Stop Faffing About and Get on With it!

Cally Beaton, TV Executive and stand up comedian extraordinaire, delivered a powerful presentation recently in my workspace. If that wasn’t an experience by itself, my colleague I and alo had the pleasure of catching up with Cally afterwards to record a podcast. We covered lots of important topics including imposter syndrome, mentoring dating woes and the difficulty of acquiring paracetamol without ID. First world problems, you know?

Unfortunately due to company restrictions I’m not allowed to share with you the audi (trust me, I tried). However, that said, it was an absolute pleasure to interview Cally and write up the subsequent article.

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Stop Faffing About and Get on with it!

When Kirst and myself, Alice Bennett, joined this company we never thought we’d have a stand-up comedian instruct us to stop fearing change and become a disrupter. It was a bit forward given we’d only met this woman fifteen minutes prior, but we were prepared to go along with it.

Introducing Cally Beaton; board member, stand-up comedian and single super mum. Cally’s success hasn’t come over night and despite her colourful background, in recent years she’s taken time to strip herself back to her core and purposefully gravitate towards the things that scare her.

An interesting thought. I mean, many people wouldn’t dare venture outside their comfort zone and don’t get me started on imposter syndrome which, according to Cally, affects 97% of us. Could it be our wonderfully unique mindsets are being plagued with self-doubt to the point where we all act and do the same? According to this insightful speaker, they very much are.

Cally turned to comedy only five years ago after realising she had to make space for the things in her life that mattered. Laughing freely, Cally told us she’s never learnt as much from a good gig, as a bad one.

While she’ll be the first to admit it’s not been all smooth sailing, this is a woman who clearly holds no regrets about her life choices. It goes to show, it’s never too late to try something new; one small change today can make a massive difference tomorrow!

There were too many one-liners and stories to detail here but our key takeaway was the need to stay true to yourself and be a driver for change (aka a positive disrupter). The future will be different so, in the words of this charismatic communicator, buckle up!

Kirst and I caught up with Cally afterwards to record a podcast (which truth be told, felt more like a girl’s night in). In doing so we really got under the skin of what makes this vibrant and infectious woman tick (in her own words, ‘no questions are off the table!’).

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Left to right: Kirst, Cally Beaton, Alice Bennett

Link to Cally’s website: http://callybeaton.com/

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Ones to Watch: Writer Alice E. Bennett

I was recently interviewed by as part of a industry-wide ‘Ones to Watch’ podcast. The resulting interviews were distributed across a large national network of Life Coaches and clients.

The series showcased and promoted creative talent but also encouraged high-performers to pursue development goals outside their 9-5 jobs. It was a great project to be part of and I’m now excited to be able to share the final output.

Podcast Bio:

This week we’re meeting Finance professional and writer Alice E. Bennett (author of comedy blog My Housemate’s a Mermaid).

Having relocated to London for work, Alice provides a first-hand insight into the challenges of renting in the capital, getting onto the housing ladder and how a career in Financial Services is continually helping to shape her success as a creative writer.

 

 

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London Recalling – The Boxset

Want to revisit any of the London Recalling series? Links to all four installments below. (Also available through the Very British Travels page, via the navigation pane.)

London Recalling

 

Part One – Straight Lesbians, Like Us

Part Two – The Creative’s Curse

Part Three – Solo Sell-Outs

Part Four – Wapping Old Stairs

 

London Recalling…Solo Sell-Outs

Well things are really not going my way, are they? Just when I think I’m starting to shake this illness off, boom! Tonsillitis.

Given breathing state is a bit wheezy I’ll have to try and not get too ahead of myself when typing in hurried excitement. That’ll be the hardest part, just like when my teachers used to tell me off for smudging ink all over the page and up my hand. They never really did see the other side, that I couldn’t help it. That I was so keen to write everything down in my head, too impatient to let the ink to dry.

Bruise on the leg has near vanished too, so at least my body is still capable of some level of self healing.

London Recalling

This post follows Part 2, The Creative’s Curse

Part 3, Solo Sell-Outs

It was that very same night as the Sofar Sounds gig that I experienced my minor calf injury. After the meal in Wapping I found myself casually wandering around St. Katharine Docks, a delightful patch of water and wealth next to Tower Bridge. Where rich people flaunt their yachts and people like me walk along raised walkways; enjoying the chance to look down at privilege. It’s also the location for one of my favourite views of London, where Tower Bridge appears from nowhere as a mighty giant of architecture.

