Be More Lewis

I found this old video clip on my phone, recorded off an episode of the Channel Four docu-dating show The Undateables.

For those less familiar, the show helps people with disabilities find romance (those who tend to struggle through traditional methods). I hate the title of the show, but like its delivery.

Even though I recorded it back in early March 2020, prior to the C word kicking off, re-watching it cheered me up. So wonderfully British.

I think we all need a bit of a Lewis perspective in our lives.

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A Very 2020 Take on the 1974 UK General Election

While the rest of the country flipped out over Covid for the billionth time that year, my sister and I chose to spend one particular Saturday night watching the high-quality coverage of the 1974 General Election.

No, I’m not joking.

One day we’ll look back on things like this and go, “yes, we really were living life to the best when in our 20s.”

(By the way, we shouted “PHONE!” When the phone was heard ringing in the studio. It’s not quite audible on the playback and I’d hate my reputation to be damaged by this one element.)

Spoilers: Harold Wilson of the Labour Part won a majority of three seats and took over from Ted Heath’s Conservative-led government (I may have Googled that – even I couldn’t face staying up until 12:45am).

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UK Christmas TV Adverts 2020

This post has been sparked off my Mumma B, who only the other day asked me about this year’s John Lewis Christmas advert.

The thing is, she comments about the lack of visibility, but at the same time records everything on her YouView box purposely to skip all the adverts. You see the dilemma here?

Basically I’m posting all the Christmas adverts for the main UK players so that my mum can see them in one place (and once only).

I’ll add to the list as and when any additional companies release theirs (please do also poke me with a metaphorical stick in the comments). Otherwise lets get to it! In no particular order…

UK Christmas TV Adverts (2020)

John Lewis / Waitrose Supermarket

Aldi Supermarket

Lidl Supermarket

Walkers Crisps

McDonald’s

TK Maxx

Argos

Barbour

Very.co.uk

Amazon

Tesco Supermarket

Asda Supermarket

Morrisons Supermarket

Sainsburys Supermarket

Boots

Lego

Dreamies Cat Treats

M&S Food

Disney

Coca-Cola

JD

Ralph Lauren

(Disclaimer: All videos above have been lifted from YouTube via the URL. I don’t own any part of these videos.)

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New Ways to Support

Just a quick reminder that I’m still here, earning tumbleweed from my writing (well, actually, tumbleweed would at least be something…)

A big, big thank you to those who have donated so far (you lovely people know who you are). For those less aware, I have an active donation page called Buy Me A Coffee, a platform which helps creatives get money doing what they love and keep producing content for their fans.

If not for me and my coffee spilling antics, it’s worth checking out to discover some hidden gems from people across the world.

I’m always reviewing the page and just recently added two funky new extras you can buy as a one-off. Check out the website to find out more.

Thank you in advance!

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New Season, New Identity

As part of the UK’s approach to tackling Coronavirus, a number of establishments have implemented methods as part of ‘track and trace’.

I get it, makes perfect sense. What I’m less supportive of is how a lot of venues are using as a way to get hold of personal details for marketing cr*p.

Do I really need to informed of your new banana loaf range? Oh, great, you’re offering 2.5% discount because it’s the CEO’s daughter’s 25th birthday BUT ONLY THIS WEEKEND! God, can we get GDPR in to fix this again?

So, in a mark of defiance, I am now now using an alternative details on any wifi login that demands it. Just for clarity, if it’s strictly track and trace I am providing accurate information. However, you asking me to set up an account to order a cup of coffee from the counter literally three meters away? Nah, girl ain’t having that.

In those occasions this is what I’m registering myself as:

Yes, that’s right, my name is now Ms Boom Town (although where possible I choose to not identify as a specific gender). I was born on 1st January 1950 (because we all know that was the birth of Boom Town) and my email is a randomised mix of letters @GenericEmailProvider.com.

So there you have it, from henceforth I insist all my food and drink orders sent over public access wifi are made in the name of Boom Town.

You got a problem with that? STOP EMAILING ME YOUR SPAM THEN!! (Thanks.)

