Headline: When it comes to navigating the world of maternity leave, this book does it all
Review:
As authors of self help guides go, Emily Malloy has pretty much everything you need to make a good book, great. A Canadian advertising professional with fifteen years of experience, bachelor in economics under her belt and a mother of two. Malloy uses her experience in the latter category to pen her recent publication, Matleisure: Maternity Leave Survival Guide & The Art of Enjoying It (hereafter Matleisure).
Matleisure covers a wide range of topics for expectant mothers, from monetary finances to the importance of building a community and nutrition nourishment. The book’s tone of voice is informal in approach yet informative, with Malloy providing plenty of hints and tips throughout from her own personal experiences of going through maternity leave. There are even some handy recommendations in a bonus section at the end, including several recipes that are both healthy and easy to make (recipes you do not need to be pregnant to enjoy!) The formatting of the book is also complimentary, with chapters kept to a reasonable length and the font adjusted to an appropriate size for easy reading.
Even if the arrival of a child is the bringer of ultimate highs and bottomless lows, Malloy’s guidance helps steer parents through the fog and out the other side. Matleisure demystifies many of the false expectations and ideals of parental life, encouraging parents to embrace and enjoy this time in their lives. For some topics where an intermediary may be required, Malloy helpfully provides contact information of third party charities and services (some of these are tailored toward American and Canadian audiences, however for the most part Matleisure has universal appeal).
Matleisure is a very easy-going read and one that is highly commendable. When it comes to navigating the world of maternity leave, this book does it all.
Work blessed upon me the opportunity to take off a few days (otherwise know as “use it or lose it”). While boyfriend Ben toiled away with delights of his own, I used the opportunity to spend four (and a bit) days in and around Chichester in South England.
Day 1 – Winchester
On my drive down to Chichester I stopped off at Winchester for half a day.
Top tip: expect to be persistent with parking. I drove around the two “park and walk” car parks on Worthy Lane for thirty minutes before striking up a conversation with a pedestrian and taking his space when he left. Park and walk car parks are limited to four hours maximum stay.
It had been years since I’d visited Winchester, when the city was a source of escapism from my studies at Southampton University. Strolling around some of the quieter streets I found a building that included a brick laid by one of Swindon’s historic mayors, a claim to fame worthy of a photo.
Winchester Cathedral is where I spent the bulk of my time. First at the cathedral’s café, tucked away behind a high wall at the front of the cathedral, and then in the cathedral itself. The last (and coincidentally first) time I visited was in 2011, which ultimately swayed me into the decision to pay £13.50 for entry (valid for a year).
As well as hosting many examples of beautiful architecture, the cathedral also contains a memorial stone to Jane Austen and a permanent exhibit, “Kings & Scribes”. The three levels of the exbibit include the cathedral’s history, original biblical scripts and a King James I bible. A personal highlight was the the Bishop Morely library, full of old dusty books on pretty much every topic known to medieval man. Friendly volunteers were on hand throughout to answer questions.
Jane Austen memorial stone
Inside Winchester Cathedral
Filled with a hefty dose of history and teacake, I headed back to my car and drove onto Chichester and the little cottage I’d booked. I spent the evening with a ready meal and got an early night, ready for the day ahead.
Day 2 – Chichester
On my first full day I made the most of everything outdoorsy the city had to offer. This started with coffee and homemade cake at the Canal Café, a volunteer-led operation at the Chichester Ship Canal Trust. A lovely way to spend an hour people watching.
On the balcony of the Canal Café, Chichester
In what was meant to be “ten minutes one way, ten minutes back”, I ended up taking a leisurely stroll along the length of the Chichester Ship Canal.
The canal itself is a pleasant walk, flat terrain with information boards dotted along the full course. This stretch is also believed to contain the view that inspired the famous “Chichester Canal” painting by artist J.M.W. Turner.
The view that inspired Turner: Chichester canal, with the spire of the cathedral visible in the distance
I caught one of the frequent buses at Chichester marina to get back into the city centre (the circular route involves walking along a stretch of very busy road with limited footpaths).
In the afternoon there was time to visit The Novium Museum, a free to enter museum which features sizable remains of a Roman bath house, alongside permanent and rotational exhibitions on the history and culture of Chichester. It’s also the home of the city’s tourist information point.