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At this time the light was lacking, so I decided I’d return another day to take the above photograph.

There had been a steady drizzle of rain throughout the afternoon, causing the paths and walkways to be more slippy than usual. While the Underground stations blared the same warning to passengers over and over again, on a near silent Sunday night in January the message was perhaps less ingrained in my head as I strolled around the Marina.

Eventually the expected happened, walking down a flight of concrete steps in my flat, sodden, pump shoes, my foot skidded on the slippery surface and I tumbled forward. Thankfully I was near to the bottom, my hands jutted out of my pockets just in time to break my fall down the two or three steps remaining of the flight. My calf however suffered their bite, the impact of these remaining ledges grazing their teeth along the bone, from foot to knee.

It was too dark for anyone to see, too quiet for anyone to notice, too quick for anyone to spot; within half a second of me falling flat in a heap I’d hopped back onto my feet and carried on my way. It was only later when I got back to the hotel I discovered the full impact of the fall was more substantial than I’d originally thought. Lesson learnt; I kept my hands of out my pockets and tread more carefully for the rest of the trip.

**

Monday morning, and now it felt like the time was all mine to play with. Done were the previously agreed engagements, the catch-ups and the pre-booked tickets, now I had the freedom to do whatever I wanted while the rest of the city got back to work.

From my bedroom window I watched the suited men and women in their designer shoes and trainers as they all scuttled in the same direction, towards the heart of the financial district. It drew me back to all those times before when I’d walked the very same path, head down, headphones plugged in.

In amongst the crowd I saw one individual less sure of themselves, less familiar with the route they were taking. They reminded me of myself all that time ago, those first few days where impatient workers would dodge and tut as I stopped frequently to check the direction of travel I was headed in.

Back in the present I knew my place, I would only head out after the walking rush-hour had ceased; after 09:00 when the world was a little calmer on foot.

**

I’d never been to the Museum of London which had always struck me as odd given it was one of the few tourist attractions I’d seen so frequently day-to-day working in The City. It’s imposing lettering on the side of a large brutalist wall that trailed around a roundabout and off towards the Barbican.

Deciding there is always a first time for everything, I skirted around a large school party waiting outside and dived into the building to get a head start on the exhibits.

The first thing that struck me was the music playing loudly across the speakers. The sound of punk music overflowing into exhibitions on prehistoric London seemed initially a strange pairing, until I realised that it formed part of a temporary exhibit on The Clash’s 1979 album London Calling. The album was playing on a loop to help draw people in. As I walked past staff members I wondered how many repeats of the title track would it take before they grew sick of such an iconic band.

The music stayed in my head long after I left the museum. I may have seen some wonderful artefacts and learnt a lot about London’s rich history, but it would be the feeling of seeing Paul Simonon’s broken guitar in real life that would come to brand the entire city-break. I’d never been an avid follower of the Punk movement, but the first time I understood it a little better. I was able to appreciate it for what it represented; the first act of civil disobedience, the first time youth made a strong impact. “No, we will not be silenced!”

**

From the Museum of London I skirted on down past St Paul’s cathedral, through the buzzing crowds of tourists and across the Millennium Footbridge to reach the banks of Southwark. In my sights I had my favourite branch of Caffe Nero; one located in Oxo Tower, but before I could reach it I caught myself on an installation placed outside the Tate Modern. A walk in cuboid-like structure, hung with column upon column of white paper cups (save a couple of black columns at the front).

‘We use 5,555 paper cups a minute in the UK,’ the sign read. ‘Oh which only 555 are recycled.’

I took a step back and, like a few of the passers by, were moved by how explicit the instillation was in showcasing the amount of waste in this country. However, what was equally striking was how the majority of people had responded to the stand-alone piece. All around people were scribbling messages onto the paper cups; some were deeply emotive on the destruction of the planet, others as two-dimensional as a statement that someone had been there, like lover’s hearts engraved on trees. Whether or not the artists has intended their work to be graffitied in this way, it seemed there was no stopping it, the piece had only been erected for a matter of days and yet was already covered in human sentiment.

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A ballpoint pen burning in my handbag, I walked forwards and scouted out a suitable cup to make my mark. Not entirely sure what to write, I eventually scribbled down some words. I stepped back to admire my work, only to find myself cringing at the terrible handwriting and the surrealness of the wording. It was missing something.

