Revisiting Museum and Art Swindon

On a sunny Saturday afternoon in mid-February it struck me that I need a dose of culture.

I’d last visited Swindon’s art and artefact collection in Apsley House eight plus years ago. At the time I’d written about it within a list of things to do on a weekend morning. Years later, I published an article where I expressed my frustration at the closure of Swindon museum and art gallery.

External view of Museum and Art Swindon, which is located on the first floor

Museum and Art Swindon (M&AS) had cited its move from Apsley House in Old Town as being due to the pandemic, poor accessibility and spiralling costs to keep the listed building maintained. Some of the permanent exhibits were also becoming outdated, and the collection’s extensive catalogue of art was seeing minimal rotation.

Assuming you find the right building on Euclid Street, (I initially tried to open the door of the neighbouring building run by the police…), on the first floor you are welcomed by wide corridors and friendly staff in an area designated for the shop and permanent exhibitions. This space offers an introduction to M&AS, including its history and collection highlights.

Clarice Cliff Ceramics on display in Museum and Art Swindon (M&AS)

From the opening “Origins” exhibition in the centre, one wing focuses on the history of Swindon, the other features rotational exhibits. At the time of visiting there was only one exhibit available to walk around, titled “Un/common People.” This exhibit included physical objects, photos, paintings and a looped video to showcase a variety of perspectives to the region’s varied folk traditions. There was also a feature of the surreal “Hob-Nob”, a horse-like character that flanked the “Salisbury Giant” during annual processions. I haven’t looked at a biscuit in the same way since.

“Un/Common People: Folk Culture in Wessex” exhibition
The Salisbury “Hob-Nob”

The history Swindon wing has seen arguably the bigger transformation. While informative, the collections in Apsley House did have a reputation for being old-fashioned and stuffy, and felt very much like a product of the latter half of the twentieth century. It gave me a feeling of “here is a cabinet of fossils, what more do you want?”

This half of M&AS, which blends environmental and human history, is fresher and the tone of voice much more engaging. There is plenty to learn, for instance I had no idea that the first Stegosaur remains were discovered in Swindon, the bones of which have since been scooped up and are now displayed in the Natural History Museum in London.

Information board, detailing the discovery of “The Swindon Stegosaur”

Jump forward multiple rooms of human development, and visitors are carted to the near present day. A small display of Covid-19 information leaflets summarises recent events, alongside a request for donations to help develop the museum’s collection.

Photo of Swindon’s infamous “magic roundabout” shortly after it was opened in the 1970s

The way information was presented by curators and staff left me with the notion that Swindon’s rapid population growth has done little to fix the fundamental challenges that started appearing centuries ago. The two separate communities of “Old Town” and “New Town” have never really come together, contributing towards a lack of historic centre and, by association, the modern-day tongue-in-cheek reputation of this Wiltshire town. Whether that was the right message to take away or not, it certainly left an impression on me.

From a timeline of historical events occurring nationally and in Swindon town. Turns out Swindon has a few “claim to fames”

My overall thoughts on M&AS? A significant improvement on the previous exhibits at Apsley House and well worth an hour or two of anyone’s time (especially as it is free to enter). Would I make a special trip out to visit it? Probably not. There is no parking at the museum itself, and while there are plenty of council-owned carparks in the vicinity, you will be at the mercy of a pay and display. Museum and Art Swindon is also not the easiest name to remember, not when you consider it was called Swindon Museum and Art Gallery until 2021.

If I was a betting woman, I would put the rebrand down the council wanting to distance itself from its previous home at Apsley House and the highly vocal “Save Our Croc” campaign group. For those less familiar, in true Swindon fashion a stuffed gharial became a mascot and somewhat national treasure to the town, a permanent feature in Apsley House’s fossil room. From this 2023 report, it has been carefully restored, however it is unlikely to feature in the new museum due to its size. After decades of school visits and family trips, the croc was a cross-generational unifier, beyond politics, age or race. Entirely personal opinion, but I just don’t see that level of artefact connection happening with anything in the new M&AS. It is one of those stand-alone items that has so much history by simply existing. A stuffed gharial.

Anyway, after that tangent, we’ll move onto closing words.

The Swindon gharial, on display in Apsley House. The museum’s former location closed in 2021. Photo credit, Swindon Advertiser.

