Book Review: “Teaching Kids Good Money Habits” by Mario A. Vasquez

Rating: 5 stars

Headline: Essential reading for any parent tackling the knotty topic of financial education

Review:

In the modern day and age it is hard to know how to best impart financial guidance on the young minds of the future, with many parents are left wondering how to best teach their children about the value of money in a society where many items are acquired with lightest of taps from a piece of coloured plastic.

In Teaching Kids Good Money Habits, author Mario A. Vasquez details the seven ways parents can support their children to become more financially literate. As well as being grounded in the author’s educational credentials, it is a guide written by a parent, for parents. In the view of Vasquez, no child is too young or too old to start receiving a financial education. There are one or two exceptions to this, including in the opening chapter on teaching the value of money, but otherwise this is a book best treated as a catch-all guide for any and all children aged four years to sixteen.

Teaching Kids Good Money Habits is a good, informative guide. As a book it broadly aims to demystify the knotty topic of financial education, helping parents bridge the gap where, through funding cuts and a restrictive timetable, state education services are not able. The tone of voice is nicely balanced so content never feels overwhelmingly tedious or too overly informal which is perfect for the intended parental audience with formatting constructed of block paragraphs. With a page length coming in at around 120 pages it feels like a manageable guide for any time-strapped parent.

Essential reading for any parent tackling the knotty topic of financial education, Teaching Kids Good Money Habits is a book I would recommend to adults; it is worthy of the reading time investment and very much worthy of a five star review.

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Poetry Review: “Cairo” by Kolton Lane

Rating: A well-written poetry collection set across the shores of America and Egypt

Headline: 4 stars

Review:

Cairo is the new poetry collection from the author Kolton Lane. Despite the title, Cairo splits itself into two distinct geographical regions, the first half focusing itself on America and the second on Egypt. There is also a final third section which is comprised of a short story titled “Inseparable Threads”, which is set in Kansas, America.

Poems in this book follow what many would consider to be a traditionalist, conventional style of poetry, with block stanzas and rhyming couples used frequently to great effect. There is a sense of clam and ease while reading the poems, that nothing within the reader’s eye needs to be rushed. Personal favourites include the poems “Waters of the Nile” and “Dust Storms” which romanticises the arterial river which dominates the very fabric of what Egypt is and was.

The inclusion of the short story “Inseparable Threads” feels a bit out of kilter with the rest of the book. While like the rest of the book, the words are well written, by the author’s own admission, it is not a integral part of the collection. In the foreword preceding the story, Lane states, “who knows, maybe the next book may be a collection of short stories.” It is an element that probably should have been debuted elsewhere. The title of this book, Cairo, might also have benefitted from being more flattering to the boarder locations referenced, seeing as the first half the book is set in America and the second half does not limit itself to the city boarders of the Egyptian capital.

When it comes to poetry, the best collections are the ones with either a sense of urgency or a sense of place. With Cairo, Lane has successfully managed to target the latter camp to great effect. With poems that are well put together with nice deployment of visual language, reading this book will make you long for sunny days on distant shores.

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Book Review: “How Academics Get Published” by Charles Bewlay

Rating: 3 stars

Headline: Insightful guidance on academic publishing, at the cost of a slightly condescending tone

Review:

A publisher with over forty years experience in various publishing roles, Charles Bewlay comes to the table with a wealth of extensive knowledge, a significant factor that helps support the basis of his debut title, How Academics Get Published. Coming in at 81 pages, this is a book which by all accounts intended as a short read for any would-be academics wishing to see their work in print.

Throughout the book, Bewlay provides plenty of informative guidance and countless supportive illustrative examples. This includes how to format material for academic textbooks, referencing and comprehensive data tables and graphs. A large number of helpful tips and author anecdotes are dotted at key intervals within chapter. As a book, How Academics Get Published is also well referenced in itself, with the author providing several other notable texts for further reading at the end of the book.

Although it comes in with a shorter page count, the length is more than made up for by the density of text on the page. It is this, coupled with the variation of differing font styles and colours that can make the text feel somewhat overwhelming and distracting at points. There are also instances where the tone of voice comes across as somewhat condescending. For example, when Bewlay provides an anecdote of when he confronted a teacher for photocopying a Maths textbook for classroom uses. Although it is true that copyright law needs to be taken into serious consideration by any academic, I know from personal experience (as a student) and indirect experience (many members of my family are teachers) that the photocopying of academic textbooks is commonplace in the English educational system to the point of acceptance. I do not think Bewlay means to belittle, but within this book the tone of voice can feel somewhat misplaced.