I pulled out one of my business cards from my bad and, with the help of a few drawing pins and some blu tac, I attached the small square of card to the small paper cup. ‘Yes,’ I thought. ‘That looks better.’

The final inscription read:

Alice E. Bennett, 27/01/20. Mermaids do exist and they can’t survive in our polluted oceans. Instead they are forced into moving to Swindon!

(After attaching the card I also added the words, ‘get curious’.)

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I took a couple of photos before moving on. As I walked away I realised a few people had been stood watching me the whole time as I awkwardly attached my card to the cup. An international tourist was quick to swoop in to give it a read, though I felt quite certain they wouldn’t have the faintest idea what I was on about, I barely knew myself.

Whether I had intended it to look that way or not, I’d effectively sold out on an environmental protest.

**

I strategically placed one of my ‘duff’ business cards (ones which were printed with a spelling mistake) under the empty coffee cup as I walked out of Caffe Nero, the space somewhat busier than I expected for a Monday lunchtime. I retraced my steps and entered the Tate Modern just as the heaven’s opened and it started to pour with rain.

‘Better take my time, then!’ I thought to myself, making my way into the turbine hall to admire the dramatic water fountain, Fons Americanus, created by American artist Kara Walker.

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I strolled around several of the art galleries, in truth I saw this as a mere fill-in experience for old time’s sake. It’s funny how spoilt you can become when you experience something everyday, in that very moment I only sought out a quick hit whereas for many this would be the highlight of their day or even their trip, to London.

A number of the galleries hadn’t changed since the times I’d been there and for me that felt bothersome, like the Tate was being lazy and people were being cheated out of an experience. But then a quick survey of the people visiting at that moment in time reminded me that for most they knew no different, they were just like me that very first time I’d entered the old factory. Just as fascinated, just as keen to photograph. I knew the issue lay more with me than anyone else; so I put my internal-tantrum to one side and took myself to a different part of the establishment.

I will spare you the War and Peace version of how I view art, but on this visitation I seemed to feel a stronger feeling of hate, divide but also a call from artists to remember we are all human. I suppose it’s not a surprise, artists always have had a reputation for expressing more liberal sentiments than other segments of society. But watching Igor Grubic’s video East Side Story where far-right extremists attack a Pride match with bloody consequences, it felt like the message was stronger now than it ever had been before.

(Warning: video below contains strong language, violence, and homophobic language.)

And then there was hope; that if we recognised the contributions of others we could be a part of something much greater than if we work in isolation. Nowhere else did I see this more strongly than in Yinka Shonibare’s The British Library, a room installation which makes the point of showing how fundamental other cultures, notably African, have played a role in shaping English literature.

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A room of books, each covered in bold and heavily patterned fabric, all the colours of Heaven and Earth itself. Not in such a long time had I found myself at pains to stand behind the thin bit of wire that prevented me from reaching out to touch, to feel, the books before my eyes.

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**

The rain still coming down in medium sized droplets, I hurried across Blackfiars bridge back onto the Northern bank and then, from there, Northwards to reach Trafalgar Square. When I’m set on an idea I can become really stubborn to it, even if it makes absolutely no logical sense to anyone else. In this instance I’d got my heart set on a visit to the National Gallery before it closed at 18:00. I left the Tate Modern at 15:00 which, factoring in travel time, would give me a safe two hours in the gallery before hitting the Tube to avoid the peak rush hour at 18:00.

Maybe in a bid to avoid the rain outside, the National Gallery was considerably busier than I had expected it to be; an old building full of hot, wet bodies.

I took a quick turn through the galleries, although I found myself stopping and starting multiple times as soon as I came by a suitable seat to perch on. I hadn’t quite factored in how much walking I’d done today, and in fact every other day, until this very moment. Of all the views within and looking out of the building, the best that day came simply from that of a window seat, where I could idly watch people ascend and descend a large staircase built in a recent extension.

Because I’m me, I did find a couple of humourous bites in some of the artworks; including this piece which reminded me of all the times my friends had placed bets on the length of my hangovers:

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And this piece which looked like a screen grab from some type of low-budget documentary. Something along the lines of…”don’t tell me how to raise my kids”.

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However, when all was said an done I found myself surprisingly keener to leave the gallery earlier than I had originally planned in my head. After about an hour of breezing through the classics, I left the National Gallery, breaking my route back only momentarily to stop off in a nearby Waterstones. I couldn’t resist plunging myself down to the basement level to enjoy one of my favourite sensory experiences; the smell of new books.