In the evening I dined at Franco Manca, Chichester. They put me in the window, providing a lovely view of the Cathedral at night. Sadly, service was pretty poor, I felt like I’d been completely forgotten about.
Day 3 – Arundel/ Chichester
Waking up slightly later than planned, I made the fifteen minute drive to the town of Arundel to be greeted with ample parking in one of the main car parks.
Top tip: Stays of over four hours = a sharp increase in parking charges, so consider taking the train if you plan on visiting for the full day. Trains run frequently from Chichester to Arundel station, which is about 15/20 minute walk from the town itself.
Arundel Castle was sadly closed at the time of visiting, but that didn’t take away the enjoyment in having a leisurely stroll around the small streets and independent shops that call Arundel their home.
A visit to Arundel Cathedral is a must for those who can squeeze it into their itinerary. As well as being free to enter, this cathedral is a central feature point on the Arundel skyline and one of the few Roman Catholic cathedrals in England (blame Henry VIII).
Inside Arundel Cathedral
As a side note, I was disappointed to have missed out on Arundel Castle due to its seasonal openings. Given the number of people milling around Arundel, I think the owners may have missed a trick. Another attraction for another time, maybe!
After driving back to Chichester in the mid afternoon, I visited another cathedral (my third in as many days). Chichester Cathedral is free to enter.
Chichester Cathedral
At the time of visiting, the cathedral had an exhibition to celebrate its 950th anniversary. For a free-to-enter site, the standard of this exhibition was high, with colourful and engaging boards, and cabinets filled with carefully selected artefacts from the cathedral’s collection.
Inside Chichester Cathedral
In the evening I ate at the Italian restaurant Piccolino, Chichester. It was very busy, and the prices a little bit on the steep side. They seated me in the front window, which doesn’t usually happen as a solo diner! Owing to the price, I went for a simple pasta dish.
Day 4 – Chichester
I spent my fourth day in numerous coffee shops in Chichester. Reading and writing to my heart’s content, it was wonderful.
Morning coffee and words at The Dolphin & Anchor (a Wetherspoons with great views of the cathedral)
In the evening I ate at Bill’s Chichester. Staff were very friendly (especially given it was a Friday and the place was packed). Bill’s is a popular chain, you kinda know what you’re going to get. Good food, at a reasonable price.
Day 5 – Chawton, near Alton
Driving back home, I stopped part-way into my journey to visit Chawton, near Alton. This little village is quaint in its own merit, but what sets it apart from other Hampshire villages is its connection to literary royalty. 2025 marks Austen’s 250th birthday and by the time I’d booked my entry ticket to Jane Austen’s House I was practically whipped up into a new wave of Austen mania.
Top tip: book in advance, as numbers entering Jane Austen’s House are strictly limited. Once you’re inside you can stay as long as you like, and the small surrounding garden has no time restrictions. Dogs are not allowed inside the house.
Jane Austen’s House, Chawton. It is in this house that Austen worked on and published Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey and Persuasion.
The house is part staged reconstruction (downstairs), part exhibit (upstairs). Seeing Jane’s writing table and her surviving hand written manuscript drafts on tiny sheets of folded paper, shows that in the literary world size doesn’t always matter.
Jane Austen’s writing table.
After the house, I sat in the garden and read my book, before making my peace and exiting through the gift shop, avoiding all eye contact with the highly tempting merchandise on sale.
The garden at Jane Austen’s House is the perfect spot for a moment of tranquillity.
After Austen’s house it felt only right to pay my respects at the gravesite memorials of Cassandra Austen and Cassandra Leigh, Jane’s sister and mother who are buried at St Nicholas Churchat the other end of the village, next to Chawton House (former home of one of Jane’s brothers, Henry). The interior of the church is pleasant enough, however is a little overshadowed by the long line of people marching past the front door to get sight of the Austen graves tucked around the back.
From Chawton I drove back home, returning by the late afternoon and ready for a cup of tea and a full debrief with Boyfriend Ben. A chilled Sunday followed, before returning to work on the Monday, refreshed and ready to take on the 1000+ emails and twice as many Teams messages and missed Zoom calls.
