It’s not often I hop onto my soapbox, least of all on anything bordering on political. That’s not what 99% of you guys came here for, to be quite honest it’s not really what I came here for. However it has now reached a stage where I cannot sit here in good faith and say nothing.
Back in March 2020, at the start of the first UK wide lockdown, all museums and attractions across England were forced to close. This included Swindon Museum and Art Gallery (SMAG), a small site located in the heart of the town’s oldest district. Like all respecting patrons of art and culture institutions up and down the country, I fully supported this government-enforced directive.
On the ending of the first lockdown in Summer 2020, Swindon Borough Council refused to reopen SMAG. While other heritage sites reopened their doors, awash with safety posters and guidance on basic handwashing, the chains around SMAG’s grand entranceway continued to rust with dejection. Now, in August 2021, dejection has slipped into acceptance, the rust into rot. It feels like culture was never here at all.
Throughout the assorted protests and disjointed cries from local residents, the council has strongly defended their decision, stating this move is only intended as a short-term measure. Other rumours speculate Covid being used as a thin veil of scapegoating the closure on underlying problems the council had been failing to redress for years, including low footfall, costly repairs and accessibility issues. This, and the proposed £33,000 per year saving it would make to the local budget, at a time when the council needs to urgently balance the books.
For the years I have lived in Swindon, I openly admit to being less that a frequent visitor to SMAG. In fact, one of the few visitations I made was on a first date with my (now) ex boyfriend, which dates it very well. It was a long time ago.
But, on the few times I went, I enjoyed it. Aside from the unchanging artefact exhibits (complete with the much-loved “Apsley the Croc”), there was also an extensive art collection which went through frequent rotations. I was never a fan of the 1960s extension, bolted on in the 1960s, but as far as the contents was concerned I respected and enjoyed the contents for what they offered. Only in hindsight do I realise how little I fully appreciated what we had; now it’s gone.
In some ways the council’s decision to close SMAG is predictable. For years, concern was tempered with optimism over plans to relocate the museum to a newly constructed “Cultural Quarter”, proposed as part of a 2019 bid for Heritage Lottery Funding. Housed closer to the train station, the site would also contain a digital media centre, dance studio, and an expanded 1200-seat Wyvern Theatre. It was estimated to cost £80 million to build, create up to 1200 jobs and pump in an estimated £35 million into the local economy. Sadly, this bid proved to be unsuccessful.
At the time of writing (August 2021), all capital investment projects are on hold. Headlines will often cite the pandemic as the main reason, however the pessimist in me would also cite that by the council’s own omission, work on constructing the theatre alone wasn’t due to start until 2025. In other words, this project was always going to be a slow burner.
During the course of writing this article, I’ve discovered Swindon Borough Council are now considering different options, including having an “Art Pavilion”, and/or touring Art and collections in pop-up spaces, in a format being referred to as “Museums Without Walls”. Citing the museum elsewhere is also being considered. But these conversations are incredibly early in the process, and this response is quite possibly driven by community action by the Friends Swindon Museum and Art Gallery group (and local news coverage). Where the preservation of Arts and Culture is concerned, it shouldn’t take a group of people shouting and screaming to force the hand of local government. When the justification reads as “temporary closure, due to Covid”, was the expectation that we’d all forget? That we wouldn’t care?
Why does it matter?
I get it, not everyone is big into History; not everyone enjoys stuffy old exhibits and random bits of art. And that’s absolutely fine. But here’s the thing, when you’re sat in a boxy little room, planning ahead for the future, it becomes increasingly harder to pitch your town as being a “place to be”, “up and coming” or a “desirable” if with the other hand, you’re eroding the cultural bedrock on which it stands.
It’s why most towns in the UK will have a heritage centre of some size. It celebrates and brings communities together or, to be a bit more cold-hearted, it adds to the sales pitch. “Move to Swindon, we have…houses”, it doesn’t quite butter the parsnips.
Yes, the museum had a small footfall and yes, there were many areas in which it was crying out for improvement, but we’ve slept-walked into losing another thing that celebrated this town for what it was. With it, and an increasing trend of young professionals adopting WFB (Work From Bedroom) jobs, I fear we’ll start losing the point of why any of us are here at all.
So, where does this place the arts and culture in this sprawling town? It seems the future is set to remain uncertain indefinitely. And this post only relates to one type of cultural attraction; novels could be written of the erosion of a good deal of other services (libraries, community groups etc) in the years leading up to 2020.
In light of all this, I have only one thing to ask of the local council; don’t use Covid-19 as an excuse for a move that can only be described as closure culture. Because, at the end of the day, I think we’re all smarter than that, don’t you?
Swindon Museum and Art Gallery website: https://www.swindonmuseumandartgallery.org.uk/
Friends of Swindon Museum and Art Gallery: https://friendsofsmag.org/
Petition to Save Swindon Museum and Art Gallery: https://www.change.org/p/swindon-borough-council-save-the-swindon-museum-and-art-gallery
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One thought on “Opinion: Don’t use Covid-19 as an Excuse for “Closure Culture” of the Arts”
Many thanks Alice for your article – I think you made a key point that Swindon has to stand for something, or a collection of ‘things’ that total something.
SBC seem to be an example of a body that knows the cost of everything and the value of nothing.