes him back with a giggle, a slight nod to indicate that this is the stop to alight from.

And when they get to the flat, that little compact and scruffy space that could have been theirs for years or hers for weeks; when they finally tumble in, they interlock like time itself is as fleeting as sand in a glass. Her delicate fingers grapple and skilfully undo her partner’s perfectly styled hair with speed as she slowly steps backward to hit the light’s off switch with her oil-slicked palm.

The things that are enacted next, in that dark space warmed by both body and street light, they are the thoughts that cannot be written. How constraining and insufferable the English language can be at the times we need it most.

It’s impossible to say from this angle if the transaction is love, or little more than a sudden flare of lustful hope, but the conclusion reached is just the same. They lie there, on the collapsed mattress with passion-stained sheets, no words needing to be said to dare risk spoiling this brief moment of euphoria.

Her head rests on his body, a long tangle of jet black hair intertwining with that on his chest. Slowly, but surely, the pair drift off into a deep sleep; they have barely said a word to each other since leaving the event.

**

Someone suddenly moves in front of me and in a daze I quickly move one my limbs in the opposite direction. Bad decision, I feel something snap at the back of my left leg followed by sharp pain the full length of the limb. Biting my lip hard to prevent a yelp of pain, I look down and see that my leg must have been in an awkward position for sometime, it almost looks dislocated the angle is so unnatural.

Emily gives me a nudge, the performer has finished his set. I clap along, using the chance to curse under my breath and position myself to stretch my leg out. The pain subsides, even if for a short spell.

I glance up and see the couple on the back wall clapping along as well, although theirs seems more out politeness than in genuine recognition for the man’s talent. I slowly blink and return focus elsewhere.

‘When are you going to finish the book?’ Emily asks me.

**

For those with an interest in producing any form of art having a broad and open mindset is an essential part of our very make up. The ability to see something and pull out a deeper meaning or be inspired to create a new one. When I speak of the Creative’s Curse, I don’t mean to refer to some kind of incurable disease or superstition, more the occasional drawbacks of having a unique skill.

Seeing things you don’t always want to see, creating implausible story lines to fill a void you didn’t even know existed. The sole belief a perfect world lies just beyond one’s fingertips. Sometimes it’s impossible to predict the triggers, sometimes you don’t want to. The irony; my sweet heroin is the thing that keeps me sane. I cannot bear to imagine a world where my creativity, including the occasional bought of Creative’s Curse, was sucked from the very marrow in my bones.

**

I was sat in the local pub later that night, one I used to frequent regularly when I lived only a couple of streets away. With a hand resting across my lap; watching boats speed up and down the dark abyss of the Thames, I heard a woman muttering in the seat behind.

‘I wonder what she’s thinking…’

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**

Places visited (in order):

NB – I was not paid to visit or promote any of the above, adding links for reference.

**

London Recalling Series:

Part One – Straight Lesbians, Like Us

Part Two – The Creative’s Curse

Part Three – Solo Sell-Outs

Part Four – Wapping Old Stairs

Did you enjoy this content? Please buy me a coffee to say thanks by clicking here: Buy Me A Coffee

The Cat’s Guide to Christmas

Alright? I’m Bubble. Bubble the cat.

Bubble the Cat

You may wonder why my owners would give a name like Bubble to a male cat. Well, my sister is called Squeak (Bubble and Squeak, get it?) And all the stupid humans thought I was a girl until the vets confirmed differently. It’s not a name I’m particularly fond of and, as a result, I have spent my entire life in a constant sulk, excluding the times I shout at the humans to feed me.

Like a lot of men I like to work out, only I can’t get to the gym on account of being a cat so spend most of my free time doing the next best thing; sleeping in a gym bag.

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And trust me ladies, it shows.

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I’m sexy and I know it.

Anyway, this human thing called Christmas is coming up and while I’ve tried to hide from it…

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…it has finally caught up with me. I wasn’t even going to do presents this year (thinking about the environment, y’know?) But then I walked in one day and found my sister had already started wrapping up gifts.

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So really I didn’t have a choice. Luckily I don’t have many others to buy for (my advice if you’re looking to become a self-reliant, anti-social git? Become a cat). I just needed to get something for my annoying sister, even if she does always steal the best sleeping spots in the house.