A wonderful few days with the glorious weather to match. Who says you can’t get sunburn while holidaying in Britain?
AEB
NB: All prices, information and external links correct at time of writing, April 2025
**
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Headline: Aazmao Arn’s poetry style of four-line rhyming stanzas is homely but just a little bit repetitive
Review:
Aazmao Arn’s poetry release, Let’s meet through the four rhyming lines, speaks to some of the core elements of what it means to be human. Born and raised in the Middle Eastern country of Qatar, Arn’s collection of poems and personal reflections were inspired by her personal drive to give readers a deeper meaning to their feelings and thoughts. Within this humble collection of thirteen poems there is a range of events and worldly interactions, from those that dive down a microscopic lens, considering the ripple effect of perception and appearance, to poems that draw inspiration from nature and how it interacts with humanity. Preceding each poem is a motivational or thought-provoking statement (for example, “Patience”, which reads, “Once you conquer patience, life can get easier.”)
There are some likeable aspects of this collection. By being written consistently in a four line stanza format with rhyming couplets, there comes a methodical and reassuring beat to each page while reading through this short book. It makes for a somewhat comforting and homely style that perfectly matches the book’s title. By constructing her poetry in this manner, Arn’s has made her poetry anything but a drag.
That said, writing in this manner does result in the poetry feeling somewhat repetitive and lacking in imagination. There are occasions where the rhymes feel a bit forced and the stanzas drawn out or abruptly cut off to make them fit into the same cookie-cutter format as all the poems that come before and after. The one sentence statements that fill every other page is also something that, personally, I feel adds little and probably would have been better used to showcase more of Arn’s poetry.
What I would love to see more of in Arn’s creative talents is a broadened use of different poetic styles and types; more variation on the poetic structure and maybe some experimentation beyond the traditional confines of a four line stanza.
Headline: A beautifully illustrated children’s book featuring a magical journey and educational farm animal facts
Review:
An Extraordinary Enchanted Birthday by the anonymous author “Professor Stork” (illustrated by Patricia Wilson and Len Peralta) is a children’s picture book. It follows the story of Evy Loe, a young child who wakes up on her birthday filled with the excitement of an upcoming visit to an art gallery with her father. On arriving at the gallery, Evy discovers a pair of magical glasses which will takes her on a magical journey to learn all about life on the farm and all the colourful characters that inhabit it.
This is a nice children’s book, carried massively by the quality of some of its illustrations. The general structure of the book follows a repeated pattern of Evy meeting a farmyard animal and then a full page portrait of the animal with a captioned fun fact for younger minds. The portraits are beautifully executed and carry all the marks of having been completed by a professional artist. The other imagery around it, particularly of the human characters, comes across as slightly more cartoonish. Both types of artwork support the other favourably.
There are place in the book where an overuse of copy might make the content a harder sell to younger children with limited attention spans. Some of the fun facts for each animal are also a little questionable, such as for the cow, with the quote, “cows are job creation machines. The milk they produce creates thousands of jobs in the milk and cheese industries”. While objectively this might be correct in America, where the book has been initially published, for an international audience facts like these might not always be true. In this instance, it also reads a little bit like the line is sponsored by a third party, although this could be a purely personal take on a throwaway line of copy.
An Extraordinary Enchanted Birthday is a fun book for younger readers and their parents, serving as good introduction to some of the colourful animal characters found within farmyard and agricultural settings.
On a sunny Saturday afternoon in mid-February it struck me that I need a dose of culture.
I’d last visited Swindon’s art and artefact collection in Apsley House eight plus years ago. At the time I’d written about it within a list of things to do on a weekend morning. Years later, I published an article where I expressed my frustration at the closure of Swindon museum and art gallery.
External view of Museum and Art Swindon, which is located on the first floor
Museum and Art Swindon (M&AS) had cited its move from Apsley House in Old Town as being due to the pandemic, poor accessibility and spiralling costs to keep the listed building maintained. Some of the permanent exhibits were also becoming outdated, and the collection’s extensive catalogue of art was seeing minimal rotation.
Assuming you find the right building on Euclid Street, (I initially tried to open the door of the neighbouring building run by the police…), on the first floor you are welcomed by wide corridors and friendly staff in an area designated for the shop and permanent exhibitions. This space offers an introduction to M&AS, including its history and collection highlights.