M&AS isn’t the 2020 promise of a cultural quarter. Swindon’s residents will continue to dream of their town becoming, “an internationally recognised exemplar of sustainable, liveable development, [with] world class facilities for the arts and heritage.” However, M&AS does give Swindon something to be proud of and in the face of the jabs and jibes and the relegated gharials, I’d take that as a resounding win.

Museum and Art Swindon is open Tuesday – Saturday, 10:30 – 16:30. For more information, visit their website: https://www.museumartswindon.com/

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Book Review: “Back Focus: My Life Behind the Reality Lens” by DJ Cash Bar

Rating: 5 stars

Headline: An eye-opening memoir, unveiling the hidden backstories behind reality TV production in the 2000s

Review:

I have to admit, I am a bit of a reality television fiend. I used to be worse, but having sat through an entire series of Love Island in 2018 and realised my whole summer of nightly viewing could be condensed down to a eight minute “best of” reel, that was when I knew something had to change. Of course, nothing would really change until 2022, after my friend and I went on binge viewing of Netflix’s The Ultimatum. At 4am I was pumped full of iced tea and questions, mostly about myself.

It is because of my historic relationship with it that I have always remained fascinated by the history of reality television. Using their set nickname, “DJ Cash Bar” pens this no holds barred memoir, Back Focus: My Life Behind the Reality Lens. The camera operator, turned author, began their career in the early-mid noughties, during the often dubbed “Wild West” period of reality TV. Think There’s Something About Miriam and Kid Nation, but before I Wanna Marry “Harry“. It was around the dawn of reality television, where producers were still grappling with the genre and constantly pushing the boundaries (and budgets) to see what sticked with a growing viewership. Rules and safety were scarce and participant welfare was, in cases, non-existent.

Reading this memoir is both a fascinating and disturbing read, showcasing some of the challenging conditions placed on those working behind the scenes to churn out instant hits. The thirty hour working days and the ingrained abuse of drug and alcohol is to only but scratch the surface of the culture. As a memoir, it is well written and gives a lot of detail to the various productions the author-camera operator worked on. No colleagues or production titles are named directly, however the book contains enough crumbs to easily establish the full facts (alongside the production’s associated on-screen controversies).

While a lot of exposure has been given in recent years to the experience of participants and “cast” on reality television, it feels only fair that those behind the lens get their turn too. Within Back Focus: My Life Behind the Reality Lens, there is no glitz or glamour, replaced instead with cold, sober truths and, somewhat ironically, the harsh reality of television production during the noughties.

AEB Reviews

Links:

Reedsy Discovery Review: AEB Reviews – “Back Focus: My Life Behind the Reality Lens” by DJ Cashbar

Purchase Link: “Back Focus: My Life Behind the Reality Lens” by DJ Cashbar (Amazon)

Author Website: Back Focus by DJ Cash Bar (backfocusbook.com)

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This book cover: discuss

One of the many “quirks” of sitting in a number of bookish related chats are the covers that authors bound around for feedback. Of all of them, this one seemed to raise more questions. I’ll let you decide why.

Bearing in mind little to no context was issued by the author, at the time he just wanted design feedback. Standard things, like, “does it grab your attention?”, “is the font legible?”, “is the design overall a good fit?”

From doing a quick search on Amazon, it would appear the book has yet to be published. So keep an eye out, because you never know with these things!

(Oh, and in case there was any doubt, I was very much in the “not a fan” club.)

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Book Review: “Ballad of Burnout” by Kerry Makin-Byrd

Rating: 2 stars

Headline: Writing about such a challenging topic was never going to be easy and, for me, this book missed the mark

Review:

Ballard of Burnout by Kerry Makin-Byrd is both poetic in nature whilst also leaning towards prose. It details the narrator’s personal experiences (presumably Makin-Byrd’s) in a stressful work environment, causing symptoms many of us would recognise and identify as the mental health condition, burnout.

The book covers the events before, during and after with an optimistic look to the future of what life holds following the traumatic experiences detailed over twelve chapters/verses that run as one continuation. It is for this reason the use of the term “ballad” is used in the book’s title, a monologue of one person’s experiences. In this overarching ballad Makin-Byrd utilises a range of poetic devices, from traditional stanzas, to chunks of prose and ad-hoc use of centred text. On several occasions we also see bullet points of meaty text, possibly a humorous jab at working environments where bullet points are overly used to excess. This latter point could be my own reasoning though.