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VIDEO: Staycations in York

A perhaps more sombre video (pretty blue compared to the stuff I normally produce, I admit), of the four days I recently spent in York. I wasn’t going to do anything, that was until I came back and Mumma B said, “when are we getting the picture presentation?”

So I quickly pulled this together, complete with backing music which I heard whilst watching the world go by in one of the nammed coffee shops below.

Big love to the city of York, big love to whoever controls the weather for giving me sun and zero rain and big love to ‘The North’ for giving me a warm welcome during my visit.

Places visited:

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Anyone Else Remember the Surreal “Sooty and Sweep” Episode with the Explosives?

What does it say about me and my childhood that my favourite episode of any children’s TV show I ever watched as a kid centred around puppets throwing bombs at children and animals?

Yes, you heard me, bombs. As Soo the Panda light-heartedly jokes, they were the “Bun Disposal Squad”, so I suppose if you’re going to be really pedantic then you’d say they were joke exploding cream cakes. However I’ll let you watch the entire length of the episode and leave you to make your own minds up.

I think the worst bit is that I actually re-watched this episode at gone midnight one recent Saturday night. No, scratch that, the worst bit is that I STILL love this episode. The 1990s were are an interesting decade, almost naïve of what was to come. Man, I miss growing up then.

Perfectly acceptable viewing

Something it’s taken me twenty years to notice, mind…Matthew (the guy running the shop), he has a wedding ring and seemingly lives in the attached residences (with all the puppets, but let’s choose to overlook that). Where’s his wife/husband/other?

If that question hasn’t blown your minds a little then you need to seriously rethink how you conduct yourself. Weirdo.

Oh, hang about! I’ve just found my second favourite episode of anything ever, the episode of Sooty and Sweep where everyone starts sniffing suspicious substances to change their voices.

Anyway, where was I? Oh yeah, you’re all weirdos.

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When Three Weeks Becomes Three Months: Family, COVID-19 and the Faith of the Fatigued

Every morning I roll out of bed and stumble the 1.5 strides to the bathroom. I look in the mirror and study the damage; one new spot since yesterday, five new eyebrow hairs, a shade darker under the eyes. I toy with the idea of doing something to remedy this, but then sigh and do little more than splash water from the sink lined in dirt and limescale. If it’s a ‘treat day’ I might apply a thin layer of face cream but today, like most others, is nondescript so tepid water will suffice. Pasty skin ready, I grab one of my face coverings from the coat hanger, rubber gloves from the box and go out into the big, dangerous world to stand in a queue. “Just another day in paradise” plays solemnly through my headphones, a Phil Collins track which I long to change, but my unisex latex gloves are two sizes too big and even if I could, touching the screen would only defeat the point of preventing the spread of germs. I leave him be.

Here I am, starting another 24 hours in a string of days that end in the letter Y. Dull, predictable and dragging, welcome to the human face of lockdown. 

If you haven’t already got the gist from recent posts, in March (2020) I made the choice to move fully back in with my family, days before the UK went into COVID-19 lockdown.

I own a house, a car and a job in the same location, but with the job reduced to working from home and my ability to travel limited to as far as the curb-side wheelie bin, it seemed more logical to return northwards.

At 27, the novelty of spending an extended period of time with my family felt like a throwback to the days when home was a refuge from exhausting summer jobs or algebra homework. But now the family home represents my safety and my imprisonment. I am denied my freedom and, some days, forgetting what it feels like to be a fully accountable adult at all. I’m turning into a woman-child.

Three weeks I thought this would last, three. But now we’re speedily heading towards twelve and to be quite honest, I fully expect it to last longer than that. I normally work out of an office populated by a large number of employees. I can only imagine what social distancing will look like if I am, ever, mandated to five days a week in that environment.

Practical but impractical: the DIY masks that itch and pull

Can you imagine the first day of everyone being back? A three hour queue to get your pass reactivated, followed by at least two trying to fix some technical fault with laptops (always tends to be that way). Everyone will take an extended lunchbreak (by which point the only option will be a cheese sandwich) and then there’s just enough time to go around hugging as many people as possible before it’s home time. Michelle is given an out of date bottle of wine from the store cupboard for something she won twelve months ago and then it’s off to the car park for gridlock congestion.

That reminds me, I think I left behind a large stash of snack bars in my locker before I left town. Damn.