**

That night I returned once more to St. Katherine Docks to enjoy a meal at the restaurant chain Zizzi. The looks people gave me when I walked in by myself! You’d have thought I had a third arm growing out of my waist! Used to these looks of surprise, curiosity and mild judgement, I pulled out a reading book as the staff placed me on the last free table in the house. I settled down for a chilled Monday night with a glass of wine and good company (i.e. food).

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As I sat there later, sipping on coffee and making it clear to everyone I was in no rush to leave, I pondered on the art works I’d seen throughout the day. From The Clash, to Shonibare, right through to the classical masterpieces in the National Gallery, they had all been individuals not afraid to make their mark and show off their talent to the world. They would never have considered themselves arrogant or forcing their talent on the world. They may have had rocky patches, but they’d always had a firm belief that the route they were taking was the right one, when The Clash coated brick walls with their posters they wouldn’t have worried about what people said or thought. So why did I still on occasion find myself blushing when friends rolled their eyes at me, ‘putting up another business card Alice? You’re such a sell-out!’

Just then a waiter came by, sensing his chance. I reached into my bag and pulled out a card, tapping it swiftly on the hand-held device to make the transaction and ensure the staff hassled me no more.

I opened up my phone case and pulled out one of my business cards from the inside. As I flicked the small piece of card around my finger, reading and rereading the contact details printed on it, I mused on the idea of all artists being sell-outs. That to be and be regarded and accepted as ‘something’ you have to be prepared to stand out; you have to be a peacock in a field of pheasants.

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I lifted myself from my seat, applying my coat onto my back in a sweeping movement. I cried out to the remaining staff who responded with a polite smile.

‘Thank you! Have a good evening!’

And then, just as I picked up by bag from the floor, I placed a business card brazenly on the table before walking out into the darkness with a secret smile on my face.

We’ve all got to start somewhere.

**

Places visited (in order):

NB – I was not paid to visit any of the above, adding links for reference.

**

London Recalling Series:

Part One – Straight Lesbians, Like Us

Part Two – The Creative’s Curse

Part Three – Solo Sell-Outs

Part Four – Wapping Old Stairs

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London Recalling…The Creative’s Curse

Okay, so my cold seems to have moved onwards and upwards…from my throat to my head. God I hate it when I’m constantly full of headache, I feel so useless! The bruising on my leg seems to not be quite so obvious now, although I knocked it against a table leg this evening and am very much reminded it’s still there.

While the painkillers are doing their job I best crack on with giving purpose to my life, before the throbbing returns and I’m back to lying in a dark room with music by Norah Jones being the only thing I can tolerate as comforting.

London Recalling

This post follows Part 1, Straight Lesbians Like Us

Part 2, The Creative’s Curse

On parting Cherice at Angel station in Islington, I dashed across London with enough time to check into my hotel near Tower Bridge.

‘I’m going to put you on the quiet side of the hotel,’ the receptionist informed me with a smile.

‘Thank you, that’s very kind,’ I replied, although I felt quite sure it came just as much down to which standard rooms were still free at 18:00 as much as anything else.

I’d already booked tickets to see Matilda that evening, giving me a generous 45 minutes to get back, make a speedy tea and then head out again in time to get to the theatre and collect tickets before the 19:30 start.

I’d stopped by a branch of Doughnut Time earlier in the day and the oversized, over sweetened, Biscoff treat ended up being the perfect solution to my limited time to source an alternative meal. I polished off the item while in the background I stuck the TV onto the only semi-passable, non-committal program basic Freeview had to offer.

‘Why did I ever like this film?’ I pondered as I tried to negotiate the challenges of eating a messy foodstuff out of the cardboard box. ‘What year was this film? 1999? Wow, that would be why.’

No time to change, I emptied my handbag of unnecessary items, grabbed a bag of sweets for the road and headed out into the night.

Once I got to the theatre and found my seat I was pleasantly surprised by the view.

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As I later remarked to a work colleague, one of the few benefits of attending on a Saturday night alongside a number of families – no issues with tall people in front!

I won’t bore or ruin the details of the production, but safe to say I could very much see why the show was exported from my beloved home town of Stratford Upon Avon several years before. It felt good to finally say I’d seen it for myself.