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I took inspiration from my humans and first went for a dig around the cupboards, see if there was anything from past year’s of Christmas shopping I could give her.

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But had no joy. Then I took to the online shops but kept getting messed up suggestions like this:

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(I think one of those humans has been using my browser to search for dodgy products again.)

There was no other option, I’d have to hit the high street. I hopped on the roof of the next family cab into town and away I went.

The first thing that struck me was the weird customs humans have for celebrating what is meant to be a happy time of year. If they’re not advertising surreal…

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…Then they’re hanging and impaling little elf people in some kind of pagan ritual.

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It’s no wonder you’re all fat alcoholics. You actually decorate your homes with these!

Then again, after seeing this I have a new found respect for the miracle of the Virgin birth.

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And why is this woman’s face all over bags of crisps? Is this what you humans would call ‘the height of your career?’

Mariah

(And if you think I’m being mean just remember, I’m a cat. It’s what we do.)

When it came to shopping for Christmas presents, I didn’t know where to start. Luckily, many of the shops displayed their wares in a way that was perfect for the average bloke applying a scatter gun/panic buy approach to gifting.

Random

A little bit too generic female for my sister who happens to like her fur coat very much. Instead I went to the male default #2, a nice new perfume.

Perfume

Or maybe not.

I popped into a book shop because I know Squeak the cat likes to read a light weight novel or two. I was instantly drawn to a title that looked like it could have been written by the human in my family who writes for that blog, the one they call Alice. It just screamed her style of writing.

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And then I read the blurb and felt less convinced. I mean, the average writing quality was on par with Alice’s, but the plot development was anything but.

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I mean it’s completely unbelievable…it’s obvious that Daisy is sleeping with Greg (that’s why he keeps vanishing) and the Goose is mad because it’s Greg’s jilted lover. I’m a male cat and I can see that. Humans don’t half write some rubbish when they’re trying to pull sales or views.

In the same shop there was also this book:

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(One of the humans I was with said to Alice, “hey, Alice! They wrote a book about you trying to get a life!” And she said, “hey, India! They wrote a sequel where I hit you with that very book!”)

To be fair to the human called India, Alice does have a tendency to hang out in coffee shops by herself and woman-spread everywhere.

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She likes to think it makes her look smart, I think it’s just to cover up the fact that she’s constantly spilling good coffee.

Like a lot of humans, she’d buy just about anything that’s coffee-branded.

Candles

(If you had to look twice before spotting it, you’ve got a problem.)

On another note, I’m not sure what image you big humans are trying to suggest to little humans when you give them dolls with drugged up eyes.

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In the same way that I don’t fully get the need to take the Every Love Matters campaign to the extremes of inanimate objects.

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(I did try to tell her that her companion didn’t seem interested, but she told me to tinsel off – hah, and you thought Cats have no sense of poor humour…)

And as for this…

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…You humans are alright with making your spawn think they’re being spied upon but I just happen to walk in on you taking a shower and suddenly it’s completely unacceptable? Your species is seriously messed up.

But then I saw this and I restored my faith in the tat you humans gift each other:

I’ll have ten please…for myself.

And this made me laugh:

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It’s a physical chocolate replica of Bitcoin, but Bitcoin isn’t physical, it’s a virtual currency! Sadly however no one in the store seemed to get the joke. It’s as if people shopping in Poundland for Christmas presents don’t dwell on that level of humour.

God, you humans don’t have produce some weird looking babies? At least kittens are fluffy, but you guys decide to put the strangest looking ones on jigsaw puzzles! Why?

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And what the hell is this?!

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Have people literally turned to gifting c**p to each other? No wonder people have started donating money to the Slippers for Donkeys campaign or whatever far out animal charities exist nowadays.

When did the Grinch get sold into human-creature trafficking? Asking on behalf of a friend.

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It’s a niche market, granted, but humanity really has lost its heart if it can’t cough up £1 to help.

Jesus Christ! What is this?!

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Why would you even entertain the thought of inviting this into your house? It’s flipping scary!

It was around this time that I gave up with Christmas shopping. The final straw came when, after hours of searching, the one and only thing I thought I could gift my feline sister, a nice new outfit, well it turned out to be out of stock in her size. Typical!