I’ve gotten slightly off topic, but then again, I always do. Can you really blame me, when one of the few excuses I get to spend time away from my family is to find one of the few quiet spots in the house and type on this blog? Mumma B is forever demanding new blog post, Papa B is forever blissfully unaware of them (but then sending a text to dad has a likelihood of receival on a same level of attaching a letter to a dove in a hurricane).

The improvised supermarket queue barriers of early lockdown

I haven’t dyed my hair since January. I guess originally I saw it as a form of resistance, the idea that I wouldn’t colour it until we were out of lockdown, but that idea faded as quickly as the shade of my roots. Resistance turned to indifference, colour fading with every wash, and now I’m reunited with a shade of brunette I haven’t seen in years. It could almost pass for stylish, a layered multi-tonal style.

Makeup? What are these expensive alien products of which you speak? I’ve almost forgotten how to apply what little I used to wear. Mascara is a challenge, the smudgy black fluid streaking up my eyelid and smearing across my fingers when I try and rub it off. I’m a toddler experimenting with these curious substances, playing about with pencils and powders that used to mean something to me. The woman I recognise in those summer holiday pictures, how can I look like her? How can I wear lipstick like she once did without turning into a clown? But then, what’s the point?

Five closure signs are better than one

Now you can’t exit the house without having to cover up. Facial coverings and gloves have swept across the globe, marking the creation of a new religion with its own dress code. The irony, the racists and xenophobics who used to speak against religious coverings are now the same people yelling that face and hand covering should be made a legal requirement. Next they’ll be demanding the use of headscarves to prevent spread, whilst splashing and gargling in the sea. Society has been united (be it on a surface level) by new codes of conducts and coverings. We have no way to object to the world around us, voices blocked by sheets of fabric, we can only go along with the rule of government. By law or by fear, the faith of the fatigued marches on in varying gaps of social distance.

Early days of lockdown shopping

The highlight of my week is now the Saturday morning food shop and the lowlight is getting back from it. That feeling of exhaustion from exerting myself more than at any other point in the days leading up to it. The rub of the fabric mask, the feel of rubber residue that sticks to my fingers long after I’ve taken the gloves off. In the world I live in this is one of the few excuses I have to leave the house, my world is now so tightly tethered to that of my family. I have no friends to see, no places to visit, no errands to run that can’t be handled over the phone.

Fun is now reduced to comparing the length of supermarket queues week-on-week and counting the number of times we’re reminded to keep two meters apart over the tannoy. The buzz when tinned foods are taken off restrictions, the disappointment when when they’re reapplied the following week. Three tins of soup per customer, a luxury. And yet, the Saturday food shop is the one thing that reminds me time is passing at all. Time is reduced to the little-wins, twice daily teeth brushing, hair washes every other day, changing bedding every few weeks. The mundane activities that make milestones of hope; another week towards a vaccine, another week towards normality. And not just a new one, a true one.

Later methods of enforced social distancing. One way systems and theme park queues outside to reduce store numbers inside

The phrase ‘new normal’ has grated on me since first time it was used by politicians who know about as much on what ‘normal’ looks as Chairman Mao knew of peasant struggles during the 1960s famine. New normal implies that this is the first time normal has changed, but what about the invention of the internet? Or the Industrial Revolution? Or when we started hunting with metal spears instead of stone? In which case, what are we headed into? New Normal Version 9999998767.8?

Instead of new normal, I’ve adopted a different phrase, ‘My Normal’. The way I see it, you have to embrace and adapt to what works best and safe for you. In lieu of coffee shops I’ve taken pleasure in making my own coffee and enjoying the views I’m lucky to have. I miss the noise and hubbub of activity, but sometimes I think it’s easy to romanticise an experience. Countless times in life I’d find myself trawling from coffee shop to coffee shop to find space, only to find it too noisy to focus or hold a conversation.