And this is where I struggle with Ballard of Burnout. Writing about such a challenging topic was never going to be easy, but here the writing style feels particularly detached, almost upsettingly so. I want so badly to resonate with the author’s words, to see something within the text and pull at a strand of relatability. After all, stress in the workplace hardly an uncommon sight. But that moment, it just never seems to come. There is no insight into the type of workplace and very limited attempts at worldbuilding; the location, the employment sector, even a flavour of the personal relationships held by the narrator, these are elements that felt lacking. Coupled with the sporadic layouts of text, it makes the content feel a little flat and disjointed.

The writing quality on a micro, line-by-line basis, is good but by incorporating a broader view of the narrator’s environment it can only make for a more colourful reading experience all ways round. Food for thought for the next publication Makin-Byrd puts her hand to.

AEB Reviews

Links:

Reedsy Discovery Review: AEB Reviews – “Ballad of Burnout” by Kerry Makin-Byrd

Purchase Link: https://www.balladofburnout.com

Author Website: https://drkerrymakinbyrd.com

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Writing motivation

This one goes out for anyone needing writing inspiration, as something I stumbled across when procrastinating on YouTube.

And, for what it’s worth, the first clip felt relatable in the most hilarious way. (I certainly have had my head turned once or twice for a good muffin.)

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Book Review: “Lady Slippers: A Memoir” by Melissa Deetz

Rating: 4 stars

Headline: Bernice Dietrich’s charming memoir showcases a life lived to the fullest

Review:

A good deal of memoirs are written in response to a triggering incident, covering only a fraction of someone’s lived experiences. There is, however, something quite homely about memoirs that paint a full picture of an individual, especially if it is reflective of a life well lived.

Lady Slippers very much falls into this second camp of memoir. Written by Bernice Dietrich (completed and published by Melissa Bini), the book covers the full 102 years of Bernice’s colourful life. Born and raised in 1920s Staten Island, America, Bernice’s life was bookended by two pandemics with a World War in between. Told through her own words, Bernice paints a colourful picture of the experiences she had growing up, falling in love and forging a family of her own. As she documents her experiences Bernice’s words draw in subtle cultural and political changes, including the changing American healthcare system that went through a rapid pace of evolution throughout the 20th century, from the advances in medical treatment to the erosion of local community services. Bernice’s tale takes the reader up until 2007, when she stopped her memoir. She would go on to live for almost 15 years more, sadly passing away in 2022.

The final third of the book picks up where Bernice left off in 2007, with family members from younger generations contributing their tales of growing up with Bernice as a family figurehead. There you see the charming flipside of outsider perspective, how the family viewed her as a proud and active individual with a passion for travel and sports.

Reading this book you feel as if Bernice is in the room with you, recounting her tales besides a roaring fire. It’s a comforting feeling that comes through on every page. And while Bernice’s tone of voice and writing style does make the pacing a tad slower, it does make for a more gentler, steady read.

A calm and methodical memoir, Lady Slippers is a charming memoir that will make you want to pick up a journal and start living your own adventures.

AEB Reviews

Links:

Reedsy Discovery Review: AEB Reviews – “Lady Slippers: A Memoir” by Melissa Deetz

Purchase Link: “Lady Slippers: A Memoir” by Melissa Deetz (Amazon)

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If watching Lion King isn’t the best way to spend Valentine’s Day, then shoot me now

As we head into another year of celebrating commercial romanceiness (isn’t a word, but should be), here is a reminder to you (and my partner), that in 2013 my idea of a successful Valentine’s Day looked very different.

It looked like this:

And you know what? I still would class that as a great way to spend Valentine’s, single or not.

Pps, I remember buying the trilogy in a HMV store, back when the boxset was on sale for £10. I’m amazed I was this calm and collected when I typed that social media status, to say I was buzzin’ would be a vast understatement.

By the way, I was nervous of using *actual* Lion King imagery for this article’s featured image, so I’ve used this delightful piece of fan art.

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Poetry Review: “Lyrical Voices” by Lakella Taylor and Frankie L. Fipps

Rating: 3 stars

Headline: Exploring themes of family, faith, and nature, “Lyrical Voices” is a good collection that needed a bit more variety to stand out

Review:

Lyrical Voices is the new poetry collection by joint collaboration Lakella Taylor and Frankie L. Fipps. Written in a distinctive first person style, poems within this book’s 140 pages include close study on a variety of key themes, including the role of family, faith and nature.