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I give up. I knew I should have picked something from the National Trust’s Christmas store when I had the chance.

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All this shopping for Christmas presents just takes too much time!

Sod it, this year I’ll just wrap myself up and be my sister’s Christmas pressie, because lets be honest, family is the best damn thing you can have.

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Great, so that’s Christmas settled. Now I can crack on with watching some high-quality festive films, ones which in my view were robbed of Oscar nominations…

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…And deal with more pressing matters. How do I get this human to move out of my spot?

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Meowy pawmas everyone!

 

(Special thanks to the members of my immediate family for making this post possible by constantly spamming my WhatsApp feed with cat photos.)

 

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A Whistle Stop Tour of Throwbacks

It’s my birthday this week (yay) so how better to celebrate me then a few personal favourites from the AEB playlist? Let’s waste no time, let’s get to it!

A Whistle Stop Tour of Throwbacks: A Playlist for Alice

Firstly, as with all things in life you have to make an entrance. I have always loved the bolshiness of Sledgehammer’s opening.

(Can we also take a moment to reflect on how ground-breaking the music video was at the time it was released?)

But where are my manners? I should probably introduce myself. I’m Alice, although Paul Simon keeps calling me different.

I’ve tried to stop him, but he really won’t give it up.

Most people, I hope, would think of me as a something a bit different to the norm, but still very much a product of the early 90s…

90s but not as you know it. You’ll find me catching up on Radio Four on the evenings and trying to make out I’m really listening to some hip new song by Ed Sheeran or Stormzy.

Sometimes I feel like my outlook on life is stuck decades older than my years so ‘1985’ seems apt on many levels (and only a year off one of my favourite novels, Nineteen Eighty-Four).

While I never prescribe myself to a ultimate favourite song (it changes so frequently) ‘My Girl’ by the Temptations will always sit in the premier league of faves. I’m also massive fan of international music which is why I’ve spent days of my life listening to both the English and Italian versions.

On the subject of off-beat and a little bit quirky…this striped back cover of a Britney Spears classic is just wonderful. Britney was my career icon for all of six months as a young child, nowadays if I want to unleash my inner sass I’ll mentally play this track in my head.

And in support of the many, many songs that were perfect just as they were…

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Bringing the pace back up while throwing the music right back, good luck trying to pin me down when The Kinks come on. I’ll have no embarrassment busting some abstract 60s moves to this:

When I get down to this it’s like Mr Tickle decided to release a fitness video, arms everywhere!

Similar with Mel Torme’s I’m Comin’ Home, a song which I first heard as part of the soundtrack for the movie An Education.

It’s a film set in the 60s involving slick men in suits dealing art. Hmm, I can’t think why I’m particularly drawn to the film…

And following on from that, I couldn’t possibly consider the soundtrack of An Education without giving a shout out to the 50s-set French film Popularie. ‘Golden Baby’ rightly deserves to sit as top bill on this film’s soundtrack.

And when I hear this next piece of piano music…for two minutes I transport myself somewhere completely other and fall in love with the idea of old fashioned romance.

 

Right, that’s enough soppiness, let’s up the tempo. Someone get the dance mat out!

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And if you really show off your moves maybe, just maybe, I’ll let you take me out.

(As long as you accept I will be singing along to the guitar solo.)

And why wouldn’t you want to spend a night hanging off my arm? I’m anything but common.

Nah, not me. I’m a one of a kind, I’m unique, I’m a classic.

And then… *cough*

(Or, alternatively, stick on ANY song by Marvin Gaye. They all get a massive thumbs up in my book.)

And then…

At the same time, I’ve got a life to lead and if you can’t handle that then sorry, you’re just not the bloke for me.

Sorry, not sorry for being awesome.

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When I was born (first week of December) the UK chart number one was Whitney Houston’s ‘I Will Always Love You. Ironic, most of my nights out probably end with the same song.

Everyone has a song which is so truly horrific they love it and, following a seasonal line of thought, mine has to be this gem from Squeeze.

I mean, where do you even begin to start with what’s right in that video?