I write a hell of a lot more now than I used to. Whether the quantity results in quality is yet to be seen but regardless it feels, well, good. But I’ve also dropped the stupid targets, I’ve moved away from expecting myself to have produced the next best-seller. I’ve realised that I get bored, I procrastinate, I live with three other adults who seek me out if I go three hours without doing a tea run. I’m human. One day I’ll spend an evening working solidly on a manuscript, another I’ll decide to do something unrelated to writing; I might watch rubbish TV or read my History Magazine. My lunchbreaks I might donate towards researching the publishing industry or even find myself so done with taking myself seriously that I turn to this blog to remember that deep down I am still the kooky person I’ve always have been. No lockdown is going to stop me being me.

More time to clear out the junk

Do I scrap with my family? Of course! Even when I was living here as a teenager and my parents were working jobs we didn’t see each other as much as we do now. There have been plenty of times I wanted to get away from it all and return to life where I had my independence and my freedom. But the benefits of being in a space where I feel safe and wanted outweigh having to ‘go it alone’. I am incredibly lucky to have the family I do, even if they do all drive me insane.

And here’s something potentially controversial; I’m actually more content now than I have been in years.

More time to read

Gone is the pressure to look a certain way or to live in a certain location (e.g. London). I don’t feel the pressure to be in a relationship, in fact, as time has gone on and the faked perfection has slowly disappeared from the internet, I’m left wondering what it must be like those couples, the unstable relationships built on sand and Snapchat filters.

In just under three months my life has, once again, changed enormously. And there was I thinking living in London was the biggest shake-up to happen to me. Moving back into the family abode is shifting my perceptions and five-year goals more than any office manager or two-day Excel training course ever did.

Those lamenting that office work is as extinct as the dinosaurs need to get real and understand that people will always crave social interactions. There will always be a queue for my office car park and when the doors open I will be at the front of it.

Like everyone else I worry for the future economy, my job security and the health of those I care most about. But of all that I worry most about what we will become. More than once I have woken from a nightmare, to discover it was only a more warped version of the life I used to lead before. I fear that when this is all over and the generation moves on behind us, we will horrify or romanticise this event like it’s our version of Vietnam. The youth will never understand, will never appreciate what we went through, when in fact we were the ones who returned to 45-hour weeks, we were the ones who were so desperate to recoup physical loses that we forgot the gains we made on our front door.

But more than this, so much more, is the reassurance that this will not last forever. One day I will return to the town where I live and work. My mum will go back to cooking for two, not four, my sister will teach in schools and my dad will be able to work in customer’s homes without wearing a mask. None of us will be the same, but we will have future hope. One day we will all be reunited and will laugh; back when we thought this would all be over in less than three weeks.

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Lockdown: 10 Things No One Warned Me About

It’s a strange old world when the phrase “you must have been living under a rock” is more of a compliment than criticism. Because why would you choose to be kept informed on a minute-by-minute basis? Why would anyone take to pointing the blobby face in the BBC’s Coronavirus background just to get through the 10pm news? Why would anyone do that? They’ve to be pret-ty sad to do that.

BBC

bbc edited
Once you see it…

Like many people around the world who has or is currently going through a version of a lockdown, there are a number of things I feel that I was no prepared for. Most are very typically British and being me, I’m going to take a very Alice-y approach to this. The community spirit, the crazy hoarding, those are commonplace knowledge in the UK. But what about the little things? The small changes to the day-to-day that I really was not prepared for and some I’m really not sure I’m okay with.

Lockdown: 10 Things No One Warned Me About

1. I look good in a mask

Never did I expect to scrub up nicely in a DIY mask. I don’t wear it very often, only the couple of times when I’ve gone out food shopping. But you know what? I kinda like it.

img_20200328_160743_634304081365821512030.jpg

Solves the problem of make up and my fledging career in ventriloquism, as this accidentally taken video shows.

2. I’d be fighting pets for work space

Squeak in the Kitchen

I mean, sure, space can be tight when you’ve got multiple people working from home, and I get having any age of children about can add an additional layer of ‘fun’ to the mix. My cats however, no one seemed to teach them the importance of sharing.

Squeak in particular, she seems to view my presence are a mere inconvenience to her sleeping arrangements and trust me, this lady is not for turning!