Clarice Cliff Ceramics on display in Museum and Art Swindon (M&AS)
From the opening “Origins” exhibition in the centre, one wing focuses on the history of Swindon, the other features rotational exhibits. At the time of visiting there was only one exhibit available to walk around, titled “Un/common People.” This exhibit included physical objects, photos, paintings and a looped video to showcase a variety of perspectives to the region’s varied folk traditions. There was also a feature of the surreal “Hob-Nob”, a horse-like character that flanked the “Salisbury Giant” during annual processions. I haven’t looked at a biscuit in the same way since.
“Un/Common People: Folk Culture in Wessex” exhibition
The Salisbury “Hob-Nob”
The history Swindon wing has seen arguably the bigger transformation. While informative, the collections in Apsley House did have a reputation for being old-fashioned and stuffy, and felt very much like a product of the latter half of the twentieth century. It gave me a feeling of “here is a cabinet of fossils, what more do you want?”
This half of M&AS, which blends environmental and human history, is fresher and the tone of voice much more engaging. There is plenty to learn, for instance I had no idea that the first Stegosaur remains were discovered in Swindon, the bones of which have since been scooped up and are now displayed in the Natural History Museum in London.
Information board, detailing the discovery of “The Swindon Stegosaur”
Jump forward multiple rooms of human development, and visitors are carted to the near present day. A small display of Covid-19 information leaflets summarises recent events, alongside a request for donations to help develop the museum’s collection.
Photo of Swindon’s infamous “magic roundabout” shortly after it was opened in the 1970s
The way information was presented by curators and staff left me with the notion that Swindon’s rapid population growth has done little to fix the fundamental challenges that started appearing centuries ago. The two separate communities of “Old Town” and “New Town” have never really come together, contributing towards a lack of historic centre and, by association, the modern-day tongue-in-cheek reputation of this Wiltshire town. Whether that was the right message to take away or not, it certainly left an impression on me.
From a timeline of historical events occurring nationally and in Swindon town. Turns out Swindon has a few “claim to fames”
My overall thoughts on M&AS? A significant improvement on the previous exhibits at Apsley House and well worth an hour or two of anyone’s time (especially as it is free to enter). Would I make a special trip out to visit it? Probably not. There is no parking at the museum itself, and while there are plenty of council-owned carparks in the vicinity, you will be at the mercy of a pay and display. Museum and Art Swindon is also not the easiest name to remember, not when you consider it was called Swindon Museum and Art Gallery until 2021.
If I was a betting woman, I would put the rebrand down the council wanting to distance itself from its previous home at Apsley House and the highly vocal “Save Our Croc” campaign group. For those less familiar, in true Swindon fashion a stuffed gharial became a mascot and somewhat national treasure to the town, a permanent feature in Apsley House’s fossil room. From this 2023 report, it has been carefully restored, however it is unlikely to feature in the new museum due to its size. After decades of school visits and family trips, the croc was a cross-generational unifier, beyond politics, age or race. Entirely personal opinion, but I just don’t see that level of artefact connection happening with anything in the new M&AS. It is one of those stand-alone items that has so much history by simply existing. A stuffed gharial.
Anyway, after that tangent, we’ll move onto closing words.
M&AS isn’t the 2020 promise of a cultural quarter. Swindon’s residents will continue to dream of their town becoming, “an internationally recognised exemplar of sustainable, liveable development, [with] world class facilities for the arts and heritage.” However, M&AS does give Swindon something to be proud of and in the face of the jabs and jibes and the relegated gharials, I’d take that as a resounding win.
Museum and Art Swindon is open Tuesday – Saturday, 10:30 – 16:30.For more information, visit their website: https://www.museumartswindon.com/
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Headline: An eye-opening memoir, unveiling the hidden backstories behind reality TV production in the 2000s
Review:
I have to admit, I am a bit of a reality television fiend. I used to be worse, but having sat through an entire series of Love Island in 2018 and realised my whole summer of nightly viewing could be condensed down to a eight minute “best of” reel, that was when I knew something had to change. Of course, nothing would really change until 2022, after my friend and I went on binge viewing of Netflix’s The Ultimatum. At 4am I was pumped full of iced tea and questions, mostly about myself.