How Academics Get Published contains a number of useful nuggets of guidance and information. It is clear that Bewlay has approached this book with a strong will to impart his experience on a fresh readership. What is less clear is exactly which age demographic of readers he is looking to educate, and the tone of voice used to engage with them. As reference guides go, it is a good starting point for readers, but not necessarily the end goal.

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Poetry Review: “Uprooted – A Season of Grief” by Mary Ann Burrows

Rating:5 stars

Headline: Written with skill and depth – for a book so short, there is so much to take away

Review:

Uprooted – A Season of Grief is the new poetry collection from author Ann Burrows. Living near Vancouver, Burrows turns her pen towards a reflective collection that centres around themes of grief and grief survivorship. Spanning 108 pages, Uprooted bases itself around the four seasons, from Autumn to Summer. The collection is bookended with a foreword from Rick Diamond, a personal friend of Burrows, and an epilogue penned by the author.

Uprooted is focused purely on grief and Burrows’ handling of it following the tragic loss of her father. While there are occasional glimpses of optimism and joy, the focus on loss is very much present throughout. Regardless of the “season”, Burrows raw emotion and determination is evident throughout. Personal highlights include the poems “0 Avenue”, “Letting Go”, and “The World Needs Poets”. In one touching poem, “Sorrow is a Stone”, Burrows manages to capture the essence of grief in one succinct stanza:

Grief is a cold draft—
howling through lava rock walls,
then gone, its echo lingering,
sprinkled on the ground like rain,
woven through the air like lemon eucalyptus.

Where a multitude of poets and authors struggled to convey grief, Burrows only needs five lines to distil an entire emotion. And the above comes from a poem located early in the collection, it is not even the final flourish. Instead, it calmly sets the scene for the exploratory works that follow, varying from the superficial to the abstract. In addition to this, there has to be a small, but notable, mention to the artwork which features on both the cover design and transferred over into black and white for each “season” heading. There are few words to say, it’s a beautiful piece of design.

Crafted using a combination of traditional and unorthodox poetry structures, Uprooted is an emotionally charged ride, start to finish. For a book so short, there is so much to take away.

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Author Website: https://maryannburrows.com/uprooted-2/

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Book Review: “Celebrity Word Scramble: Famous Names in Music” by Bill Maier

Rating: 2 stars

Headline: This puzzle book left me scratching my head more than scratching my chin

Review:

Celebrity Word Scramble: Famous Names in Music by Bill Maier is a puzzle book, filled with over a hundred unique challenges to test knowledge of famous singers both past and present. As Maier himself proclaims, “Celebrity Word Scramble is intended to interest a wide scope of puzzle lovers with puzzle books on sports, entertainment, history, and literature.” This would imply that Maier intends to release subsequent versions of this book, although at the time of reviewing publication dates were to be confirmed.

The puzzles follow the same approach, scrambled words where the reader has to select the right letters. Over the course of several iterations, with clues to help, the reader is able to piece together an answer to discover the hidden name of the celebrity. An appendix is also included to compare answers to.

While to all intents and purposes this could be a fun little book, I found myself falling down at the first hurdle. No matter how many times I stared at the worked through example on the opening page, I could not work out how the author was able to piece together the word “tunnel” out of the jumble of letters that make up “becrha”. With my brow becoming increasingly furrowed over what was meant to be a simple example, you can imagine how I got on with the actual word puzzles. After staring at the first three for five long minutes with little joy, I simply gave up.

With puzzle books it is hard to be truly unbiased. I fully accept that to a seasoned puzzle goer the nature of this book could be very straightforward but equally I have to reflect on this book being advertised as suitable for a wide range of readers, including those looking for a quick pick-up. In this case it is not something I can readily recommend; the questions themselves were just too complicated for me to grasp.

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Book Review: “Marketing Launchpad: The Ultimate, No-Fluff Marketing Book for Women in Business” by Racquel Collard

Rating: 4 stars

Headline: The essential marketing guide for anyone striving to become an earth-shaker in business

Review:

Marketing Launchpad: The Ultimate, No-Fluff Marketing Book for Women in Business (hereafter Marketing Launchpad) by Racquel Collard is billed as its title suggests, a direct and essential guide for women who want to take their marketing strategy (and thereby their business) to the next level. Split into three parts; “focus”, “clarity” and “bringing it all together”, Collard’s writing approach is to simplify the needless complexities of the business world and empower women to not only fight for their fair share of the market but also realise their full potential by removing imposter syndrome out of the equation.