3. I’d listen to more questionable radio

Tune in to Heart 90s right now! - Heart

I’m not adverse to radio, in fact I listen to a good deal of the stuff when focusing on work or creative projects. But, listening to so much of the same hosts you naturally want to venture out and explore new things, did I however expect to be listening to Heart 90s? Did I ever expect to be researching The New Radicals on my lunch break? And did I still expect for Westlife to not be over their exes? Short answer, no.

Reminds me, I really need to buy more CDs. Also, did you know Cyndi Lauper did a remake of her hit Girls Just Wanna Have Fun in 1994? Well, you do now.

4. I’d drink more

Coffee, gin, prosecco – they’re all the same, right?

20200411_2005243151572652680840241.jpg

Still, for the first time in my life I’m actually drinking two litres of water a day.

5. People are more demanding

Sometimes it’s household chores, other times it’s life admin, but living with family I cannot get away with dodging tasks in the same way I could when I lived over an hour’s drive away. I feel like I’m six again.

On a similar level, I’m getting constantly asked when my book is getting completed, the expectation is apparently I’ll come out of lockdown with the next international bestseller ready to hit the selves.

18600675_1955472301145018_469646454_n18614797928302280912.jpg
My face when people ask for a publication date.

I’ll spoil it for you now, it ain’t happening by September 2020.

And then there are some people who use their connections and position to request frequent updates on new blog posts (yes mum, I’m looking at you).

I have more time, but I do also have a job and endless cups of tea to make.

6. Downing Street briefings would become the highlight of my day

The daily updates, usually televised from 17:00 have been a key milestone I structure my day around. Stranger still, I now have favourite ministers who I get more excited by presenting than others. Business Secretary, Alok Sharma, not a big fan.

New Housing Minister is Alok Sharma, MP Reading West - The Negotiator

(Also, I can’t un-see Tom from Tots TV whenever I look at him. Don’t ask me why.)

Inline image
Just me?

However, Rishi Sunak, Chancellor of the Exchequer, he’s a bit of a political dreamboat. I always look forward to his briefings, which is something because I barely knew the chap before this all kicked off.

Why Rishi Sunak is the one to watch in parliament | The Spectator ...

At the age of 39 he’s basically 20 years old by political standards and doesn’t he know it? I mean, the man even poses for photos in his socks. Puts the full shirt and tie combo on, but no, leave off the shoes. What a tease!

New chancellor Rishi Sunak cashed in on fund that helped break ...

All I’m saying is that the next series of Love Island needs to watch out.

This leads nicely onto my next point…

7. Having a legitimate excuse for my non-existent dating life

After years of trying to defend my singledom status to an irritating number of people (singletons, you’ll get it), it’s taken a pandemic to stop people asking.

I mean, the apps can give it large by encouraging people to facetime but if there’s one thing I really can’t be handling is the awkwardness of a) making an effort when really, what’s the point? Or b) having to talk through my choice of bedding with someone I’ve known all of five minutes or even c) terminating the ‘date’ because the 17:00 briefing is about to start and Rishi is chairing.

Instead, the phrase I’m not using is “I’m practising this new fashion called social distancing. Very a la mode, it’s all the rage on the continent!”

After all, it worked for the Netflix series Love Is Blind

Love is Blind

For those less familiar with the car crash TV series on Netflix…

8. My family are insane

I love them dearly, but with all us temporarily living under one roof for an extended period, a length of time none of us have known for many years, well, the weirdness starts to surface eventually.

Case in point: Mumma Bennett has taken to drawing on a potato.

20200402_180037125095501623069783.jpg

And I know what you’re thinking…

For better, or worse, Mr Potato is now part of our lives. Mum is very precious about it and gets upset if we says nasty things about it.

Mr Potato Abuse

Again, we’re all living in the same house.

I’ve now come to embrace Mr Potato; he’s no couch, he’s my mate. He’s pretty sharp on boosting morale.

Boris Potato

(But I have had to have words about his unexplained trips.)

20200409_2009372554809057389384685.jpg

9. I’d be using Christmas decorations in Summer

20200419_1032356226197889136083749.jpg

We’re now using seasonal charms on every glass/mug to identify who has been drinking out of what. The only slight difference now is that instead of it being “ho-ho! Wouldn’t want to accidentally drink your wine!” it’s more “DON’T YOU DARE CONTAINATE MY COFFEE, YOU MASSIVE GERM!!”