Fast approaching midnight; on returning to the hotel, my last scraps of energy were applied to putting on lounge wear and flopping into bed. Sleep came easier to me than swimming to a fish.

**

The next morning I pulled myself awake with relative ease. I grabbed my watch off the nightstand, 9:00. The downside of thick curtains; the room was just as dark now as it had been in the early hours of the morning.

I already knew where I wanted to go; the Columbia Road flower market in Hoxton only happens on a Sunday morning and I had fond memories of being in the middle of the hubbub of those who flock to the street to buy exotic plants from strange lands far beyond the Thames.

More familiar with the route I used to take from my old stomping ground, Wapping, from Tower Bridge the route was decidedly quicker when taken on foot compared to on Tube…well, in theory it was. Because by the time I’d gone down every side street, studying each passing map like a common tourist, I was the first to accept I was a little lost. But, at only 10:00 most of London had yet to fully wake up and I found myself quite happily riding the wave of confusion as I took in the sights of a slightly less chaotic Brick Lane in the heart of the old East.

**

When I finally arrived at the flower market (spurred on by the sight of people carrying large indoor palm trees), I joined the shuffling crowds. the smells and sounds taking me back to all the times before, the gruff masculine sellers showcasing colourful tulips just as amusing as always.

At the far end of the long street there was a pianist and tap dancer busking to a large collated group of watchers. They, competing against the tradespeople for attention, the tradespeople doing similar as the two parties fought for hard-earned money. It strangely added to the effect, the lady’s tapping feet on the damp tarmac a mesmerising beat to the cries of “two for five pound succulents!”

I purchased a couple of small cacti from a stand, not because I necessarily needed or wanted them in my life, but because they would look nice next to the one I already had in my home in Swindon. A subtle reminder of a moment whenever I made a cup of tea, a way to relieve a memory without anyone else knowing.

As I reached to pick up one of the items off a rack, another cactus pricked me in envy. With the bag tapping against my thigh, I made tracks to find the nearest shop to stock tubes of Savalon balm. Once this had been acquired and applied, I carried on to one of my favourite coffee haunts.

**

‘We don’t do blueberry muffins anymore,’ the barista says bluntly.

‘Oh, well, I guess it has been a year since I last visited. Things change.’ I point to a piece of banana bread to indicate my alternative selection. I hand over my loyalty card, the edges battered and stained from a year in the depths of my purse.

‘We don’t take those anymore, manager had a crack down on them a while ago.’

‘That’s shame,’ I say. While the barista makes my Americano I look down at the small piece of card. Four previous coffees, four stamps that had now amounted to nothing. Still, not like this fifth one would help much towards the free tenth coffee. I put it back in my purse, it still seemed too much to throw it away.

Work in Progress

I set myself up in the window, one of the few people to chose this particular coffee shop as their location of choice on a mild Sunday morning. I carefully placed one of my purchased plants down on the table, rearranging it slightly just as the barista walked over from the counter with my coffee and cake. Not like either of us were in any rush.

About an hour into a session of typing, a swarm of people poured up from the downstairs cellar. Surrounded by a flurry of voices it was impossible not to learn the subject of interest; an artsy film that had been premiered below. Eventually they all vacated and it was service as usual; just me, a couple of bored employees and the words on my screen.

It took a change of a track on the venue’s carefully constructed playlist to realise how long I’d be stationary in the trend-setting shop. I took it as a sign and made my leave.

**

Back at the hotel I dodged past the remaining cleaner trolleys to return to my room, thankful of a slightly longer rest bite to unpack my case properly. I flipped open the lid on a four pack of multi-buy blueberry muffins (small supermarket I’d passed) and happily picked away at its spongy texture as I flicked through an outdated Friday issue the Evening Standard I’d grabbed outside Aldgate East.

In what felt like no time as all I was grabbing my red coat and heading out once more, this time powering towards a Sofar Sounds music gig, hosted in block of flats somewhere deep in Shoreditch. Part of the gig’s charm was the secrecy in location right up until the last minute

**

‘Hey, you!’ I cry out down the street, over the roar of local cars and music blaring from neighbouring flats.

‘Hey!’ My little friend says with a smile, lifting her hood up to expose her dark hair to the rain for the first time. She stares at the metal gate.

‘It’s definitely here, right?’

‘Says so,’ I push the gate open and we enter the complex. ‘Thing is, I have a strong sense of deja vu being here…’

‘You been to many of these things?’ Emily asks, having never attended one of these events before.