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In the Cotswolds it’s not Christmas in the family household until either a) Papa Bennett has attempted to play Fleetwood Mac’s Albatross and we’ve shouted him down, b) I’ve dropped the Michael Buble CD in oil/fat or c) Celtic Christmas gets played. It’s usually a close run battle between the three.

TUNNNNEEEE!

And how better to exit the day/week/year than with ‘Bat Out of Hell’ and ‘St. Elmo’s Fire back-to-back? (Rhetorical question, there is none.)

Right, I’ve gotta dash now, real life adult stuff to do. I hope you’ve enjoyed this glimpse into my mind and music taste (and understand why asking me for my favourite genre and/or song is a pointless question, I don’t have one).

If you’re ever in a position where you’re feeling a bit low and missing my blog/real life lovin’ don’t you worry, I’m always here*.

*Swimsuit not included.

Happy birthday me!

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If it is Inspiration you Seek, it is Classical you Must Find

I was in a London bar the other night, relaxing with a book and a medium sized glass of sparkling cranberry juice. There was a nice flurry of activity occurring around me, date night couples, arguing couples, groups of friends, a solo American businessman trying to engage with conversation (bless), all the standard things you’d expect to see in a alcoholic establishment of its sort and location.

I was sat in a booth to myself and taking in the lively scene of human activity mid page (the joy of a gentle anthology) when something caught my eye. At first I thought I was mistaken by what I’d seen but then the dart happened again and again, until my brain finally came to terms with what it was witnessing less than two meters away.

Mice.

The little pests were so quick and spontaneous with their movements I could barely get my phone out, let alone take a photo, before they dashed back into the shadows or across the tiles into a new crevice. I saw one dash towards the American businessman but he seemed too preoccupied with asking the bartender to hit him with yet another whiskey so I held my tongue.

I’d only just arrived at the pub and settled down, so felt very reluctant to leave. I’d been to the establishment before and saw no sense in hurrying back to the cramped little flat I call home alongside four others. Besides, I’d paid £2.70 for my sparkling cranberry juice.

I knew exactly what to do. I put on my headphones and whacked on one of my most played songs. A classic of a classic, Ralf Vaugh Williams’ The Lark Ascending is as beautiful a composition if ever there was one. And while I can never begin to review it on a note-by-note basis (this girl dropped trombone when she was sixteen) I can firmly say that as a sentient human being it is a song that always helps lighten my spirits whatever mood I am in. I’m playing it right now as I type, listen:

So delicate but forthright and strong. Each time I hear the notes I see a different version of me play out, be it the girl in an evening dress or the girl donning her stick and hanky as she strides towards the city where the streets are paved with gold. And it was listening to The Lark Ascending that night in an average pub with mice running around that I was able to find my inner composure. Don’t get me wrong, mice or any kind of vermin indoors is not particularly pleasant, nor should it be ignored, but just listening to classical music, well, it seemed to transport me somewhere completely different. I could overlook the mice dashing about, in fact I was even able to half smile at their ill fated antics to get any distance before a human made a move of their own.

And then I looked down and saw a mouse sniffing my pump shoe and the bare foot within. Then I freaked the hell out and swiftly finished my juice as a scooted towards the door of a rapidly emptying watering hole. I left the single member of bar staff in the delightful company of the American and a newly arrived drunk local.

And it made me think, when did I start embracing classical music? What were the key tracks that started it? Well bizarrely my love of classical music all started with a free CD that came with a Saturday Daily Express newspaper. Remember those few years where newspapers gave out CDs every five minutes with a random assortment of music? Well in 2004 we got one and it must have been the Euros or something because it was called Football Passion (even though the last World Cup had been in 2002).

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Well much to the surprise of 11 year old me and a good deal of other Daily Express readers the CD was purely classical music. Not a sniff of Lighting Seeds in sight. And yet in a very weird way a free piece of plastic came to be the making of me. Playing it in the car for weeks afterwards I was able to formulate my own narratives around each song. The first and strongest story I devised around a song that was around the composition of William Tell Overture. Don’t listen to this and tell me you can’t picture the spectacle of the horse racing?

Picture a scene resembling the Grand National or Cheltenham Races, horses chasing up to hurdles and bounding over. Riders falling to the wayside one by one as proud owners look on to see their champions to the photo finish. So much energy and excitement.