10. Dad’s legs

Apparently it’s now Summer. Missed that memo; the one which said the weather would be pants for weeks and weeks, but the second we go on lockdown it would improve. But, dad has his legs out so it must be the case. Can’t argue with that, (really, I can’t.)

Dad's Legs

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To finish off, here’s one of the more respectable 90s songs I’ve heard on the radio (it’s a cover of an absolute classic but then, the 90s):

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London Recalling…Solo Sell-Outs

Well things are really not going my way, are they? Just when I think I’m starting to shake this illness off, boom! Tonsillitis.

Given breathing state is a bit wheezy I’ll have to try and not get too ahead of myself when typing in hurried excitement. That’ll be the hardest part, just like when my teachers used to tell me off for smudging ink all over the page and up my hand. They never really did see the other side, that I couldn’t help it. That I was so keen to write everything down in my head, too impatient to let the ink to dry.

Bruise on the leg has near vanished too, so at least my body is still capable of some level of self healing.

London Recalling

This post follows Part 2, The Creative’s Curse

Part 3, Solo Sell-Outs

It was that very same night as the Sofar Sounds gig that I experienced my minor calf injury. After the meal in Wapping I found myself casually wandering around St. Katharine Docks, a delightful patch of water and wealth next to Tower Bridge. Where rich people flaunt their yachts and people like me walk along raised walkways; enjoying the chance to look down at privilege. It’s also the location for one of my favourite views of London, where Tower Bridge appears from nowhere as a mighty giant of architecture.

img_20200128_213033_7363477417342205301474.jpg

At this time the light was lacking, so I decided I’d return another day to take the above photograph.

There had been a steady drizzle of rain throughout the afternoon, causing the paths and walkways to be more slippy than usual. While the Underground stations blared the same warning to passengers over and over again, on a near silent Sunday night in January the message was perhaps less ingrained in my head as I strolled around the Marina.

Eventually the expected happened, walking down a flight of concrete steps in my flat, sodden, pump shoes, my foot skidded on the slippery surface and I tumbled forward. Thankfully I was near to the bottom, my hands jutted out of my pockets just in time to break my fall down the two or three steps remaining of the flight. My calf however suffered their bite, the impact of these remaining ledges grazing their teeth along the bone, from foot to knee.

It was too dark for anyone to see, too quiet for anyone to notice, too quick for anyone to spot; within half a second of me falling flat in a heap I’d hopped back onto my feet and carried on my way. It was only later when I got back to the hotel I discovered the full impact of the fall was more substantial than I’d originally thought. Lesson learnt; I kept my hands of out my pockets and tread more carefully for the rest of the trip.

**

Monday morning, and now it felt like the time was all mine to play with. Done were the previously agreed engagements, the catch-ups and the pre-booked tickets, now I had the freedom to do whatever I wanted while the rest of the city got back to work.

From my bedroom window I watched the suited men and women in their designer shoes and trainers as they all scuttled in the same direction, towards the heart of the financial district. It drew me back to all those times before when I’d walked the very same path, head down, headphones plugged in.

In amongst the crowd I saw one individual less sure of themselves, less familiar with the route they were taking. They reminded me of myself all that time ago, those first few days where impatient workers would dodge and tut as I stopped frequently to check the direction of travel I was headed in.

Back in the present I knew my place, I would only head out after the walking rush-hour had ceased; after 09:00 when the world was a little calmer on foot.

**

I’d never been to the Museum of London which had always struck me as odd given it was one of the few tourist attractions I’d seen so frequently day-to-day working in The City. It’s imposing lettering on the side of a large brutalist wall that trailed around a roundabout and off towards the Barbican.

Deciding there is always a first time for everything, I skirted around a large school party waiting outside and dived into the building to get a head start on the exhibits.

The first thing that struck me was the music playing loudly across the speakers. The sound of punk music overflowing into exhibitions on prehistoric London seemed initially a strange pairing, until I realised that it formed part of a temporary exhibit on The Clash’s 1979 album London Calling. The album was playing on a loop to help draw people in. As I walked past staff members I wondered how many repeats of the title track would it take before they grew sick of such an iconic band.