The writing structure in this book is balanced and varied to optimise engagement, providing a number of hypothetical and real world examples (although the latter tends to be more focused on the well trodden, big name players such as branding heavyweight Apple). The book also includes colourful and attention-grabbing imagery, exercises and worksheets, as defined by the heading “time to take action”. These worksheets appear at the end of chapters and compliment the preceding content in a way that makes the tasks easy to complete and not cumbersome for readers.

Central to this book is what Collard refers to as “the marketing funnel”, an essential awareness behind every successful entrepreneur of the customer journey, from a potential client to a loyal and repeat customer. Later on in this book this simple model is applied to other aspects of marketing business, including types and purpose of a product and how these elements align with customer interest and sentiment.

Marketing Launchpad makes for a good read as something that would suit pretty much anyone going into business (despite its title, I would argue there is nothing contained here to particularly excludes a male readership). That said, using positive imagery to promote women is certainly no bad thing and in a market dominated by generic business guides with vague titles Collard has set herself from the pack by singling out a female market. It is a book that gives two fingers to the term imposter syndrome and for that alone it is a book to be likened.

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Author Website: https://www.marketinglaunchpad.com.au/

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Poetry Review: “This Is Wisdom: By Understanding My Poetry” by Ronnell Beaty

Rating: 2 stars

Headline: “This is Wisdom”: a poetry collection driven by passion but executed in a way that feels somewhat lacking

Review:

This is Wisdom: By Understanding My Poetry, is a collection of poems penned by author Ronnell Beaty.

Spanning 244 pages, the poetry collection itself covers around 200 pages. Topics of Beaty’s writing includes the spiritual and physical, as the reader transverses the inner workings of the poet’s deepest thoughts.
Most of the poems in Beaty’s collection are constructed as one line stanzas, with key words or phrases formatted in a bold typeface for added emphasis. This often results in a tone of voice that is either very punchy, or symbolic of the monotony of mundane human thoughts, witnessed strongly in the poem “I Be The First To Listen – And The Last To Speak!”. In this poem, Beaty transports readers into the head space of someone stripped of their voice. The deployment of repetition in this poem strikes out acutely across the stanzas, including the lines, “I don’t, // Even speak. // I just: // Listen… // I just: // Listen…” Used in this way Beaty’s words showcase an individual reduced to boredom, or even submission itself.

While there are some respectable elements of this collection, Beaty’s overuse of the same poetic style is repetitive and dry. There is a lack of variety to demonstrate the artistic merit of the author and, by keeping the tone of voice monotonous, it does tend to inspire feelings of boredom within the readership Beaty strives to inspire.


In additional to this, and despite the book presenting itself as quick read, the number of poems in this monosyllabic style becomes hard to overlook. It is what prevents This is Wisdom from inspiring much beyond a stifled yawn. There is talent in Beaty, so potentially the collection would have benefitted from being split into two distinctive books, done so to include more variety of poetic deployments.

A poetry collection driven by passion, This Is Wisdom is executed in a way that sadly feels somewhat lacking.


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Book Review: “Lost in Beirut: A True Story of Love, Loss and War” by Ashe and Magdalena Stevens

Rating: 4 stars

Headline: This darkly beautiful memoir yanks you in by the collar and refuses to let go

Review:

‘The past is a foreign country; they do things differently there’” were the words of L.P. Hartley, a quote strikingly applicable to the Middle East experiences of Ashe Stevens during 2006, while working in the Lebanese capital city of Beirut.

Jointly written with Magdalena, Ashe Stevens’ memoir Lost in Beirut starts as two business partners trying to orchestrate a concert for the rapper 50 Cent. A first time traveller to the region, Ashe is thrown headfirst into a strikingly different culture to his American roots. A place where economies halt five times a day for prayers and family reputation is everything. Ashe quickly discovers the latter for himself when he starts dating Aleyna, a woman who hails from a high-profile family in the Hezbollah district of Beirut.

Unknown to the city’s bustling residents, while the stage is being prepared for a career-defining concert, a bigger threat is brewing across the boarder in nearby Israel. In the days that follow, society is flipped from prosperity and glamour into a landscape where money means nothing and an American accent is enough to have you killed on sight. With the airport bombed and all roads out the country destroyed, Ashe must fight a new battle of his own and find an escape from within the rubble of Beirut.