Pavane, the song that flows straight after William Tell Overture on the CD’s playlist, created in my head the sense of disappointment of the losers.

The riders cast aside as failures, the damaged horses piled in heaps awaiting their fate as the rain starts to drop down. That or a general sense of romantic sadness, young boys packing bags and sent off to war when they barely understand what suffering is. The long days of rain and sadness.

And then, several songs later…

The slow build up, the knowing that something is about to happen, something is about to change. And then boom! The base drops and you’re filled with a sensation of happiness and warmth. The rain has stopped, war is over, there is a shining future ahead and all you can see is the goodness in humanity. O brave new world!

As crazy as it would seem, a free CD aimed at a sport I had no interest in would spark a new altogether different fascination in me. Around the same time my Mum got given a compilation CD set for Christmas called Pure Chillout.

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Still played around the house some fifteen years later, the album’s selection of modern hits with a feeling of ‘future classics’ was timed perfectly to those early teenage years of trying to make sense of the world under a mountain of coursework. The Heart Asks Pleasure First has strong banking connotations in the UK, but for me I could see only two lovers running around wild meadows, pausing only to catch their breath and the beauty of their company.

How mighty is the piano.

Mum, a now retired teacher, used Adiemus for one of her class’ dance routines.

Aged about nine, I listened to the song repeated endless times in the kitchen while she formulated the choreography for a group of twenty seven to eleven year olds. I remember watching the class rehearsing the performance an thinking it very impressive given my Mum half an hour before had been teaching Maths. However it wasn’t the story I’d created in my head.

In my head I pictured it as a battle scene. The noble and good army preparing for the battle ahead at camp, heading to the field, squaring up with their mighty and evil enemy across the board field. Then the charge with an almighty crash as the two sides interlock for the first time. The bloody battle, the slaughter and long battle, ending with the head of the enemy cut clean off and rolling away. The enemy drop their weaponry and the good Queen proclaims the victory to her humble supporters.

In hindsight I understand why my Mum couldn’t have acted out similar with her students.

Spin things back to the present day and you can find Mozart sitting comfortably as playlist bedfellows to songs such as this where English lyrics start to make an appearance, but only as long as they serve as backing vocals to the main event:

***

I now find myself frequently utilising the power of the classical genre to help me focus on big tasks or help support and make sense of the creative noise in my head. With no fake beats or confusing lyrics to contend with my mind can make its own conclusions of what it hears. And like any form of artwork, I can listen to it knowing that a distant person on the far side of the world can understand the wordless track just as easily and form their own opinions and judgements.

Were years of classical music the only reason I put up with hoards of bar mice that evening? Of course not. But could I say to you, hand on heart, that without ever listening to a classical music track I’d be sat here today writing the way I do? Now that’s a tougher question to answer. Because classical music forced me to form a story based on no steer whatsoever. It began that process of storytelling that has stuck with me ever since. Without the genre I genuinely do not know if I’d still be able to pull writing topics out of thin air or even if I’d have the confidence to share my ideas for the world to see for themselves.

If it is inspiration you seek, it is classical you must find.

A Selection of September Songs to Keep you Sane

Because I haven’t posted anything for a little, i.e. long, while I felt a quick post was needed. Also because I woke up one day and realised it was September (when did that happen?) and spent the week eating my weight in cheesecake and doing all things BUT sitting at home dwelling on the fact Summer is over.

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Sat, far left. The only time in my life where I remember shaking with excitement while getting my photo taken.

When you’re young you have the distraction and heavy dislike of school to keep you going. The only thing keeping me sane back then was a mix of back to school stationary and new uniforms (the cool kids drank Panda Pops, it was that kind of hard knock, middle class area)

Turns out though those in the music industry can’t get enough of the month.

 

 

A Selection of September Songs to Keep you Sane

 

Green Day – Wake me up When September Ends (complete with very 00s lyric video)

The official pop video is seven minutes long (one of the classic mini-movie types) and focuses on a young couple where the boyfriend enlists in the army and deployed to a non-descript Arabic country where things get very political and emotional.

I think it’s obvious why I opted for the lyric video…seven minutes long? Who do Green Day think they are, Michael Jackson?