The music stayed in my head long after I left the museum. I may have seen some wonderful artefacts and learnt a lot about London’s rich history, but it would be the feeling of seeing Paul Simonon’s broken guitar in real life that would come to brand the entire city-break. I’d never been an avid follower of the Punk movement, but the first time I understood it a little better. I was able to appreciate it for what it represented; the first act of civil disobedience, the first time youth made a strong impact. “No, we will not be silenced!”

**

From the Museum of London I skirted on down past St Paul’s cathedral, through the buzzing crowds of tourists and across the Millennium Footbridge to reach the banks of Southwark. In my sights I had my favourite branch of Caffe Nero; one located in Oxo Tower, but before I could reach it I caught myself on an installation placed outside the Tate Modern. A walk in cuboid-like structure, hung with column upon column of white paper cups (save a couple of black columns at the front).

‘We use 5,555 paper cups a minute in the UK,’ the sign read. ‘Oh which only 555 are recycled.’

I took a step back and, like a few of the passers by, were moved by how explicit the instillation was in showcasing the amount of waste in this country. However, what was equally striking was how the majority of people had responded to the stand-alone piece. All around people were scribbling messages onto the paper cups; some were deeply emotive on the destruction of the planet, others as two-dimensional as a statement that someone had been there, like lover’s hearts engraved on trees. Whether or not the artists has intended their work to be graffitied in this way, it seemed there was no stopping it, the piece had only been erected for a matter of days and yet was already covered in human sentiment.

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A ballpoint pen burning in my handbag, I walked forwards and scouted out a suitable cup to make my mark. Not entirely sure what to write, I eventually scribbled down some words. I stepped back to admire my work, only to find myself cringing at the terrible handwriting and the surrealness of the wording. It was missing something.

I pulled out one of my business cards from my bad and, with the help of a few drawing pins and some blu tac, I attached the small square of card to the small paper cup. ‘Yes,’ I thought. ‘That looks better.’

The final inscription read:

Alice E. Bennett, 27/01/20. Mermaids do exist and they can’t survive in our polluted oceans. Instead they are forced into moving to Swindon!

(After attaching the card I also added the words, ‘get curious’.)

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I took a couple of photos before moving on. As I walked away I realised a few people had been stood watching me the whole time as I awkwardly attached my card to the cup. An international tourist was quick to swoop in to give it a read, though I felt quite certain they wouldn’t have the faintest idea what I was on about, I barely knew myself.

Whether I had intended it to look that way or not, I’d effectively sold out on an environmental protest.

**

I strategically placed one of my ‘duff’ business cards (ones which were printed with a spelling mistake) under the empty coffee cup as I walked out of Caffe Nero, the space somewhat busier than I expected for a Monday lunchtime. I retraced my steps and entered the Tate Modern just as the heaven’s opened and it started to pour with rain.

‘Better take my time, then!’ I thought to myself, making my way into the turbine hall to admire the dramatic water fountain, Fons Americanus, created by American artist Kara Walker.

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I strolled around several of the art galleries, in truth I saw this as a mere fill-in experience for old time’s sake. It’s funny how spoilt you can become when you experience something everyday, in that very moment I only sought out a quick hit whereas for many this would be the highlight of their day or even their trip, to London.

A number of the galleries hadn’t changed since the times I’d been there and for me that felt bothersome, like the Tate was being lazy and people were being cheated out of an experience. But then a quick survey of the people visiting at that moment in time reminded me that for most they knew no different, they were just like me that very first time I’d entered the old factory. Just as fascinated, just as keen to photograph. I knew the issue lay more with me than anyone else; so I put my internal-tantrum to one side and took myself to a different part of the establishment.

I will spare you the War and Peace version of how I view art, but on this visitation I seemed to feel a stronger feeling of hate, divide but also a call from artists to remember we are all human. I suppose it’s not a surprise, artists always have had a reputation for expressing more liberal sentiments than other segments of society. But watching Igor Grubic’s video East Side Story where far-right extremists attack a Pride match with bloody consequences, it felt like the message was stronger now than it ever had been before.

(Warning: video below contains strong language, violence, and homophobic language.)