It is because of my historic relationship with it that I have always remained fascinated by the history of reality television. Using their set nickname, “DJ Cash Bar” pens this no holds barred memoir, Back Focus: My Life Behind the Reality Lens. The camera operator, turned author, began their career in the early-mid noughties, during the often dubbed “Wild West” period of reality TV. Think There’s Something About Miriam and Kid Nation, but before I Wanna Marry “Harry“. It was around the dawn of reality television, where producers were still grappling with the genre and constantly pushing the boundaries (and budgets) to see what sticked with a growing viewership. Rules and safety were scarce and participant welfare was, in cases, non-existent.
Reading this memoir is both a fascinating and disturbing read, showcasing some of the challenging conditions placed on those working behind the scenes to churn out instant hits. The thirty hour working days and the ingrained abuse of drug and alcohol is to only but scratch the surface of the culture. As a memoir, it is well written and gives a lot of detail to the various productions the author-camera operator worked on. No colleagues or production titles are named directly, however the book contains enough crumbs to easily establish the full facts (alongside the production’s associated on-screen controversies).
While a lot of exposure has been given in recent years to the experience of participants and “cast” on reality television, it feels only fair that those behind the lens get their turn too. Within Back Focus: My Life Behind the Reality Lens, there is no glitz or glamour, replaced instead with cold, sober truths and, somewhat ironically, the harsh reality of television production during the noughties.
Headline: Writing about such a challenging topic was never going to be easy and, for me, this book missed the mark
Review:
Ballard of Burnout by Kerry Makin-Byrd is both poetic in nature whilst also leaning towards prose. It details the narrator’s personal experiences (presumably Makin-Byrd’s) in a stressful work environment, causing symptoms many of us would recognise and identify as the mental health condition, burnout.
The book covers the events before, during and after with an optimistic look to the future of what life holds following the traumatic experiences detailed over twelve chapters/verses that run as one continuation. It is for this reason the use of the term “ballad” is used in the book’s title, a monologue of one person’s experiences. In this overarching ballad Makin-Byrd utilises a range of poetic devices, from traditional stanzas, to chunks of prose and ad-hoc use of centred text. On several occasions we also see bullet points of meaty text, possibly a humorous jab at working environments where bullet points are overly used to excess. This latter point could be my own reasoning though.
And this is where I struggle with Ballard of Burnout. Writing about such a challenging topic was never going to be easy, but here the writing style feels particularly detached, almost upsettingly so. I want so badly to resonate with the author’s words, to see something within the text and pull at a strand of relatability. After all, stress in the workplace hardly an uncommon sight. But that moment, it just never seems to come. There is no insight into the type of workplace and very limited attempts at worldbuilding; the location, the employment sector, even a flavour of the personal relationships held by the narrator, these are elements that felt lacking. Coupled with the sporadic layouts of text, it makes the content feel a little flat and disjointed.
The writing quality on a micro, line-by-line basis, is good but by incorporating a broader view of the narrator’s environment it can only make for a more colourful reading experience all ways round. Food for thought for the next publication Makin-Byrd puts her hand to.
Headline: Bernice Dietrich’s charming memoir showcases a life lived to the fullest
Review:
A good deal of memoirs are written in response to a triggering incident, covering only a fraction of someone’s lived experiences. There is, however, something quite homely about memoirs that paint a full picture of an individual, especially if it is reflective of a life well lived.
Lady Slippers very much falls into this second camp of memoir. Written by Bernice Dietrich (completed and published by Melissa Bini), the book covers the full 102 years of Bernice’s colourful life. Born and raised in 1920s Staten Island, America, Bernice’s life was bookended by two pandemics with a World War in between. Told through her own words, Bernice paints a colourful picture of the experiences she had growing up, falling in love and forging a family of her own. As she documents her experiences Bernice’s words draw in subtle cultural and political changes, including the changing American healthcare system that went through a rapid pace of evolution throughout the 20th century, from the advances in medical treatment to the erosion of local community services. Bernice’s tale takes the reader up until 2007, when she stopped her memoir. She would go on to live for almost 15 years more, sadly passing away in 2022.