 

Earth Wind and Fire – September

No introduction needed.

 

Britney Murphy – Boogie Wonderland (Happy Feet Cover)

Admittedly I thought this was a cover of Earth, Wind and Fire’s September but it’s not. Dang. Well I’ve found it so sticking it here regardless. Robin Williams sings in it so not a total loss.

 

Carole King – It Might as well Rain Until September

How bad is it that when I did a quick search entry on my own music library this song came top? Well somehow I’ve acquired this and find myself questioning anyone would wish bad weather on everyone else just because you can’t find a chap. A bit selfish, no?

 

The Bangles – September Gurls

I wish bed hair was still a thing.

 

JP Cooper – September Song

As inferred in my opening paragraph, I don’t see me being anyone’s September song, unless you’re going to string something together that rhymes ‘girl likes cake’ and ‘better bake’.

 

September – Cry for You

Maybe the reason this Swedish popstar changed her stage title back to the latter half of her real name Paula Marklund is because she realised she wasn’t getting bookings for the other 11 months.

 

Strictly Come Dancing Ensemble – September

Because I will never stop sharing this

 

Vivaldi – Four Seasons (Autumn)

Because as the name suggests it’s intended for Autumnal months including September (look, if it’s too tenuous a link write your own September song list).

 

(Plenty more September themed pop hits can be found on this website also 20 Songs About September)

What is it about September that gets musical artists writing? Maybe it’s because it’s the end of Summer and/or they didn’t have cheesecake and season two of The Crown to hand.

 

Any I’ve missed off? Let me know!

Whatever Happened to Duffy?

So, the WordPress prompt of the day is ‘Mercy’ and when I think of mercy my natural reaction is to get on a podium and dance.

And to think, if I’d decided to study Politics I may have had a different reaction to the concept of mercy. A world where Alice is unmoved by the above song. What a sad world that would be.

It did however lead me to wonder: where is Duffy now? Where is Duffy, and Dido and Celine Dion and everyone with a D under five characters?

Well it transpires I wasn’t the first one to think this big question (about Duffy that is. No one seems to have a clue about Dido and I’m quite sure Celine is making plump middle aged women cry in Las Vagas still). Duffy wise, Digital Spy has already addressed this point.

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I didn’t even have to look hard for the article, on a Bing search (don’t judge, I’m too lazy to switch) it came up as second in results under the keyword “Duffy”.

The article paints a story that is heard all too often in the music industry. Too much fame, too quickly, leading to breakdowns and even firing her own publicity team. She went quiet and then fired off a batch of new singles in early 2017 following a break from music. I know, I was completely none-the-wiser either. (If you want the full article click here.)

So there you go. Who says you don’t learn stuff from this blog.

 

Written in response to the WordPress prompt of the day: Mercy

This Could Be the Best Homemade Video Since Charlie Bit My Finger…*

(* – no promises made)

What does one get a family member who has everything? More to the point, what does one get a family member when one has no money, no time and has a terrible habit of writing in the ‘one’ tense? That’s right, she makes a truly amazing video featuring Phil Collins (obviously).

It seemed such a good idea to make a video for lil bub Bennett’s birthday, but then in truth I think I may have really just wanted to pay tribute to Phil Collins and feed my middle age condition (the one where people are born liking The Archers and consider staying up to watch the BBC News at 10 to be a ‘crazy’ one. Yeah, that one.) Anyway, I thought the video would be a nice thing to do for her.

20 hours later…

Brain dead, caffeine overdosed and fed up of seeing my sister’s face more than my own, I finally created a masterpiece. “She better love this” I thought, before dashing into Lush the next day to buy a back up present. Safe thing too, when I first presented her with the gift she seemed less than amused at the offering.

“Right. Ok, well that’s a very nice memory stick Ali, thank you.”

“No you donut, it’s what’s on the stick.”

“Oh right!”

“Did you seriously think I’d give you a cheap USB stick for your birthday?”

*Silence*

“Just play the video.”

Luckily, she loved it. And now, for your viewing pleasure, I have added that same video here. Enjoy! (Well as much as you can given you know nothing of my family and it’s in-jokes…if nothing else watch it for Phil.)