Lost in Beirut is a highly likeable book, packed with beautiful imagery of a thriving city both before and after the months of bombing attacks. Written in first person present, it does take a few chapters to adapt to the tone of voice and tense (memoirs generally being written in past tense which makes for a more reflective style, whereas this feels more reactive). Once you get past this though the story yanks you in by the collar and refuses to let go, really coming into its own in the final third of the book where you get a sense of society falling apart. The world-building is more apocalyptic in this section, you can feel the raw panic of the mega rich on discovering their money is worthless, their expansive villas levelled flat in minutes. You would believe it to be a work of pure fiction, if it were not for the sadness that these events are true and actually happened. People died in this conflict.

A touching and, at points, quite graphic memoir, I come back to Hartley’s quote. With well over a decade having transpired between the 2006 Lebanese war and now, can we still claim the past to be a wholly foreign country? Or maybe we have to move on, embracing acceptance with the scars that are left.

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Author Website: https://lostinbeirut.com/

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Book Review: “Matleisure: Maternity Leave Survival Guide & The Art of Enjoying It” by Emily Malloy

Rating: 5 stars

Headline: When it comes to navigating the world of maternity leave, this book does it all

Review:

As authors of self help guides go, Emily Malloy has pretty much everything you need to make a good book, great. A Canadian advertising professional with fifteen years of experience, bachelor in economics under her belt and a mother of two. Malloy uses her experience in the latter category to pen her recent publication, Matleisure: Maternity Leave Survival Guide & The Art of Enjoying It (hereafter Matleisure).

Matleisure covers a wide range of topics for expectant mothers, from monetary finances to the importance of building a community and nutrition nourishment. The book’s tone of voice is informal in approach yet informative, with Malloy providing plenty of hints and tips throughout from her own personal experiences of going through maternity leave. There are even some handy recommendations in a bonus section at the end, including several recipes that are both healthy and easy to make (recipes you do not need to be pregnant to enjoy!) The formatting of the book is also complimentary, with chapters kept to a reasonable length and the font adjusted to an appropriate size for easy reading.

Even if the arrival of a child is the bringer of ultimate highs and bottomless lows, Malloy’s guidance helps steer parents through the fog and out the other side. Matleisure demystifies many of the false expectations and ideals of parental life, encouraging parents to embrace and enjoy this time in their lives. For some topics where an intermediary may be required, Malloy helpfully provides contact information of third party charities and services (some of these are tailored toward American and Canadian audiences, however for the most part Matleisure has universal appeal).

Matleisure is a very easy-going read and one that is highly commendable. When it comes to navigating the world of maternity leave, this book does it all.

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Author’s Website: EMILY MALLOY

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Poetry Review: “Let’s meet through the four rhyming lines” by Aazmao Arn

Rating: 3 stars

Headline: Aazmao Arn’s poetry style of four-line rhyming stanzas is homely but just a little bit repetitive

Review:

Aazmao Arn’s poetry release, Let’s meet through the four rhyming lines, speaks to some of the core elements of what it means to be human. Born and raised in the Middle Eastern country of Qatar, Arn’s collection of poems and personal reflections were inspired by her personal drive to give readers a deeper meaning to their feelings and thoughts. Within this humble collection of thirteen poems there is a range of events and worldly interactions, from those that dive down a microscopic lens, considering the ripple effect of perception and appearance, to poems that draw inspiration from nature and how it interacts with humanity. Preceding each poem is a motivational or thought-provoking statement (for example, “Patience”, which reads, “Once you conquer patience, life can get easier.”)

There are some likeable aspects of this collection. By being written consistently in a four line stanza format with rhyming couplets, there comes a methodical and reassuring beat to each page while reading through this short book. It makes for a somewhat comforting and homely style that perfectly matches the book’s title. By constructing her poetry in this manner, Arn’s has made her poetry anything but a drag.

That said, writing in this manner does result in the poetry feeling somewhat repetitive and lacking in imagination. There are occasions where the rhymes feel a bit forced and the stanzas drawn out or abruptly cut off to make them fit into the same cookie-cutter format as all the poems that come before and after. The one sentence statements that fill every other page is also something that, personally, I feel adds little and probably would have been better used to showcase more of Arn’s poetry.

What I would love to see more of in Arn’s creative talents is a broadened use of different poetic styles and types; more variation on the poetic structure and maybe some experimentation beyond the traditional confines of a four line stanza.

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