The final third of the book picks up where Bernice left off in 2007, with family members from younger generations contributing their tales of growing up with Bernice as a family figurehead. There you see the charming flipside of outsider perspective, how the family viewed her as a proud and active individual with a passion for travel and sports.
Reading this book you feel as if Bernice is in the room with you, recounting her tales besides a roaring fire. It’s a comforting feeling that comes through on every page. And while Bernice’s tone of voice and writing style does make the pacing a tad slower, it does make for a more gentler, steady read.
A calm and methodical memoir, Lady Slippers is a charming memoir that will make you want to pick up a journal and start living your own adventures.
Headline: Exploring themes of family, faith, and nature, “Lyrical Voices” is a good collection that needed a bit more variety to stand out
Review:
Lyrical Voices is the new poetry collection by joint collaboration Lakella Taylor and Frankie L. Fipps. Written in a distinctive first person style, poems within this book’s 140 pages include close study on a variety of key themes, including the role of family, faith and nature.
Taylor and Fipps’ poetic styles work well together within conventional approaches, with most poems written as non-rhyming, single stanzas lasting between a quarter to a full page. A highlight within the collection is “Favorite Tune”, which is written to give the impression of a fast tempo, high energy, environment where the speaker is recounting the joy of listening to their favourite song. All of the poems are well thought through and written in a meaningful way, with strong religious undertones feeding through onto the page. Doing so builds a strong sense of Taylor and Fipps’ backgrounds and creative inspirations.
Even though it represents a collaboration between two poets, Taylor’s work dominates the lion’s share of Lyrical Voices, with her poems featuring 123 times, versus Fipps, who includes only 16 of his own. With such a limited involvement, it is questionable as to whether Taylor should have published this book in her own right.
There is also the question of formatting. About halfway through the alignment of the poems switches, from left alignment to centred, with no clear reason as to why stylistically this decision has been made. As a result the change comes across as abrupt and as if two collections have been forced together at some point during the publishing process.
Given the collection spans over a hundred pages in length, the first person perspective becomes quite repetitive after a time. That is not to say the poems themselves are bad, but a differing third person viewpoint would have helped elevate the collection and allowed for expansion of character development and the events and landscapes they interact with.
Lyrical Voices is good, but there are areas where it could have been better. It needed more variety in its approach and better formatting to stand out in a crowded poetry market. Possible food for thought for the publication these two poets turn their attention to.
Headline: Featuring real-world case studies, this guide is a must for marketeers in science
Review:
With the rise of the internet, social media and dwindling attention spans, the economy of attention has never been more valuable. In Elizabeth Chabe’s own words: “At the distinct risk of sounding self-serving…In an era where humanity faces unprecedented challenges such as climate change, resource scarcity, energy deficits, food security, and global health threats, the role of science marketing stands at a critical juncture.”
In her new book, The Giant’s Ladder: The Science Professional’s Blueprint for Marketing Success, Chabe provides a step-by-step guide for those in the field of scientific research looking to promote their research to a wider audience. From how best to communicate, to knowing where to focus energy to get the best return on investment, Chabe’s “seven rung” guide covers all the essential material needed for any would-be marketer.
It is worth noting Chabe’s credentials. A recognised strategic consultant in the fields of science and technology, her previous work in the field has gone on to feature in The New York Times, Popular Science and Entrepreneur, amongst a string of other popular titles. Her (and her team’s) experiences supporting scientific firms to achieve funding goals are dropped in throughout, providing real world case studies which help support the broad discussion topics presented.
As books go, this is expertly written, with a clear and engaging writing style that strikes the perfect balance between formal and informal. Content is presented nicely on the page through mixed use of tables, bullet points, diagrams and block paragraphs, and is communicated in succinctly with key they takeaways listed at the end of each chapter. The varied style helps keep the book engaging cover-to-cover.
While it is overstated to say that this book will solve all the world’s problems, anything that contributes towards the cure is no bad thing, especially when it comes packaged like this. The sooner more news feeds on social media become less bogged down in clickbait trivia and destructive wars, and more on the drive toward a sustainable and peaceful world, the better.
My Housemate's a Mermaid 