‘Sofar Sounds? Yeah, this must be my…’ My eyes shoot upwards as I calculate the number in my head. ‘This is my fourth. Two previously here, one in Swindon.’

I give my name to the lady on the door and she directs us into the block. I recognise the hallway immediately; we’re heading to the same flat I attended before with Cherice.

‘So, what’s the vibe like?’ My friend asks as the lift rattles up four floors.

‘Oh, very friendly. Everyone gets all cosy and watch three acts perform. Some of them are in commercial venues, like bars and galleries, other are like this; people offering up their own homes.’

We knock on the flat door and immediately it shoots open by, I assume, the host. I’d hoped that arriving twenty minutes early would secure us with a greater choice of floor space, however this theory was quickly dashed when the same lady directed us to a large mound of jumbled shoes before permitting us a step further.

We carefully picked our way over several groups before finding a spot to seat ourselves. I laid my coat on the floor and pulled out a bottle of water and snacks, seasoned to the ways of Sofar Sounds.

‘Would you ever offer up your place for this?’ Emily asks.

‘God no!’ I reply. ‘See what people are drinking?’

Emily quickly glossed over the room’s inhabitants, most clutching bottles of beer or small containers of wine. One lady was casually sharing out chicken nuggets between people she’d just met.

‘Now look at the floor,’ I add.

‘It’s laminate.’

‘I think you’ve answered your original question.’

**

After a general introduction, three acts were each introduced to the ‘stage’; a tiny space at front cordoned off with a flimsy string of cheap LED lights.

The room was packed, busier and more overcrowded than the time before. In order to fit in an ever increasing number of ticket holders I found myself having to adopt ever more creative positions to fit my body into the Tetris-like gaps that sprung up and closed as others around me did similar.

Within the performance breaks Emily and I had chance to catch up. I’d spent two years living with her during our University days, going through both the good and rough times life as a student can bring.

I’d seen a kindred spirit in Emily when it came to work. For her dissertation I’d often get woken up in the early hours of the week as she headed to the labs to pull her research; whereas for mine it had resulted in weekends spent living and breathing historical archives to try and locate secretive family information. No one could have ever said we weren’t committed to a goal.

I suppose now, as we both sat in this top floor flat, what changed us was the way in which our studies shaped us. I applied elements of my History degree into jobs with no strong bearing on the subject matter, Emily meanwhile was on a conquest to utilise her education in its purest form. She was in the middle of working through a Masters Degree, whilst holding down a full-time job.

When she’d first told me about it almost two years ago I thought she was mad. Now, hearing her speak so highly on her passion for the subject matter, I could only admire her strength of will all the more.

After act one we stood up to stretch our legs, the guitarist tuning his instruments right before our noses.

‘That’s one to take home,’ I observe light-heartedly. ‘”Ma, he has two guitars!”‘

‘Are you on any dating apps?’ Emily enquires subtly, taking a swig of water from her bottle.

‘Back on Hinge. You remember, the one everyone raved about at improv. event?’

‘Erm…’

I hiss through my teeth. ‘The one with the photo?’

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‘Oh, yeah, that one!’

I pop a couple of gummy sweets in my mouth, quickly chomping on them as I offer some more into the palm of my plus one.

‘Basically, and you’re going to love this, I went to a music gig in Swindon recently with a guy…’

‘A date?’ Emily quickly interjects, the story suddenly taking her interest. I lift my hand to stop her.

‘Don’t, I thought that too. Especially when he offered to pick me up and pay for my ticket.’

‘So what went wrong?’

I sighed, it never got any easier to tell the story. ‘He had a girlfriend.’

‘What?’

‘He said I should have known, that it was obvious he was texting her all night. Well, forgive me for being too distracted by the music and, you know, not being a creep?’ I munch down on another sweet whilst looking into the middle-distance.

‘Weird.’

‘Isn’t it just? But it’s kinda been the closest I’ve had to anything since God knows when and I’ve just reached a stage where I’ve been single for two years, only ever had one relationship…’

‘Was it though?’

I chuckle. ‘Lets not go there. It’ just…just…well, everyone seems to be settling down and it feels like I’m doing anything but. Guys don’t ever seem to be on my level. They all want to worship me or aren’t interested no matter what I do.’

‘Men! But still, what’s wrong with wanting to be worshipped?’