 

 

Written in response to the WordPress prompt Dancing

I’m The Classiest Thing to Happen to Swindon Since Billie Piper

With a title like that you’re probably thinking one of three things, “too right Alice is”, “this girl has got right up herself since she set up a Facebook page. Who is she, Donald Trump?” or “huh, I did not know Billie Piper came from Swindon”. Either way, I’m going to say it loud and proud* (*not in real life you understand? Just online).

Two weeks ago was carrying an unzipped suitcase down the stairs when all my belongings tumbled out. At that very moment I thought to myself “you really are a piece of something” and now I know what that something is. It’s pretty obvious that I am the embodiment of class and comedy gold (I’m also the embodiment of a minor caffeine addition and sleep deprivation, but I’ll leave that to the obituarists).

Backtracking a little, with a name that translates as “Pig Hill” not a lot of celebrities have graced the streets and houses of Swindon. Case in point: when was the last time you saw Jude Law in the Canal Walk McDonald’s? Exactly. And don’t get me started about the fact Canal Walk is no where near water. I’m going off on a ranty tangent here, but Swindon needs to have a serious rebrand. Why not change the name to, say, “Swingdon” and make the place full of jazz or “Richdon” (subliminal messaging for the dumb rich people)? I pay you enough ruddy money in taxes, sort it out council.

Until a new name is implemented or Jude Law decides to unleash his offspring into the concrete jungle that is Swindon’s Tented Market (really, it is made of that – WHO WORKS IN BRANDING?!), then I’m going to claim the title of classiest female to grace Swindon. Sure, I spill tea quite literally everywhere and yes, I can be reduced down to a child-like mentality when presented with new pillows, but given my competition is Billie Piper then I think I have good grounds for asserting my case. For anyone not in the know, Piper made her name in the late 90s/early 00s as a pop star and then as an actress (more commonly known for playing Rose Tyler in the reboot of Doctor Who). She’s good, don’t get me wrong, but Swindonians don’t half like to harp on about her like she’s a big claim to fame. You know who my local town of Stratford-Upon-Avon had? Shakespeare, that’s who. Trust me, there’s no beating that, however competing against this I think I could take Piper on:

(Seeing bins melt into men, billboard cartoons come alive and rhino bouncers? Yep, it’s called a standard Saturday night out in Swindon.)

I write stuff, good stuff, and despite my frequent Calamity Jane moments I like to think I represent a good role model. I walk to work, go to the gym, I even do the occasional bit of baking. I tell you what, get Anthea Turner (star of How to Be a Perfect Housewife) on the phone, she’ll support me (and in doing so knock back Feminism to 1969 but hey, we’re talking about me here.)

In short, I’m a ruddy aspirational professional.

And you know what? I think my presence is having an effect on this town. For instance back in 2014 you would never see this type of thing out and about:

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You might have come across a cider can or an empty beer bottle, but never a wine flute carefully placed on a window ledge. It’s a sign!

Not wanting to brag, but I’m the classiest thing to happen to Swindon since Billie Piper.

(Disclaimer: before writing this post I had consumed a large, strong, coffee. This may explain pretty much all the comments made in the above. Do I regret them? Not at all.)

Nablopomo Day 18: Inappropriate Music

My colleague and I had an inappropriate song-struck-in head off today. As our chairs are located literally back to back (#OverstaffedOfficeProblems) we share a great deal of information, sometimes perhaps too much. Put it this way, it’s been a bonding experience. Nowhere else can I say I’ve learnt the art of careful wheeled office chair reversal (trust me, it’s a very unvalued skill). One of our many chats today was on the topic of music which followed minutes later by my colleague announcing she had “Apple Pen” stuck in her head. For those of you who have yet to experience the delights of this song, here is the video:

Pretty annoyingly catchy right? Double points for that fact for simplicity and dance moves I can learn. Besides, any music video that prioritises dress over props is going to score highly with me. Reduce the price of fruit and pens I say.

Despite this, I was all to quick to respond “I can better that” and muttered the lyrics I had stuck in my head. Faced with her disbelief, told her to Google it.

This was the song I had stuck in my head whilst sat in a professional office environment:

Definitely NSFW!