Taylor and Fipps’ poetic styles work well together within conventional approaches, with most poems written as non-rhyming, single stanzas lasting between a quarter to a full page. A highlight within the collection is “Favorite Tune”, which is written to give the impression of a fast tempo, high energy, environment where the speaker is recounting the joy of listening to their favourite song. All of the poems are well thought through and written in a meaningful way, with strong religious undertones feeding through onto the page. Doing so builds a strong sense of Taylor and Fipps’ backgrounds and creative inspirations.

Even though it represents a collaboration between two poets, Taylor’s work dominates the lion’s share of Lyrical Voices, with her poems featuring 123 times, versus Fipps, who includes only 16 of his own. With such a limited involvement, it is questionable as to whether Taylor should have published this book in her own right.

There is also the question of formatting. About halfway through the alignment of the poems switches, from left alignment to centred, with no clear reason as to why stylistically this decision has been made. As a result the change comes across as abrupt and as if two collections have been forced together at some point during the publishing process.

Given the collection spans over a hundred pages in length, the first person perspective becomes quite repetitive after a time. That is not to say the poems themselves are bad, but a differing third person viewpoint would have helped elevate the collection and allowed for expansion of character development and the events and landscapes they interact with.

Lyrical Voices is good, but there are areas where it could have been better. It needed more variety in its approach and better formatting to stand out in a crowded poetry market. Possible food for thought for the publication these two poets turn their attention to.

AEB Reviews

Links:

Reedsy Discovery Review: AEB Reviews – “Lyrical Voices” by Lakella Taylor and Frankie L. Fipps

Purchase Link: “Lyrical Voices” by Lakella Taylor and Frankie L. Fipps (Amazon)

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*VIDEO* New York ’24

In September, Boyfriend Ben and I had an utterly amazing holiday in New York.

The last few months have been a labour of love, sifting through the literal piles of photographs and video clips. With Christmas out of the way and the start of 2025 ushering in a more predictable schedule, I was finally able to find the time to work on the video project, that has become the norm for many of my travelling’s.

As always, this vid comes with the very much homemade feel (no fancy video equipment or expertise here!) We hope you enjoy watching this as much as we enjoyed waking up every morning to this view. ❤️

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Book Review: “The Giant’s Ladder: The Science Professional’s Blueprint for Marketing Success” by Elizabeth Chabe

Rating: 5 stars

Headline: Featuring real-world case studies, this guide is a must for marketeers in science

Review:

With the rise of the internet, social media and dwindling attention spans, the economy of attention has never been more valuable. In Elizabeth Chabe’s own words: “At the distinct risk of sounding self-serving…In an era where humanity faces unprecedented challenges such as climate change, resource scarcity, energy deficits, food security, and global health threats, the role of science marketing stands at a critical juncture.”

In her new book, The Giant’s Ladder: The Science Professional’s Blueprint for Marketing Success, Chabe provides a step-by-step guide for those in the field of scientific research looking to promote their research to a wider audience. From how best to communicate, to knowing where to focus energy to get the best return on investment, Chabe’s “seven rung” guide covers all the essential material needed for any would-be marketer.

It is worth noting Chabe’s credentials. A recognised strategic consultant in the fields of science and technology, her previous work in the field has gone on to feature in The New York Times, Popular Science and Entrepreneur, amongst a string of other popular titles. Her (and her team’s) experiences supporting scientific firms to achieve funding goals are dropped in throughout, providing real world case studies which help support the broad discussion topics presented.

As books go, this is expertly written, with a clear and engaging writing style that strikes the perfect balance between formal and informal. Content is presented nicely on the page through mixed use of tables, bullet points, diagrams and block paragraphs, and is communicated in succinctly with key they takeaways listed at the end of each chapter. The varied style helps keep the book engaging cover-to-cover.

While it is overstated to say that this book will solve all the world’s problems, anything that contributes towards the cure is no bad thing, especially when it comes packaged like this. The sooner more news feeds on social media become less bogged down in clickbait trivia and destructive wars, and more on the drive toward a sustainable and peaceful world, the better.

AEB Reviews

Links:

Reedsy Discovery Review: AEB Reviews – “The Giant’s Ladder…” by Elizabeth Chabe

Purchase Link: “The Giant’s Ladder…” by Elizabeth Chabe (Amazon)

Author Website: https://elizabethchabe.com/

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