‘Not if it’s suffocating.’

I glanced over the large number of couples in the room and took in a deep breath. ‘I want to be considered an equal, to be with someone who has the same values as me but not afraid to challenge me on them just as much. Sometimes I think I ask too much.’

It was at this point we were encouraged to return to our seated positions for the next act.

**

About two songs into the guitarist’s set I found my mind drifting on the waves of the music. The man was amazing, make no mistake, but with all music that lacks the presence of vocal chords, my creative mind suddenly found the opening to run free.

I caught myself gazing at a couple sat up against the back wall. Hidden in partial darkness and at the furthest reaches of attention and music; the two were deep in whispered conversation, he with an arm around her shoulder and she clutching his spare hand in one of her own. The world around them were merely the backing dancers, extras in their sell-out performance. They couldn’t care less about the quality and type of music their entry ticket had funded.

Then my mind raced forwards to later; I pictured them leaving the flat laughing and running down the street, jovial in manner but a hidden urgency to get to the Tube.

She yanks him into the train carriage just as the doors close, his jacket narrowly missing entrapment. She holds him there, by the t-shirt collar, held in suspense while the carriage rattles and lurches in sudden, jerky, movements, the tracks screeching its siren call. Staring deep into her eyes, the urge in his body tightens; building and building until suddenly it’s too great a feeling to contain. It floods into her as he leans forward and sharply kisses her against the sliding door, just as the train pulls into the station. The woman pushes him back with a giggle, a slight nod to indicate that this is the stop to alight from.

And when they get to the flat, that little compact and scruffy space that could have been theirs for years or hers for weeks; when they finally tumble in, they interlock like time itself is as fleeting as sand in a glass. Her delicate fingers grapple and skilfully undo her partner’s perfectly styled hair with speed as she slowly steps backward to hit the light’s off switch with her oil-slicked palm.

The things that are enacted next, in that dark space warmed by both body and street light, they are the thoughts that cannot be written. How constraining and insufferable the English language can be at the times we need it most.

It’s impossible to say from this angle if the transaction is love, or little more than a sudden flare of lustful hope, but the conclusion reached is just the same. They lie there, on the collapsed mattress with passion-stained sheets, no words needing to be said to dare risk spoiling this brief moment of euphoria.

Her head rests on his body, a long tangle of jet black hair intertwining with that on his chest. Slowly, but surely, the pair drift off into a deep sleep; they have barely said a word to each other since leaving the event.

**

Someone suddenly moves in front of me and in a daze I quickly move one my limbs in the opposite direction. Bad decision, I feel something snap at the back of my left leg followed by sharp pain the full length of the limb. Biting my lip hard to prevent a yelp of pain, I look down and see that my leg must have been in an awkward position for sometime, it almost looks dislocated the angle is so unnatural.

Emily gives me a nudge, the performer has finished his set. I clap along, using the chance to curse under my breath and position myself to stretch my leg out. The pain subsides, even if for a short spell.

I glance up and see the couple on the back wall clapping along as well, although theirs seems more out politeness than in genuine recognition for the man’s talent. I slowly blink and return focus elsewhere.

‘When are you going to finish the book?’ Emily asks me.

**

For those with an interest in producing any form of art having a broad and open mindset is an essential part of our very make up. The ability to see something and pull out a deeper meaning or be inspired to create a new one. When I speak of the Creative’s Curse, I don’t mean to refer to some kind of incurable disease or superstition, more the occasional drawbacks of having a unique skill.

Seeing things you don’t always want to see, creating implausible story lines to fill a void you didn’t even know existed. The sole belief a perfect world lies just beyond one’s fingertips. Sometimes it’s impossible to predict the triggers, sometimes you don’t want to. The irony; my sweet heroin is the thing that keeps me sane. I cannot bear to imagine a world where my creativity, including the occasional bought of Creative’s Curse, was sucked from the very marrow in my bones.

**

I was sat in the local pub later that night, one I used to frequent regularly when I lived only a couple of streets away. With a hand resting across my lap; watching boats speed up and down the dark abyss of the Thames, I heard a woman muttering in the seat behind.

‘I wonder what she’s thinking…’

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**

Places visited (in order):

NB – I was not paid to visit or promote any of the above, adding links for reference.