And then there was hope; that if we recognised the contributions of others we could be a part of something much greater than if we work in isolation. Nowhere else did I see this more strongly than in Yinka Shonibare’s The British Library, a room installation which makes the point of showing how fundamental other cultures, notably African, have played a role in shaping English literature.

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A room of books, each covered in bold and heavily patterned fabric, all the colours of Heaven and Earth itself. Not in such a long time had I found myself at pains to stand behind the thin bit of wire that prevented me from reaching out to touch, to feel, the books before my eyes.

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**

The rain still coming down in medium sized droplets, I hurried across Blackfiars bridge back onto the Northern bank and then, from there, Northwards to reach Trafalgar Square. When I’m set on an idea I can become really stubborn to it, even if it makes absolutely no logical sense to anyone else. In this instance I’d got my heart set on a visit to the National Gallery before it closed at 18:00. I left the Tate Modern at 15:00 which, factoring in travel time, would give me a safe two hours in the gallery before hitting the Tube to avoid the peak rush hour at 18:00.

Maybe in a bid to avoid the rain outside, the National Gallery was considerably busier than I had expected it to be; an old building full of hot, wet bodies.

I took a quick turn through the galleries, although I found myself stopping and starting multiple times as soon as I came by a suitable seat to perch on. I hadn’t quite factored in how much walking I’d done today, and in fact every other day, until this very moment. Of all the views within and looking out of the building, the best that day came simply from that of a window seat, where I could idly watch people ascend and descend a large staircase built in a recent extension.

Because I’m me, I did find a couple of humourous bites in some of the artworks; including this piece which reminded me of all the times my friends had placed bets on the length of my hangovers:

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And this piece which looked like a screen grab from some type of low-budget documentary. Something along the lines of…”don’t tell me how to raise my kids”.

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However, when all was said an done I found myself surprisingly keener to leave the gallery earlier than I had originally planned in my head. After about an hour of breezing through the classics, I left the National Gallery, breaking my route back only momentarily to stop off in a nearby Waterstones. I couldn’t resist plunging myself down to the basement level to enjoy one of my favourite sensory experiences; the smell of new books.

**

That night I returned once more to St. Katherine Docks to enjoy a meal at the restaurant chain Zizzi. The looks people gave me when I walked in by myself! You’d have thought I had a third arm growing out of my waist! Used to these looks of surprise, curiosity and mild judgement, I pulled out a reading book as the staff placed me on the last free table in the house. I settled down for a chilled Monday night with a glass of wine and good company (i.e. food).

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As I sat there later, sipping on coffee and making it clear to everyone I was in no rush to leave, I pondered on the art works I’d seen throughout the day. From The Clash, to Shonibare, right through to the classical masterpieces in the National Gallery, they had all been individuals not afraid to make their mark and show off their talent to the world. They would never have considered themselves arrogant or forcing their talent on the world. They may have had rocky patches, but they’d always had a firm belief that the route they were taking was the right one, when The Clash coated brick walls with their posters they wouldn’t have worried about what people said or thought. So why did I still on occasion find myself blushing when friends rolled their eyes at me, ‘putting up another business card Alice? You’re such a sell-out!’

Just then a waiter came by, sensing his chance. I reached into my bag and pulled out a card, tapping it swiftly on the hand-held device to make the transaction and ensure the staff hassled me no more.

I opened up my phone case and pulled out one of my business cards from the inside. As I flicked the small piece of card around my finger, reading and rereading the contact details printed on it, I mused on the idea of all artists being sell-outs. That to be and be regarded and accepted as ‘something’ you have to be prepared to stand out; you have to be a peacock in a field of pheasants.

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I lifted myself from my seat, applying my coat onto my back in a sweeping movement. I cried out to the remaining staff who responded with a polite smile.

‘Thank you! Have a good evening!’

And then, just as I picked up by bag from the floor, I placed a business card brazenly on the table before walking out into the darkness with a secret smile on my face.

We’ve all got to start somewhere.

**

Places visited (in order):

NB – I was not paid to visit any of the above, adding links for reference.

**

London Recalling Series:

Part One – Straight Lesbians, Like Us

Part Two – The Creative’s Curse

Part Three – Solo Sell-Outs

Part Four – Wapping Old Stairs

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