**

London Recalling Series:

Part One – Straight Lesbians, Like Us

Part Two – The Creative’s Curse

Part Three – Solo Sell-Outs

Part Four – Wapping Old Stairs

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The Morning I Re-evaluated my Relationships with Men

(This post continues from The Time I Discovered I was a Dominatrix…At Speed Dating)

***

The following morning I received an email from the dating facilitators to announce that the tick system was now open for submitting my yays and nays. My two friends submitted their ticks within half an hour of the email coming through alongside nearly all of the guys. I however felt strangely disengaged with the idea of rushing to make my decision, I already knew what my responses would be.

Other than Mr Dominatrix, the man who thought (and failed) to weird me out, everyone had submitted their responses by 20:00. I was sat cross legged with my laptop resting on my calves, donning my Gap jogging bottoms and a baggy Southampton hoody (the one someone gave me in the back of a disgusting nightclub in my student days, but that’s another story). I set my cup of tea down and opened up the laptop.

My likes and dislikes were completed swiftly and without much thought. No, no, no, no, no… I ticked no to all the eleven men I’d been on speed dates with the night before. Next came the mild curiosity to find out which, if any, of the men had liked me. To find that out all I had to do was hit the big submit button. The system tried to get me to rethink my decision but I overruled it. The men had all been pleasant enough, but Alice just was not interested.

Submit.

I opened up the next screen to see five guys had ticked yes to me. Five guys that would either be gutted or indifferent that the feeling wasn’t reciprocated. Three of the five guys had also ticked yes to one of my other friends which led me to believe in the age of quick hit love they’d get over me pretty quickly. My friends and I were all were equally fine with sharing updates and matching,texting and dating overlapping men (or in my case taking my off-casts). The girl chat continued late into the night and I went to bed content that at least my two friends had better luck than me.

I woke up the next morning and underwent the normal routine to get myself in the right mental state for work. I logged onto my work laptop at 7:55 with a strong Americano in hand and pulled myself, sip by sip, into a mental state fit for work.

I made it to mid-morning before I started reflecting on things outside my work. I started thinking about my dating life, about how in Swindon it was non-existent and how in London it was over-existent. How repetitive and tedious the dating apps were, what with all the constant swiping and then, assuming you even got any matches, how tediously dull the small talk was only for people to disappear, blurt out something inappropriate or stand you up on a date. All things I’d experienced far too often in the past year. Most of all how much time I was wasting on something completely unproductive and unfulfilling.

The writing had been on the wall months, if not years. I’d already been banned from apps Tinder and Happn after trying to convince too many men to read my blog (causing me to be wrongly reported as a bot or fake profile). I’d become fatigued with the premise and the creepy men that I actually took the bans as a blessing in disguise.

I’m single but happily so. If I can buy and run a house by myself, go on holiday by myself, have fun with my existing friends then why trawl through the 4am matches in desperation to find someone just to validate I mean something to someone? Some people have insecurities and need to hop from relationship to relationship, and good for them. But for me my independence means so much that the idea of losing that makes me do this inside:

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(Not an attractive look on dates.)

So why on earth am I trying to force myself into a serious relationship? Why am I digging out and enhancing photos to make myself look more appealing? I know I’m awesome so why am I trying to make men see that from just a handful of photos? And the same for men – who gave me the right to judge men in a similar vein when I’ve always said it’s not how I would find or build a connection with anyone – man or woman, relationship or friend.

I want to do more with my life while I can, I want to write more, do more, be more. I want to think “wow, I did something good this evening” or have a lazy, evening where I can watch rubbish TV guilt free, instead of beating myself up because I didn’t get any matches on Bumble.

That has settled it, I’m deleting the dating profiles, removing the apps and focusing on me. I’m not saying I’ll never return to dating apps and I’m certainly not about to become a nun, but right now I need the detox. If someone happens upon my path then I at least know it’s natural and, dare I say it, fate.

I’ve signed up to a writing course and am now dedicating my energies into that alongside my career, Swindon 18-30 and volunteering at my local Samaritans branch. I genuinely won’t/don’t have the time for time wasters.

Watch the clip below. Right now I’m Owen Wilson’s character but with time and dedication I want to become more like Corey Stoll’s (aka Hemingway).

I wrote this and The Time I Discovered I was a Dominatrix in mid June so by the time you read these I’ll already have removed myself from proactive dating and be very much stuck into my writing course. If for the time being I don’t post as much on this blog, you know why.

Lets make this work, because I can.

In a bit, AEB x

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